Sentences with phrase «much sicario»

It is interesting to me, with its pragmatic sense of mystery, how much Sicario is the flip side of Ridley Scott's The Counselor.

Not exact matches

The problem with Sicario is that it is too much of an infuriating mystery before it becomes anything else.

The beauty of Sicario however is that, much like Kate, we're not really clear who she's working for or what the true intentions of this top - secret government unit really are.

So much of Sicario, Denis Villeneuve's disturbing drama set in the world of law enforcement and Mexican drug cartels (the title is the Mexican term for a hit man), takes place on Emily Blunt's face.

In time - honored fashion, the first official «Sicario» trailer gives too much away, but it's relatively classy and honest about it.

The writer sees both «Sicario» and «Hell or High Water» as part of a trilogy of «the modern - day American frontier,» he told me in October, «about how much has changed in 100 years, and how much things haven't.

He certainly deserved it for the visually stunning Blade Runner 2049, but let's take a second to remember his previous work: Deakins has brought his unparalleled eye to dozens of films including The Shawshank Redemption, Skyfall, Sicario and pretty much everything the Coen brothers have ever made.

Yet, as much as I enjoyed Sicario, I wasn't exactly clamoring for a sequel.

I very much enjoyed Denis Villeneuve's anxiety - inducing thriller Sicario.

«Sicario» does not offer much comfort with its suggested answers.

The word «sicario» means «hitman» in Spanish, but don't let that reflect your judgement, as this is going to be a movie of much more depth than HITMAN: AGENT 47.

Sicario is not the disposable and mainstream crime thriller most might expect but something much greater and profound.

We'd be foolish not to give some sort of shout out to other terrific scenes throughout the year, like the hilarious funeral sequence in Li» l Quinquin, which had us doubled over from laughter; both the border crossing and night vision sequences in Sicario; the ending of Carol, which should get an emotional response out of even the coldest souls; the opening long take in Buzzard, a painfully funny experience much like Entertainment; the bonkers final act of Jauja; a scorching scene from The Fool where the town mayor lays into her corrupt staff; everything that happens at Mamie Claire's house in Mistress America; the intense argument between Gerard Depardieu and Jacqueline Bissett in Welcome to New York; the tightrope sequence in The Walk, and much, much more.

Sicario was among the best films to premiere at Cannes earlier this year, and even naysayers (who place too much emphasis on what the film is or isn't «saying» about the drug war) tend to concede that it's gripping as hell.

Sicario attacks a much larger scale, as determined American task forces whizz around the States and Mexico, taking on ruthless drug - lords, in a number of nail - biting fights.

Scott serves as producer this time around and Hampton Fancher, who adapted and reworked the Philip K. Dick novel, scripts once again (though without the input of co-screenwriter David Peoples, whose rewrites helped give the original its poetry), but this world is very much the creation of director Denis Villeneuve (Arrival and Sicario) and cinematographer Roger Deakins.

Sicario director Denis Villeneuve returns with a modestly - budgeted, much - anticipated Sci - Fi drama.

The much - lauded cinematographer of Sicario — as well as almost every Coen brothers film going — just might be the man to bring old - school values back to the blockbuster

In general, this ranking seems reasonable to me, even if I like Sicario much more than most and was completely underwhelmed by Moretti's blend of broad comedy and bathos.

Perhaps that build even extends beyond the film's ending, to make us most excited, not for «Sicario» so much as for what Villeneuve does next.