Sentences with phrase «moving solo museum»

Queens Museum of Art: Peter Schumann «The Shatterer» (through March 30) A recent expansion has doubled the size of this museum, and one of its first new shows is the large and moving solo museum debut of Peter Schumann, the founder and director of Bread and Puppet Theater, which is now 50 years old.

Queens Museum of Art: «Peter Schumann: The Shatterer» (closes on Sunday) One of this newly renovated museum's first new shows is the large and moving solo museum debut of Peter Schumann, the founder and director of Bread and Puppet Theater.

Not exact matches

Moved by a religious vision at age 57, Nashville janitor William Edmondson began carving tombstones and whimsical figures out of stone in 1931, eventually becoming the first African American artist to have a solo show at the Museum of Modern Art, in New York.

What did «new» mean then — when Condo had just moved to the city and Koons mounted his first solo exhibition, «The New,» in the windows of the New Museum?

Bryan Graf: Moving Across the Interior, the artist's first solo museum exhibition, is currently on display at the ICA at Maine College of Art in Portland, ME, through April 6, 2014.

Since moving to Colorado in 2006, Saito has had numerous solo and group shows in galleries, arts centers and museums in the state and joined the William Havu Gallery in 2017.

Christa Maiwald moved to New York in 1973, where she established herself as a video artist with solo exhibitions at the Whitney Museum of American Art, Anthology Film Archives, Holly Solomon Gallery, and Franklin Furnace, among others, and was included in the 1979 Whitney Biennial.

Moving from art - school grad to accomplished young artist - his shows include Kavi Gupta gallery, Chicago's Museum of Contemporary Art, a recent attention grabbing appearance at Art Basel Miami Beach as well as an upcoming solo at New York's Lehmann Maupin Gallery - Otero quickly became a virtuoso of the newfangled mash up of abstract and figurative painting that constitutes today's new Nouveau Realisme (think Mark Bradford sans the racial essentialism).

Recently, the artist has shown his work in solo exhibitions at the Tate Modern, London (Bodyspacemotionthings, 2009); at the Museum Abteiberg, Mönchengladbach (Notes on Sculpture — Objects, Installations, Film, 2009/2010) as well as in a group exhibition at the Hayward Gallery, London (Move: Choreographing You — Art & Dance, 2010/2011).

Also in 1966 Bolduc moved back to Toronto and took a position in the conservation department at the Royal Ontario Museum, and in 1967 he had the first of eight solo shows at the Carmen Lamanna Gallery.

Influences converged, passion and intellect were engaged, and seminal moments occurred to help shape the process: in 1962 when Irving Blum (who had taken over Kienholtz's position at the gallery) gave Andy Warhol his first solo gallery exhibition ever at Ferus (the Campbell's Soup Can Paintings); in 1963, when Hopps moved to the Pasadena Art Museum and presented the first retrospective of Marcel Duchamp in the US; in 1966 with Ed Kienholtz's epochal retrospective at the LA County Museum; and in the decade from the late fifties to the late sixties when Ed Moses, Billy Al Bengston, and Ed Ruscha among a handful of others were on center stage.

In 2009, after ten years of marketing work at large museums in DC he moved into the realm of curating, staging a variety of solo, duo and small - group shows for the Evolve Urban Arts Project.

He had solo exhibitions at Showroom MAMA, Rotterdam (2013) and Steve Turner (2014, 2015) and has had work included in numerous group exhibitions including at Eyebeam, New York; New Museum, New York, The Moving Museum, Istanbul; and Van Abbemuseum, Eindhoven.

He has had solo exhibitions at Steve Turner, Los Angeles (2014); Boetzelaer Nispen, Amsterdam (2014); Showroom MAMA, Rotterdam (2013); and has had work included in numerous group exhibitions including at Eyebeam, New York; New Museum, New York, Xpo Gallery, Paris; Van Abbemuseum, Eindhoven, De Hallen, Haarlem and the Moving Museum, Istanbul.

In 2008, it was Blaffer's great privilege, along with the MIT List Visual Arts Center, MAC@MAM, and the Contemporary Art Museum St. Louis, to present Moving Through Time and Space, Akerman's first solo museum exhibition in the United SMuseum St. Louis, to present Moving Through Time and Space, Akerman's first solo museum exhibition in the United Smuseum exhibition in the United States.

