Not exact matches
How do you go
about creating
characters and stories that people relate to and feel so
much a part
of?
Much like the success
of last year's Warner Bros. film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big - budget stories
about characters of color.
When you're watching «The Incredibles,» it always feels like there's so
much more to discover
about the story and the history
of the
characters, which isn't always the case in Pixar movies.
Lions Gate Entertainment (No. 54) has had box office success with two major franchises: The Twilight series (produced by Summit Entertainment, a Lions Gate subsidiary) and Hunger Games, which have
much in common as they are both film adaptations
of bestselling young adult book series, are fantastical (one is
about vampires and the other
about a futuristic dystopia), and are anchored by a dynamic young female
character (portrayed by Kristen Stewart in Twilight, Jennifer Lawrence in The Hunger Games).
For
much of his career, he wrote bitterly satirical novels
about well - off Londoners; even when the prospect
of nuclear catastrophe arises, as it does in London Fields (1989), Amis seems to treat «The Crisis,» the coming «horrorday,» primarily as a vehicle for revealing the largely unpleasant traits
of his handful
of main
characters.
Although
much of the Old Testament does have historically verifiable occurances, the lead
characters are heads
of state or high priests or the stories are
about the nation as a whole.
But still: It's hard to diss a movie that displays so
much of what's undeniably good
about Amy Adams and Jennifer Lawrence — two attractive and fascinating
characters.
She articulates a practical way
of living out what I learned in
much of my faith - changing - books,
about the nature and
character of God, and how we translate that nature and
character to our tinies.
It is not necessary to say
much about culture in the sense
of «polish» or good manners, except that this is an important asset to Christian
character and a dangerous substitute for it.
Indeed, his commitment to religious liberty was at least as
much a function
of his worry
about domineering religious sects imposing themselves on the public square as
of any concern
about a loss
of society's fundamental moral
character.
Something
about the young Lakita
character reminded me so
much of a little girl I met named Bharathi, who is pictured above on the left.
It is indeed difficult to expatiate on the
character of one's mentor, especially when so
much of what we would speak
about pertains to private exchanges and painstaking individual guidance.
Much of the energy that goes into reflection
about the Christian tradition in general, and Christology in particular, is generated by awareness
of its oppressive
character.
is simply too ingrained, too
much a part
of what sin is all
about, for us not to feel vexed when reminders come
of the opposite reality, which it is precisely the office
of religion to provide: «Accordingly, it has always been the office
of Religion to protest against the sophistry
of Satan, and to preserve the memory
of those truths which the unbelieving heart corrupts: both the freedom and the responsibility
of man, the sovereignty
of the Creator, the supremacy
of the law
of conscience as His representative within us, and the irrelevancy
of external circumstances in the judgment which is ultimately to be made upon our conduct and
character.»
Of this much, however, I feel sure: no theologian can long avoid these kinds of issues if the character of theology as serious speech about God is to surviv
Of this
much, however, I feel sure: no theologian can long avoid these kinds
of issues if the character of theology as serious speech about God is to surviv
of issues if the
character of theology as serious speech about God is to surviv
of theology as serious speech
about God is to survive.
Indeed, I have that fear
about much of my work, as some seem to think that «an ethics
of character» may be a new alternative to an ethics
of principle or a situation ethics.
By that he meant that, had the founding happened before
about 1770 or after 1805, the controlling texts
of our constitutional order would have been
much more explicitly Christian in
character.
Russ — I don't think you'll find people arguing too
much about the few
character names we have, but more
about other pieces
of information that should be available to corroborate the supernatural aspects
of the stories.
This assumption is common among highly intelligent people, like Weinberg, who haven't thought
much about the history and
character of Christianity except as a sociological or psychological phenomenon.
We never learn
much about her history, save for a few significant bombshells down the road, yet she feels a good deal more dimensional than
about 95 %
of characters in film history.
I can't add
much to this flood
of advice except to submit, with humility, that in my view we don't have
much choice
about our fundamental emotional attitude; it is a matter
of personal
character (body chemistry and the close culture
of family and schooling), but this need not affect our choice
of creed and code if we have independence
of mind.
About 60 per cent are members
of churches, but though only God knows how many
of these are real Christians, it seems certain that Christian
character in any thoroughgoing sense is a
much greater rarity.
Those who are wise in their own minds (whether they are «educated» or not makes no difference) often depend upon their own wisdom; whereas those who are know they have
much to learn (that is, they are «babes») are willing to accept what Jesus reveals to them
about the
character and nature
of God.
Reading his lively account
of the scholars who excavate and display the Middle Ages, an account replete with cultural history, moral judgment, psychological speculation, gossip, and no small amount
of romantic idealism and fin - de-siecle pathos, the reader can reflect as
much upon his own world, and
about the
character of Cantor himself, as he does
about the painstaking task
of historical reconstruction that absorbed the lives
of such as Theodor Mommsen, Marc Bloch, or David Knowles.
Evangelical pastors are
much more concerned
about the personal
character of Trump and Clinton, as well as their Supreme Court picks, than the people in their pews.
I find it very hard to believe that the 94 year - old Billy Graham has
much of a clue
about Romney's record or
character.
