Here you make
a moving visit to the museum, erected to commemorate the 500,000 fallen allied soldiers.
Not exact matches
Our superb battlefields tours take you
to visit some of the most
moving memorials and
museums across Europe, including the region of Flanders which has some of the most poignant cemeteries and former military hospitals.
Escorted by a professional Tour Manager with specialist battlefields knowledge, our superb battlefields tours take you
to visit some of the most
moving memorials and
museums across Europe.
If you tend
to move quickly through
museums, you can
visit both of these before lunch (this is what we did).
You really don't want
to pass through, or
visit El Vendrell, without going
to this
moving beautiful, small
museum.
In 1948, he
moved to Paris, where he met Jean Dubuffet, Alberto Giacometti, Hans Hartung, and the poet Henri Michaux — travelling widely
to look at painting across Europe — and later
visited and worked in New York, as well, where he became friends with Abstract Expressionist painters such as Franz Kline and Hans Hofmann and gained the support of important American dealers, collectors, and
museums.
Moving into the state of New York, Corning
Museum of Glass, probably the finest of its kind and always worth a
visit, has devised an imaginative way
to commemorate the 150th anniversary of the canal journey that brought glassmaking from Brooklyn
to Corning in 1868.
This was one of Hiroshi Sugimoto's earliest statements that he made following his
visit to the American
Museum of Natural History when he first
moved to New York in 1976.
He left New York City in 1967 for a teaching position at Cornell University, and then
moved to Cambridge, Massachusetts as
visiting artist at the School of the
Museum of Fine Arts in Boston from 1976
to 1983.
Whether you access videos online or
visit the
museum in person
to view Total Art, the power of
moving images offers a dramatic departure from traditional
museum experiences, as well as a welcome break from the premature dog days of summer.
Since
moving to Beijing in 2008 one of my primary focuses has been
to travel
to regions outside of the major art centers of China
to find new artists,
visit universities, galleries,
museums, meet the directors and professors of areas not regularly traveled by western art professionals.
When I
moved to New York in the fall of 2009, the New
Museum was one of the first
museums I remember
visiting.
Nordland speaks about his birthplace and childhood home; parent's occupations; interests as a child; beginning interest in art history; first
visits to the Los Angeles County
Museum; relationship with Lincoln Kirstein;
move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation
to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts;
move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and California.
In 2012 she
moved herself and the entire contents of her apartment - slash - studio
to the third - floor of the Whitney
Museum of American Art in New York for the duration of the Whitney Biennial; she spent the three - month period conducting research, holding studio visits and playing music while the museum was open to the p
Museum of American Art in New York for the duration of the Whitney Biennial; she spent the three - month period conducting research, holding studio
visits and playing music while the
museum was open to the p
museum was open
to the public.
The First Hawaiian Center exhibition program was the idea of then First Hawaiian Bank chairman and chief executive officer Walter A. Dods, Jr., who invited The Contemporary
Museum, Honolulu (now Honolulu
Museum of Art Spalding House)
to organize exhibitions focused on the work of artists living and working in the islands, artists born and / or raised here who
moved away for training and
to develop their careers, and artists from elsewhere who
visited Hawai`i and then made work inspired by their experiences here.
Shortly before
moving to St Ives, he had
visited the Redfern Gallery in London
to see The Red Studio (1911,
Museum of Modern Art, New York)- a painting also revered by Rothko - and as a result was inspired
to create his first mature painting, entitled: The Piano (1943).
Piotr Uklański, whose work opens at the Dallas Contemporary this Sunday and who will open two shows at the Metropolitan
Museum of Art this March, was in the process of
moving when we met at his studio in Greenpoint yesterday, perhaps
to a location that might be easier for
visiting journalists
to find.