His work has been the topic of several solo exhibitions including Walking on The Wall, Nahum Tevet Small Sculptures, 1980 — 2012, Tel Aviv University Art Gallery, 2012; Nahum Tevet, Museo d'Arte Contemporanea Roma (MACRO), 2008; Nahum Tevet: Works, 1994 — 2006, The Israel Museum, Jerusalem, 2007; Nahum Tevet: Take Two, Le Quartier, Center for Contemporary Art, Quimper, France, 2005; and Opening Moves, Nahum Tevet Sculptures, Museum of Modern Art, Ludwig Foundation, Vienna, 1997.

Image: Chantal Akerman at the Blaffer opening of her first U.S. solo museum exhibition, Moving Through Time and Space, in 2008.

Christa Maiwald earned an M.F.A. from the School of the Art Institute of Chicago in 1973 and moved to New York shortly thereafter, establishing herself as a video artist with solo exhibitions at the Whitney Museum of American Art, Anthology Film Archives, Holly Solomon Gallery and Franklin Furnace, among others.

He moved to New York in 1967, where shortly after his arrival, his work was exhibited at the then newly created Studio Museum, and in 1970 became the first African - American sculptor to have works presented in a solo exhibition at the Whitney Museum.

Her solo exhibitions include Galerie Hans Müller, Cologne, 1970; Paula Cooper Gallery, New York, 1970; Hayden Gallery, MIT, Cambridge, Massachusetts, 1971; Kansas State University, Manhattan, Kansas, 1971; Lynda Benglis: Video Tapes, curated by Robert Pincus - Witten, Everson Museum of Art, Syracuse, New York, 1973; Sparkle Knots, The Clocktower, New York, 1973; Moving Polaroids, The Kitchen, New York, 1975; Lynda Benglis - Keith Sonnier, A Ten Year Retrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadelphia, 2008.

With 24 solo presentations and 300 artworks spread throughout 15,000 square feet of raw space, as well as an immersive series of off - site special projects with artists such as Jeremy Deller and Michael Rakowitz, these images are only a snapshot of what The Moving Museum produced in Dubai.

That year we had a solo exhbition at Samuel Dorsky Museum, SUNY New Paltz, NY titled [un] moving pictures and two group shows, one in Traun Austria, New Art.

Exhibited worldwide, Cantor's work has been featured in solo shows at the Museum of the Moving Image, the Salzburger Kunstverein, the Musée Rodin, Kunsthaus Zürich, Modern Art Oxford, the Arnolfini in Bristol, Mucasmok in Budapest, the Camden Arts Centre in London, the Pompidou, the Philadelphia Museum of Art, and the Tel Aviv Museum of Art, among others.

He is also a part of the collective ADL whose solo show Land Also Moves opens at the Si Shang Art Museum, Beijing in March 2017.

Won a Guggenheim, exhibited at the opening of the Smithsonian Museum of African American History and Culture and mentioned in the New York Times article about the museum, honored by the Hirshhorn museum at their spring gala, won the Moving Image Art Award and museum acquisition by 21 Century Museum, several solo museum exhibitions numerous acclaimed performances and group exhibitions, included in Shanghai Biennial, currently showing at Yale University Art GaMuseum of African American History and Culture and mentioned in the New York Times article about the museum, honored by the Hirshhorn museum at their spring gala, won the Moving Image Art Award and museum acquisition by 21 Century Museum, several solo museum exhibitions numerous acclaimed performances and group exhibitions, included in Shanghai Biennial, currently showing at Yale University Art Gamuseum, honored by the Hirshhorn museum at their spring gala, won the Moving Image Art Award and museum acquisition by 21 Century Museum, several solo museum exhibitions numerous acclaimed performances and group exhibitions, included in Shanghai Biennial, currently showing at Yale University Art Gamuseum at their spring gala, won the Moving Image Art Award and museum acquisition by 21 Century Museum, several solo museum exhibitions numerous acclaimed performances and group exhibitions, included in Shanghai Biennial, currently showing at Yale University Art Gamuseum acquisition by 21 Century Museum, several solo museum exhibitions numerous acclaimed performances and group exhibitions, included in Shanghai Biennial, currently showing at Yale University Art GaMuseum, several solo museum exhibitions numerous acclaimed performances and group exhibitions, included in Shanghai Biennial, currently showing at Yale University Art Gamuseum exhibitions numerous acclaimed performances and group exhibitions, included in Shanghai Biennial, currently showing at Yale University Art Gallery.

