Sentences with phrase «moving visit to the museum»

Here you make a moving visit to the museum, erected to commemorate the 500,000 fallen allied soldiers.

Not exact matches

Our superb battlefields tours take you to visit some of the most moving memorials and museums across Europe, including the region of Flanders which has some of the most poignant cemeteries and former military hospitals.
Escorted by a professional Tour Manager with specialist battlefields knowledge, our superb battlefields tours take you to visit some of the most moving memorials and museums across Europe.
If you tend to move quickly through museums, you can visit both of these before lunch (this is what we did).
You really don't want to pass through, or visit El Vendrell, without going to this moving beautiful, small museum.
In 1948, he moved to Paris, where he met Jean Dubuffet, Alberto Giacometti, Hans Hartung, and the poet Henri Michaux — travelling widely to look at painting across Europe — and later visited and worked in New York, as well, where he became friends with Abstract Expressionist painters such as Franz Kline and Hans Hofmann and gained the support of important American dealers, collectors, and museums.
Moving into the state of New York, Corning Museum of Glass, probably the finest of its kind and always worth a visit, has devised an imaginative way to commemorate the 150th anniversary of the canal journey that brought glassmaking from Brooklyn to Corning in 1868.
This was one of Hiroshi Sugimoto's earliest statements that he made following his visit to the American Museum of Natural History when he first moved to New York in 1976.
He left New York City in 1967 for a teaching position at Cornell University, and then moved to Cambridge, Massachusetts as visiting artist at the School of the Museum of Fine Arts in Boston from 1976 to 1983.
Whether you access videos online or visit the museum in person to view Total Art, the power of moving images offers a dramatic departure from traditional museum experiences, as well as a welcome break from the premature dog days of summer.
Since moving to Beijing in 2008 one of my primary focuses has been to travel to regions outside of the major art centers of China to find new artists, visit universities, galleries, museums, meet the directors and professors of areas not regularly traveled by western art professionals.
When I moved to New York in the fall of 2009, the New Museum was one of the first museums I remember visiting.
Nordland speaks about his birthplace and childhood home; parent's occupations; interests as a child; beginning interest in art history; first visits to the Los Angeles County Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and California.
In 2012 she moved herself and the entire contents of her apartment - slash - studio to the third - floor of the Whitney Museum of American Art in New York for the duration of the Whitney Biennial; she spent the three - month period conducting research, holding studio visits and playing music while the museum was open to the pMuseum of American Art in New York for the duration of the Whitney Biennial; she spent the three - month period conducting research, holding studio visits and playing music while the museum was open to the pmuseum was open to the public.
The First Hawaiian Center exhibition program was the idea of then First Hawaiian Bank chairman and chief executive officer Walter A. Dods, Jr., who invited The Contemporary Museum, Honolulu (now Honolulu Museum of Art Spalding House) to organize exhibitions focused on the work of artists living and working in the islands, artists born and / or raised here who moved away for training and to develop their careers, and artists from elsewhere who visited Hawai`i and then made work inspired by their experiences here.
Shortly before moving to St Ives, he had visited the Redfern Gallery in London to see The Red Studio (1911, Museum of Modern Art, New York)- a painting also revered by Rothko - and as a result was inspired to create his first mature painting, entitled: The Piano (1943).
Piotr Uklański, whose work opens at the Dallas Contemporary this Sunday and who will open two shows at the Metropolitan Museum of Art this March, was in the process of moving when we met at his studio in Greenpoint yesterday, perhaps to a location that might be easier for visiting journalists to find.
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