Sentences with phrase «moving objects in»

The Galaxy S7 enjoys fast auto - focus, thanks to its dual - pixel sensor, and Sony's Xperia X promises enhancements aimed at keeping moving objects in focus when that phone arrives this summer.

Also, the rear camera has a new feature called «tracking autofocus», which tracks moving objects in the frame, such as moving cars or kids.

This will also help keep moving objects in focus at all times, avoiding those blurry photos you might end up with on other phones.

These may include Autofocus burst, which tracks and captures sequences of moving objects in sharp focus to avoid blurred action shots, and Predictive Capture that attempts to capture unexpected motion such as your child's smile.

Using infrared laser pulses that bounce off objects and return to the sensor, lidar can detect static and moving objects in considerable detail, day or night.

They function just like stationary stickers, down to the ability to stick them to moving objects in videos — a feature which you might recognize from the GIPHY World ARKit app from last year.

His series Studio Physics thus addresses «the physical phenomena of still and moving objects in space over time» through multidimensional still life compositions, the product of an involved process for which the artist first creates and photographs a still life arrangement — of oranges scattered over a table, for instance.

They can see small moving objects in the distance (such as a paper cup) up to a half - mile away.

Some of the levels will have explosions that will trigger or moving objects in the world that may reduce the frame rate pretty drastically sometimes which is something that can really get in the way of a game that requires precision bike placement.

Therefore, general relativity will leave an imprint in the motion of all moving objects in the universe (creating a deviation in an object's predicted Newtonian motion), and its slight effects become obvious in extremely strong gravitational environments, such as the immediate vicinity of Sgr A *.

These bad connections make it difficult for the rodents to follow moving objects in their line of sight.

«It's very difficult to see these faint moving objects in front of thousands and thousands of background stars,» Parker says.

At this stage, your baby may also begin to look at her hand as you move objects in front of her; this is known as «regarding» and it is often pre-emptive of reaching out and grabbing things.

If you pass a moving object in front of them, it will mesmerize them and their eyes will lock on the object.

Sixty years ago a Dutch physicist named Hendrik Casimir suggested a simple experiment to show that virtual particles can move objects in the real world.

The main mode will test player's reflexes and ability to move objects in space, while the puzzle mode contains 100 intricate logic diagrams.

Although he apparently possesses the ability to move objects in classic poltergeist style, he's a passive witness for much of the time, a blank slate on which we can project our own experience of loss or those suggested by extensive use of the Kuleshov effect, a technique by which neutral expressions are given meaning through editing.

Integral to every Souls game is the experience of loneliness, that sense that you are the only moving object in a cyclopean expanse of dead architecture and stagnant myths.

Cats have excellent peripheral vision and tend not to stare directly at something unless they are getting a fix on a moving object in preparation for pouncing.

Throughout my time with the game I was legitimately scared only one time, and that was only because I saw the only moving object in the game for the first time, a doll.

While telekinesis could be used in battle, I found I rarely did use it, reserving it mostly for when I had to move objects in order to advance.

The game did recommend I play it with an Xbox controller, which I did, and was thus asked to move objects in the puzzle with both the left and right analog sticks.

The player can either go through the portal themselves or move objects in the environment through them.

Not exact matches

Because of these advanced logistic capabilities, the authors believe there will be «small robots delivering packages,» warehouse robots capable of moving heavy objects, and self - driving trucks and planes routinely used to deliver goods in the future.

It also includes LEGO BOOST — a building and coding set that lets children turn their brick creations into moving objects — and will explore developing a joint social network for children in China.

«Tracking the physical location of people and assets has some critical real life applications in many industries where accurate and timely location of moving objects is crucial for achieving the best results,» explains Thomas Walle, the co-founder and CEO of Unacast, the company behind the directory.

It could if you paid attention to the annual sale of tasty baked goods not just as a chance for philanthropy and gluttony, but also as an object lesson in moving product.

«The radars they use are apparently meant for detecting moving objects (as typically used in adaptive cruise control systems), and seem to be not very good in detecting stationary objects,» he says.

Users can add clickable hotspots or «tags» to moving persons or objects in video.

This was a smart move by Dion, since they can not be seen to object openly to more female participation in the party, but he may still be ousted.