Recent solo and group exhibitions and screenings include: «Everything and More», Whitney Museum of American Art, New York (2015); «Palisades», Serpentine Galleries, London (2015); «Cloud Cover», CCS Hessel Museum, New York (2015); «The Importance of Being a (Moving) Image», National Gallery, Prague (2015); Taipei Biennial, «The Great Acceleration», Taipei (2014); «Phantom Limbs», Pilar Corrias, London (2014); «Geographies of Contamination», David Roberts Art Foundation, London (2014) and BAM (Brooklyn Academy of Music), New York (2014).

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

In the last year I have applied to and interviewed for various teaching jobs, packed up my apartment and studio and moved out of state, and become acquainted with a new institution, all while making new work for two solo shows that happened in August (at the Indianapolis Museum of Contemporary Art) and January (here at the Cultural Center).

[12] The following listing indicates by curator the group and solo exhibitions in which Cai participated that were curated or cocurated by the leading émigré Chinese critics and curators — Fei Dawei: Art Chinois 1990: Chine demain pour hier, Pourrières, Aix - en Provence, 1990, and Cai Guo - Qiang, Fondation Cartier pour l'art contemporain, Paris, 2000; Hou Hanru: Cities on the Move, which opened at Secession, Exhibition Hall for Contemporary Art, Vienna, 1997 - 98, and traveled to Bordeaux, New York, Helsinki, Humlebaek, and London; Gao Minglu: Inside Out: New Chinese Art, which opened at P.S. 1 Contemporary Art Center and Asia Society, 1998 - 99, and traveled to San Francisco, Monterrey, Tacoma, Seattle, and Canberra, and The Wall: Reshaping Contemporary Chinese Art, which opened at the Millennium Monument Art Museum, Beijing, 2005, and traveled to Buffalo; and Wu Hung: The First Guangzhou Triennial.

He had solo exhibitions at Showroom MAMA, Rotterdam (2013) and Steve Turner (2014, 2015) and has had work included in numerous group exhibitions including at Eyebeam, New York; New Museum, New York, The Moving Museum, Istanbul; Xpo Gallery, Paris; Van Abbemuseum, Eindhoven and De Hallen, Haarlem.

And his work has been the subject of numerous solo shows at institutions such as the Abron Art Center in New York; the New Museum (NY); American Medium (NY); and The Moving Image fair in Istanbul.

ELBOW - TOE's solo show «Due Date» exhibited first at the Warrington Museum in the UK and then moved to Black Rat Projects in London.

Based in Berlin, Thomas Scheibitz's recent notable exhibitions include ONE - Time Pad originating at MMK, Museum für Modern Kunst, Frankfurt Am Main and traveled to Baltic Center for Contemporary Art, 2012 - 2013 (solo); Thomas Scheibitz: Lineage ONE / Stilleben & Statistics, Jarla Partilager, Berlin, 2011 - 2012 (solo); Thomas Scheibitz: Il flume e le sue fonti / The River and its Source, Collezione Maramotti, Reggio Emilia, Italy, 2011 (solo); Surveyor: An exhibition of human exploration, observation, and construction of the landscape, organized by Curator Heather Pesanti, Albright - Knox Art Gallery, Buffalo, NY, 2011 (group); If Not in This Period Of Time - Contemporary German Painting1998 - 2010, Museu de Arte de São Paulo, Brazil, 2010 - 2011 (group); A moving plan B - chapter ONE, Selected by Thomas Scheibitz, The Drawing Room, London, 2010 (group); Der ungefegte Raum, Galerie im Taxispalais, Innsbruck, Austria, 2010 (solo); among others.

Ming Wong has had recent solo exhibitions at UCCA, Beijing; the Museum of Moving Image, Queens, New York, as part of Performa 11; Vitamin Creative Space, Guangzhou; the Frye Art Museum, Seattle; the Hara Museum of Contemporary Art, Tokyo; and the Singapore Art Museum.

