Sentences with phrase «moving toward something like»

Not exact matches

The r - process goes something like this: As neutron stars move toward each other, a tiny bit of their material gets shot into space at incredible speeds.

From Nadia Bolz Weber «The Sarcastic Lutheran»: «So when I reject my identity as beloved child of God and turn to my own plans of self - satisfaction, or I despair that I haven't managed to be a good enough person, I again see our divine Parent running toward me uninterested in what I've done or not done, who covers me in divine love and I melt into something new like having again been moved from death to life and I reconcile aspects of myself and I reconcile to others around me.

An Emergent definition of relevance, modulated by resistance, might run something like this; relevance means listening before speaking; relevance means interpreting the culture to itself by noting the ways in which certain cultural productions gesture toward a transcendent grace and beauty; relevance means being ready to give an account for the hope that we have and being in places where someone might actually ask; relevance means believing that we might learn something from those who are most unlike us; relevance means not so much translating the churches language to the culture as translating the culture's language back to the church; relevance means making theological sense of the depth that people discover in the oddest places of ordinary living and then using that experience to draw them to the source of that depth (Augustine seems to imply such a move in his reflections on beauty and transience in his Confessions).

It was the reading of Emil Brunner's Revelation and Reason in the early 1950s that enabled me to move with a good conscience from my first theological position toward something like the biblical theology which Childs described.

The best Italian player on the best Italian team moving to the club that once deserved that designation sure felt like it signaled a turn toward something.

In light of a few things that happened of late — the Supreme Court's ruling on marriage for same - sex couples, the addition of the word cisgender into the Oxford English Dictionary, the rise of the transgender movement, with Germany leading the way for parents to register their baby as something other than just boy or girl, the increase in stay - at home dads and egalitarian marriages, universities recognizing a third gender, the desire by some to be called they versus he or she, the declaration that 2015 is the year of the gender - neutral baby, it's clear we are moving toward a society that is busting up traditional views of gender and what men and women, husbands and wives, fathers and mothers look and act like.

And there's a move toward calling them electronic health records because it indicates more so that they're available throughout the health care system and industry and that there're a piece of data that we can use in aggregate to start to look at trends across the population and trends in regions; when the flu comes in for instance or something like that, or adverse drug reactions can be tracked if we are all entering our data in electronic health records.

As hotel and resort prices in places like Hawaii and Cancun are moving from high toward insane, vacations in Belize are becoming more popular with people who want something a little exotic, and that won't break the bank at the same time.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.