Sentences with phrase «moving into our new home at»

Moving into their new home at Northendon next year, the club will hope to grow and challenge for the league title again!

We were in the middle of moving into our new home at the time — the whole thing caught me completely off guard!

Moving into your new home at Antigua Village apartments in Fort Worth, TX is a great chance to go through your property and your affairs, making sure that everything is in order and disposing of property you don't need.

Esther Chadwick watches Richard Serra's monumental Five Plates, Two Poles move into a new home at the National Gallery of Art

When you move into your new home at View at Mackenzi, you'll feel safe and protected from the world.

We are moving into our new home at the end of the month.

Not exact matches

But with growth at home slowing, they're moving aggressively into new markets.

I took a job at age fourteen and in October 1983, just shy of our six - year anniversary in America, we moved into a brand - new home in suburban Southern California.

He practically insisted that when we moved to our new home here in Denver four weeks ago that it be what I pour myself into, and has been encouraging me to keep at it the entire way.

Many of us might have looked at City's rise to fame and fortune as the prototype promised land of next levels after we followed their example by moving from an old much loved home into a new stadium at the end of an athletics tournament.

West Ham move into the 60,000 - seater stadium after 112 years at their current ground in east London and joint - chairmen David Sullivan and David Gold told the club's website: «We are delighted to be marking such a monumental day in West Ham United's history by welcoming one of the world's biggest clubs to our fantastic new home.

Alligator snapping turtle gets a new home on Chicago's North Side - Fox 32 Chicago - January 19, 2017 An unusual - looking turtle that needs some room to grow moved into some new digs Thursday at the Peggy Notebaert Nature Museum on Chicago's North Side.

Though 2011 didn't bring home a pennant for the Sox, it did prove to be a winning year for Serpico, who moved his growing family into a new residence at Lexington Square in Bridgeport only a mile away from U.S. Cellular Field, which can be easily seen from his rooftop balcony.

They will move into a new four - bedroom home at The Villages in May.

As my mum and dad moved up the ladder at work they bought our home and later when my dad got a job in a new town, they sold up and we moved into a private house.

At the time, I lived in New York City, but once the home was done, moved back to the Midwest (where the home was located) and started freelancing as a photographer until I applied for my full - time job (which I knew would give me a leg into the editorial food styling industry).

A happily married and expecting couple (Corddry and Bibb) move into their new house, a barely standing but large home in New Orleans that they hope to renovate and sell at a huge profnew house, a barely standing but large home in New Orleans that they hope to renovate and sell at a huge profNew Orleans that they hope to renovate and sell at a huge profit.

But just as any movement becomes identified as such, its members have begun to move into new and different arenas, including Lynn Shelton (Your Sister's Sister) and Jay and Mark Duplass (Jeff, Who Lives at Home).

The New York premiere of «Jean Lewis» (April 21), a short documentary in competition at Tribeca, introduces viewers to a former Hollywood reporter whose fascinating life and famous connections are revealed when she moves into a nursing home and is forced to leave her belongings behind.

Before moving into your new home, it pays to hire a professional home inspector to «lift the lid» and take a close look at things to make sure there are no surprises before closing.

I moved into my new home last week and my FICO score is still at 750 with a clean credit history.

It would be bad for you to move into your new home only to be woke up at two o'clock in the morning to realize you live right beside a noisy railroad.

Although your friends might move into their own apartments, buy new cars, and spend most of their money on fun stuff, consider the benefits of living at home after graduation.

Making the decision to buy a new home, looking at properties, getting financed, going into escrow and then finally closing on your new home and getting moved in.

Just then, I had to move into my new place, so I left Small Boy at my parents» home.

Abandoned and stray cats and dogs will get a new home this summer when the Leesburg Humane Society moves into its new digs.Come mid-August, a new and spacious shelter should be completed and ready for occupancy, said Mary Gerding, president of the Leesburg Humane Society.Now, the society operates out of a cramped and dilapidated building - complete with a leaky roof - off U.S. Highway 441 near the airport.The $ 274,000 shelter will be on 10 acres in northern Lake County on Em - En - El Grove Road, north of Lisbon at the Marion County line.

Sometimes owners must give up their dogs because of medical problems, moving into retirement homes, new baby, divorce, allergies, new house, nipping at the children, etc..

Once you have arrived at your destination, if you are moving into a new home, try and minimize your cat's stress as much as possible.

The criteria for moving into The Village is quite simple: If a Frenchie needs a new home and a fresh start — they are welcome at The Village.

Many of you have seen Bunny at the clinic... and we are happy to report that he is finally ready to move into his new home.

British Airways moved into London Gatwick's South Terminal back in January this year and this was my first chance to take a look at what the airline has done at its new Gatwick home.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

For old - timers at Santa Monica Studio, especially those with us since Day 1, it's hard to believe there was ever a time we moved into an early 1900's train station — yes, our current home is an old train station — and it felt like new.

Once you've moved your Mii into a new home at Mii Apartments, bring the place to life by creating the Mii characters of your family, friends, or anyone else you can think of!

New York (September 14, 2016)-- Swiss Institute (SI) announced today that it will be relocating to a new long - term home in New York City's East Village, moving into a building at the corner of St. Marks Place and Second AvenNew York (September 14, 2016)-- Swiss Institute (SI) announced today that it will be relocating to a new long - term home in New York City's East Village, moving into a building at the corner of St. Marks Place and Second Avennew long - term home in New York City's East Village, moving into a building at the corner of St. Marks Place and Second AvenNew York City's East Village, moving into a building at the corner of St. Marks Place and Second Avenue.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatnew contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatNew York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

On November 17, 1914, Henry Clay Frick and his wife moved into their new residence at 1 East 70th Street, now home of The Frick Collection.

Having only moved into their new home about a month ago, the couple says that they are still working full - time for the next couple of months, but are already developing alternative ways to earn income on the road so that they can work and be location - independent at the same time.

Deep into the negotiations, Graphite had a difficult choice: instruct an entirely new team or stick with its existing lawyers from KWM as they moved to their new home at Reed Smith.

Once you've moved into your new home, you can protect your lifestyle with Huntington at King Farm Apartments renters insurance from Effective Coverage.

Whether you just moved into an Arts & Crafts home in Old Towne, or you plan to open a new business adjacent to the Block at Orange, you need an accurate and easy source of Orange insurance quotes.

Like comparing renters insurance quote providers, a dependable company will perform the job thoroughly at rates you can afford, so you can move forward into your new life without worrying about the condition of your former home.

For new customers who are moving into a new home, MONI offers complete home security packages starting at $ 34.95 per month.

If you have ever set up a new office, or moved into a new home, you know the errands and tasks are endless... or seem that way at times.

If real estate professionals were looking at other factors, rather than listening to their peers, they would have happy clients moving into bargain homes and setting new areas on fire with rising home values.

«With interest rates on the rise, many families wanting to buy are looking to lock - in at current rates and move into their new home before the school year starts.

Sellers may feel excited to be moving into a new home; however, at the same time, they may feel remorse and sadness for leaving family memories behind.

Moving into a new home can be very hectic and exciting at the same time.

At American Property Buyers, we go above and beyond just buying your property; we'll even help you move out and into your brand new home!

For example, sometimes it can be hard to sell and move out of your current home, and buy and move into a new home, all at the same time!