Sentences with phrase «moving pictures formed»

The exhibition focuses upon the extensive use of reproducible media which has been observed over the last ten years and proposes that the precursor of this phenomenon was the art of the late sixties and seventies, a period in which moving pictures formed the conceptual basis for the work of a number of artists.

Not exact matches

In 1918, he moved to Los Angeles and formed the Louis B. Mayer Pictures Corporation.

Moving two - dimensional shapes such as tangrams (a set of geometric pieces that can be arranged to form pictures) helps with spatial reasoning as well.

As a Great Lakes environmental writer, I'm moved and inspired by the pope's edict - not just what it means on the surface, but also because of what it means in the big picture to the growing importance of religion as a form of environmental communication.

10 Ball Roll - outs — > check this post for the picture and more notes on form if you haven't tried this move before.

Post a workout picture and tag Betty Rocker: 2 POINTS Post a workout picture, tag Betty Rocker AND correctly label it «Anywhere Workout Challenge» 5 POINTS Bodyweight move from one of my videos: 5 POINTS Bodyweight move you haven't seen in one of my videos yet: 8 POINTS Correct form *: 5 POINTS Labeling how you used correct form in your caption so everyone can benefit **: 10 POINTS Flair / style ***: 5 - 10 POINTS

But there are advantages to having some key scenes depicted in «moving pictures» form — with actors, in real settings, «performing» the scenes — in addition to text, graphics, voiceover, sound effects and score.

However on the bigger picture we still have a lower high despite the big rally so it will be interesting to see if the Russel can continue to build on this move or if it is forming a Bearish right shoulder.

This «curated» channel will include comedy, music videos, among other forms of moving pictures to be added later.

As expected, the feature's age is a contributing factor to its closure, but Nintendo also feels many users have moved on to sharing pictures and video on other forms of social media.

The game consisted in finding all the story bits in a zone before moving to the next zone, and in assembling the bits in your head to form a coherent picture.

While his initial investigation with the materiality of photography associates him with the Pictures Generation, his move to Los Angeles in 1995 to head UCLA's photography department significantly shifted his relationship to the art form.

Moving Pictures is arranged according to thematic categories, which propose ways to understand and differentiate some of the pervasive sensibilities that have come to define the most contemporary of art forms.

Moving away from the analytical, dematerialized forms of Minimalism and Conceptualism, these artists reprioritized the power of image - making, generating pictures / situations that were clearly unique in their motivation.

The first title, Moving Pictures, showcased contemporary photography and video, and the third, Primary Forms, considered Minimalism, Conceptualism and their more contemporary progeny.

She also organized the group exhibitions Moving Pictures; Singular Forms (Sometimes Repeated); and theanyspacewhatever.

Highlighting the multifaceted interrelationships between film and other visual art forms, Moving Pictures offers a groundbreaking reinterpretation of a crucial period in modern American visual culture.

Moving Pictures: American Art and Early Film, 1880 — 1910 explores the links — both deliberate and coincidental — between the earliest movies and other American visual art forms at the beginning of the 20th century.

Her exhibitions and publications include Moving Pictures (2003), Singular Forms (Sometimes Repeated)(2004), and theanyspacewhatever (2008).

The pieces — appropriations of existent forms, exercises in material alchemy, and sometimes a combination of both — illustrate Atterbury's fluid studio practice, which moves between picture making and object making.

She also organized the group exhibitions Moving Pictures (2003), Singular Forms (Sometimes Repeated)(2004), and theanyspacewhatever (2008).

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Cofounded by curators Roxana Marcoci and Eva Respini on February 16, 2010, and conceived as an experimental platform for free - form critical discussions, MoMA's forums on contemporary photography are designed to encourage debate about the perspectives and scope of still and moving images and other forms of picture - making among leading artists, curators, and theorists in the field.

These paintings demonstrate how Graves moved effortlessly between sculpture and the two - dimensional picture plane, combining the two art forms by painting her sculptures and attaching armatures and three - dimensional elements to her paintings.

Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.

In Excursion on the Thames (1953), one of several pictures in the exhibition deriving from Avery's only trip to Europe in 1952, the perfect balance is struck between loving observation of the everyday and visionary form - making: the pleasure boat slowly moving down the Thames, observed from the steps of the Tate at Millbank, is simultaneously two bands of vibrant colour glowing against the almost - black of the middle ground.

In general, the form tends to move away from the symmetry of compositional plotting toward a more rambling mapping of the picture plane.

Characterized by controlled, hard edge, and stain techniques, this loosely formed group moved away from the gestural pictures of their predecessors, the Abstract Expressionists.

As it moves, tiny nozzles spray droplets of ink, forming printed words and pictures.