Although abridged and occasionally hiccupy ¯ a
character rattles away in Russian for twenty or thirty seconds while four words in English sit on the screen ¯ the supertitles mean you lose only
about as
much of the Shakespearean text as you would in any normally abridged production.
Those are not beliefs — not in the biblical sense
of the term «belief» — or if they are a form
of belief they are disconnected from any relevance to you and I. None
of these «so called» beliefs affect
much of what you do with your life — knowing
about a virgin birth won't give you the tools to be a better parent — these «beliefs» do not function like that — they are more suppositions
about the
character of God.
My earliest memories
of Tosca Cafe involve clouds
of cigarette smoke, too
much Fernet, and the kind
of characters Tom Waits writes songs
about.
How terribly sad... we have fallen so far that we find ourselves in the ridiculous position
of propping up the oft - injured and rarely inspirational Jack Wiltshire... what's next, extending Walcott, Welbeck and Ramsey... can't you see that these players have nothing to do with winning and all to do with providing recognizable names to the plastic fans who frequent our overgrown library
of a stadium... it's high time we rid this club
of one
of the worlds most incompetent and unsuccessful owners (look it up) and our fragile and spineless manager (
much like our club) who can't bring in the best talent because he knows he can't live up to expectations that come with players
of that ilk... think
about it, he couldn't even handle Sanchez, who was largely a periphery
character in Barcelona
I guess now that I think
about it, some
of the side
character dialogue is, but you don't have to talk to them
much.
We do not have street wisdom and
about building the Emirates, as
much as it makes financial sense and glitters so well, I think most
of us will take an Highbury laden with trophies and full
of life and
character over a lifeless and bland Emirates where fans are not even allowed to passionately support their team.
thats ridiculous... first
of all i am happy if somebody enjoys their work that
much, and fans just shouldn't care
about the private behaviors
of players as long it doesn't directly influence their time on the pitch or things that are just plain wrong and show a bad
character like terry / giggs (women) for example, criticise those things..
She was one
of the best teachers
of character I met — yet not only did she not talk
much about character, she wasn't even a teacher.
And considering that the point
of the post was
about her
character (saying that it was an act
of narcissism), the objection that she shouldn't cast aspersions on her
character is, yes, pretty
much saying she shouldn't criticize.
In Zionism, prior to the founding
of the state Israel, there was
much discussion
about what
character the new jewish state should have.
Ask him
about his childhood and you won't hear
about hours spent watching The Cosby Show or Cheers, but rather
about hours spent in forests and an ocean full
of characters that to him were
much more interesting.
But at moments
of much greater traffic — when messages are sent up to 200 times as frequently — the highest concentration
of tweets is only around 25
characters in length, and declines sharply to a low at
about the 130 -
character mark.
The main
characters have become so
much a part
of popular culture that many women use them as reference points to describe their own patterns and feelings
about sex.
Writing to a Russian lady, you should write not only
about material things you can offer, but what is
much more important, the good qualities
of your
character and personality that will make you sound attractive as a potential match.
Pyre is
about a larger cast
of characters during a
much longer period in their lives.
I am a huge fan
of the original Prince
of Persia trilogy, and when I heard
about this game I was a little worried that they would change to
much of what made the original games great, and I was right, the gameplay has been completely destroyed, platforming is awkward do to too may actions being mapped to the same buttons, combat is tedious and unenjoyable, it's EXTREMELY repetitive, having to search around for light seeds just to advance the plot is stupid, and do to the fact that you can't really die the whole game just feels like trial and error, and the new Prince
character is completely unlikeable, while they messed up most
of the game it's got some good things going for it, the voice acting is solid, the graphics are beautiful, and the ending does have interested in seeing where the story goes from here, but I'm not sure if I want to pick up the next game they come out with, this was a huge disappointment and isn't worthy to bear the Prince
of Persia name.
director Xavier Beauvois uses the investigation
of one crime... to string together a
character piece that is as
much about the
character of a Parisian homicide squad within a police department as it is a study
of some
of the individuals who comprise it.
Macdonald, playing an outsider with wisdom, is by far the most sympathetic
character; the movie has plenty to say
about the parenting traditions
of the wealthy, not
much of it favorable.
In its best moments, where only small gestures tell us so
much about the
characters, that's touching and heart - warming, but
of course little spectacular and sometimes a little slow.
The problem I have with so
much writing
about screenwriting is that it is often only
about structure (Syd Field's plot points; the Hero's Journey, etc) without a lot
of understanding
of the nuances
of character, tone, et al involved.
This modest film falls into the category
of «
character study», which generally means there there isn't a real plot or story follow, so
much as a brief peek into a life
of someone for a while, perhaps in the hope
of learning a thing or two
about a different mode
of life, or as a reflection
of our own.
One
of the most disappointing things
about this game besides the combat, which is very important in a game that ask for so
much of your time, is your
character.
While the choreography is generally fairly minimal (at least for this sort
of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying too
much about such nettlesome items as
character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that
much in the long run.
That said, my problem with the movie (which is
much more superficial than most
of these arguments) is that I just DID NOT CARE
about any
of the
characters.