Sentences with phrase «moving piece of metal»

Oil being a liquid would not be displaced quick enough when impacted by a fast moving piece of metal and act like a impact tool.

He still hopes to see a moving piece of metal generate detectable light from the vacuum, and believes that micromechanical systems may eventually be able to reach such speeds.

For one thing, as far as I can tell, nobody knows how a magnet can move a piece of metal without touching it.

People would see a magnet move a piece of metal, or a moon trapped in orbit around a planet, or a man in a restaurant levitate a saltshaker just by looking at it, and they would wonder how it was possible.

Not exact matches

Most of the people know the truth but they do not want to accept the truth... for example a man goes to a little idol ask for favor prior to go to meeting at his work and he knows that this little piece of metal has not power even to move itself but still that intelligent person go and do it...

One day I asked one of the coworkers that why do you go a ask this piece of metal where you know that this piece of metal can't even move itself, then she answered that she knows but she saw her forefathers doing it, so also does the same and she does not want to change even she knows its not correct...

One of their believes is that an idol that they made by either mud or metal or any substances and decorate them nicely and they go to this piece of objects and asks as they are asking God Almighty and they know that this piece of metal has no power to even move itself or to same itself if someone attempts to break it... how would this piece of metal respond to one prayer?

After noting the quaint ambiance of neon beer signs, 1950's tool shop calendars adorned with half - naked «models,» multicolored strands of ceiling - mounted fly paper (many of which are moving due to the heavy population of still - living flies trapped on them), and a rotating floor - mounted fan that alternatively emits a teeth - gnashing whine or a sound not unlike metal pieces being shoved through a meat grinder.

BUBBA»S BBQ JOINT — After noting the quaint ambiance of neon beer signs, 1950's tool shop calendars adorned with half - naked «models,» multicolored strands of ceiling - mounted fly paper (many of which are moving due to the heavy population of still - living flies trapped on them), and a rotating floor - mounted fan that alternatively emits a teeth - gnashing whine or a sound not unlike metal pieces being shoved through a meat grinder.

The solution is to redefine the kelvin using a fixed constant of nature, just as the metre has moved from a physical piece of metal to the length of the path travelled by light in vacuum over a specified number of nanoseconds.

To us, the 2015 model — outside, anyway — is, at best, a lateral move, with the oddest feature being a piece of bright metal trim that forms a «C» from the top of the side windows, across the bottom, leading all the way to the headlight.

How can a big, 5,300 - pound piece of metal move so quickly?

Moving on to the headsets design, several pieces of lightweight metal have been incorporated to bolster the frame, making the F.R.E.Q. 7 a sturdy piece of kit that strikes a nice balance between having a reassuring amount weight to it without being too heavy on the head for those long Battlefield sessions.

Nail a killing shot and the camera will lovingly follow the bullet in slow - motion before switching to glorious X-ray, letting you to watch as the gleaming piece of metal drives through muscle, shatters bone and ruptures internal organs in an orgy of gratuitous violence which stands alongside Mortal Kombat's brutal X-ray moves as the most pleasingly savage display of bodily destruction to ever appear in a videogame.

These new features don't just include different ball types, either; as the player moves on to more difficult levels, they will encounter metal and glass blocks with different physical properties, as well as pieces of machinery that move blocks around and require that the player use careful timing as well as an accurate aim.

He is a father of «mobiles», kinetic sculptures of flat metal pieces connected by a wire that moved delicately in the air.

In the 1950s he began producing large numbers of stabiles — large - scale constructions made from cut and painted metal sheets — and simultaneously explored new forms such as Towers (wall - based wire constructions with moving elements) and Gongs (sound - producing metal pieces).

Using layers of oil or acrylic gel on hard reflective stainless steel, aluminium or Perspex, he fashions comb - like pieces of metal or board to move the paint across the surface in one movement, often repeating it again and again until the perfect balance of paint, translucence and striation is achieved.

His kinetic sculptures were made out of flat metal pieces connected by a wire that moved delicately in the air.

In 1969 the Hickeys moved their gallery to a more spacious location at 600 West Twelfth, where they organized a series of successful exhibitions such as Six Sculptures by Six Artists (1970), which, in addition to the work of Roche and Green, displayed Harry Geffert's light sculptures, minimalist pieces by Scott Grieger, Jim Schinder's hanging tapestries of «found objects,» and Haydn Larson's painted assemblages of scrap metal and farm tools.