The New York Times also reported that there have been numerous encounters between military aircraft and unidentified flying objects that move in ways that are unexplainable by modern technology.

«Things» were «moving» in this early stage of the universe, and this motion by different «objects» produced angluar motion in different directions, causing the first stars and galaxies to rotate in different directions.

There can be no doubt that God makes decisions a propos of the disjunctive multiplicity of eternal objects; the difficulty is to establish in precisely what sense these divine decisions are distinguishable from the choices and calculations made by the Leibnizian deity Whitehead's dilemma seems to be this: on the one hand, the principle of classification is to be challenged by positing the primordiality of a world of eternal objects that knows «no exclusions, expressive in logical terms»; on the other hand, positing pure potentiality as a «boundless and unstructured infinity» (IWM 252) lacking all logical order would seem to be precisely that conceptual move which renders it «inefficacious» or «irrelevant.»

But momentum contains an assumed clause, that an object is already in motion; so momentum still brings us back to the question why things move in the first place.

This is primarily because it has proven to be a powerful aid in the effort to avoid dealing with works of art or literature as products of the human spirit: aesthetic objects that move us with their intricately wrought beauty, humor, and insight.

When Whitehead rewrote 109.9 - 31 in terms of enduring objects, he could have moved [c] to V. 1.3.

Can you imagine a world in which the definition of every object or point of discussion had to be clarified before moving forward with social intercourse?

As objects in one's visual field move through space, for example, one's feeling of them changes.

On the face of it Santayana rejects all three of these departures from the tradition, since (1) he makes no very explicit move from a continuant to an event ontology, (2) regards the inherent nature of an object as a matter of the individual eternal essence which it actualizes and (3) regards the distinction between matter and form as at least a virtually inevitable way of expressing the obscure manner in which one state of things takes over from another (see RB 278 - 284).

Even when I myself am the object of my perceiving movement and moving perception, I must to some extent make use of my corporeality in my perception.

In connection with eternal objects my move is to play Aristotle to Whitehead's Plato by giving forms of definiteness their ontological grounding in the concrete world of fluIn connection with eternal objects my move is to play Aristotle to Whitehead's Plato by giving forms of definiteness their ontological grounding in the concrete world of fluin the concrete world of flux.

Therefore on the one hand they call Him the Object of Love and Yearning as being Beautiful and Good, and on the other they call Him Yearning and Love as being a Motive - Power leading all things to Himself, Who is the only ultimate Beautiful and Good — yea, as being His own Self - Revelation and the Bounteous Emanation of His own Transcendent Unity, a Motion of Yearning simple, self - moved, self - acting, pre-existent in the Good, and overflowing from the Good into creation, and once again returning to the Good.6

So my twofold task is first to show what it is about the treatment of eternal objects in Science and the Modern World which makes the Aristotelian move possible, and then secondly to suggest a way of handling the source of subjective aims without there being any need to implicate God in the procedure.

In this presentness it is no longer true (as it obviously is in the «having become» world of active subject and passive object) that the existing beings over against us can not in some sense move to meet us as we theIn this presentness it is no longer true (as it obviously is in the «having become» world of active subject and passive object) that the existing beings over against us can not in some sense move to meet us as we thein the «having become» world of active subject and passive object) that the existing beings over against us can not in some sense move to meet us as we thein some sense move to meet us as we them.

His is the early - nineteenth - century's liberalism of Friedrich Schleiermacher, an «enormously courageous move» that, «focusing on religious experience rather than religious ideation as the object of theological reflection,... combined faith in one's own experience with faith in the God who will not abandon those who trust in Him.»

The process starts with the multitude of environmental objects awaiting unification in a fresh perspective, moves through stages of partial integration, and concludes as a fully determinate synthesis, effected by a concrescence of feelings.

Only thereafter, when it has «perished» as a subject, moved away from in front of the lens, is it available as an object to be grasped at by other subjects.

There's infestation — similar to a haunting, in which objects move and creepy noises issue from nowhere.

But, in fact, since we can always compute rest mass from observed mass, it still makes sense to compare two objects moving at different velocities, and to that extent quantitas materiae survives.

Jacques Barzun rightly objects to the prevalence of the custom of demanding of applicants for admission to schools that they state in full their good intentions and purposes in making the move.