Another solo exhibition at the Norton Museum of Art in West Palm Beach, Fla., was to follow, and Victoria Miro made her representation official — an unusual move for such a major gallery with an artist that hadn't even had a solo show there yet (she'll have her first solo show at the gallery in October of this year).

After moving to New York in the early 1960s to attend Cooper Union, Whitten had a solo exhibition at the Whitney Museum of American Art (1974) and a retrospective at the Studio Museum in Harlem (1983).

Her films have been shown at a number of international film festivals, including the New York Film Festival and the Biennial of the Moving Image in Buenos Aires, as well as in solo and group shows at FRAC / Le Plateau (Paris) and the Museum of the Republic (Brazil), among others.

Susan Rothenberg: Moving in Place is the artist's first solo museum exhibition in more than a decade.

He moved to New York City in 1967, where shortly after his arrival, his work was exhibited at the then newly opened Studio Museum, and in 1970 became the first African - American sculptor to have works presented in a solo exhibition at the Whitney Museum.

Her work will be included in the 2016 Biennale of Moving Images at the Centre of Contemporary Art, Geneva, and will be the subject of a solo exhibition at the San Francisco Museum of Modern Art in 2017.

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

In 1996, he moved to become Director of Southampton City Art Gallery, where he and later Henry Moore Foundation director Godfrey Worsdale organised the 1998 Chris Ofili solo exhibition, which helped secure Ofili the 1998 Turner Prize, and an exchange of collections with the Bilbao Museum of Fine Art, to coincide with the opening of the new Frank Gehry - designed Guggenheim Museum Bilbao.

Iñigo Manglano - Ovalle has had solo exhibitions at The Art Institute of Chicago and the Museum of Contemporary Art, Chicago, and has participated in such important group exhibitions as the 2000 Whitney Biennial, the Guggenheim Museum's 2002 Moving Pictures and 2007's Documenta 12 in Kassel, Germany.

Projects 102, part of The Elaine Dannheisser Projects Series, is the first solo New York museum exhibition of the work of emerging artist Neïl Beloufa (Algerian - French, born 1985), who combines moving images and sculptural forms to create immersive viewing spaces.

After two solo shows at the New York gallery Sargent's Daughters, she's moved to the larger Casey Kaplan gallery and will soon have her first museum show at the Harvey B. Gantt Center in Charlotte, N.C.

Her career moved from functional pottery to fresh and exuberant art culminating in a retrospective show at the Metropolitan Museum of Art in New York in 2006 [4] and a solo show at the Institute of Contemporary Arts in London in 2016 with the very appropriate title Theatre of the Domestic [5].

The camera starts to move, and the images become less stable formally and we go through this flux,» says Mukherjee, a vibrant San Francisco artist whose «hybrid films,» as she calls them, are on view, along with ink paintings on colored paper and prints on silk saris, in her first solo museum show.

Recent solo exhibitions include the artist's survey Circle of Trust Selected Works 2001 - 2009, Groninger Museum, The Netherlands (2010); and The Shooting, Wandsworth Antheneum, Hartford, CT (2009); Mount Maslow, Hudson Valley Center for Contemporary Art, Peekskill, NY (2007); Gott Mit Uns, Kunsthalle Winterhur, Switzerland (2006); and Medusa's First Move: The Council, Chisenhale Gallery, London (2005).

For her solo presentation at the Berlinische Galerie, Monica Bonvicini has produced a site - specific installation to be staged in the museum's large exhibition hall — a move that is a hallmark of her decades - long practice, which often focuses on the institutional viewing space.

Recent and upcoming projects and exhibitions include, Pathways, Education Hub, Art commission, Maynooth University; A Fair Land, Irish Museum of Modern Art; Mobile Monuments, Fingal County Council public art commission; Huddle Tests solo show at Temple Bar Gallery and Studios; Huddlewear, Facebook AIR program residency / commission; Mobile Monuments, Fingal County Council 1916 Public Art commission; On that Note, Heart of Glass, Liverpool; Moving Thresholds, National Gallery of Ireland; Ridge, Verksmi ∂ jan, Hjalteyri, Iceland; It's All up in the Air, Norfolk and Norwich Arts Festival, Uk; Bolthole, Open Studio, Tate Modern and Tate Britain, IMMA www.rhonabyrne.com