Sentences with phrase «much about the new film»

And despite some very public days of shooting, We still don't know that much about the new film, but here's what we know so far.

Not exact matches

Reaction to the new film about his life, not so much.

At the last minute, «Cake» becomes a film not about chronic pain, but a different subject entirely, and one about which it doesn't have all that much new to say.

CRUST is a new indie horror film starring some of the genres favorite stars, and to be honest, not much is know about the project at...

So much has been written online about Martin Scorsese's brilliant new film The Wolf of Wall Street that trying to follow the talented likes of Richard Brody, Glenn Kenny, and Nick Pinkerton in 150 words feels akin to being the guy who has to give a speech after Jordan Belfort at Stratton Oakmont.

At the time, many of us knew nothing about the director other than the fact that he'd made a monster movie that was more than a monster movie but since then, he's become a recognizable name (at least among film fans) and the announcement of a new project brought much joy to my heart.

The familiarity of his new film, the cosy and evangelical «About Time», will please fans as much as it irritates detractors.

After premiering (and receiving a relatively warm reception) at TIFF in September, we really haven't heard much about Derek Cianfrance's new film, The Place Beyond the Pines.

To get the word out about the show, Executive Producer Bryan Fuller and co-star Hugh Dancy sat down with Media Mikes to talk about the new show, fans of the films and exactly how much is TOO much?

EXTRAS: There's a new audio commentary by Chaplin historian Charles Maland, a video essay about Jackie Coogan, interviews with Coogan and Lita Grey Chaplin, deleted scenes, archival footage, the 1922 silent short «Nice and Friendly,» an essay by film scholar Tom Gunning and much more.

It's true that his last film, 10,000 BC, was pretty awful, and The Day After Tomorrow wasn't much better, and yet, there's still something about a new Roland Emmerich flick that feels like an event.

Coming from the US, I take as much as I can from films that depict a culture I am unfamiliar with, but having the opportunity to discuss the technique and story of a French drama with someone who is more than familiar with the director's work and the social commentary surrounding a film brings about a whole new understanding and experience from what I initially left the theater with.

Here is what one of our readers had to say about the new film: «I went in trying to enjoy the film aspect of it and came out thinking that this was just another abomination of a much beloved series, much like the film Dragonball Evolution.»

During our wide - ranging interview they talked about how the new season compares to the first, what the atmosphere was like on set, how much they knew about the arc of season 2 when filming began, what it's like to work with a new director almost every episode, and much more.

During an interview with Collider, returning star Michael Fassbender has been speaking about the new film, describing it as «much scarier than Prometheus.»

Much of the hubbub about A Quiet Place, John Krasinski's sonically adventurous (and commercially successful) new horror movie, centers around the film's use of silence.

It may be hard to assess the sheer scope of a festival with over 300 features on offer, but TIFF 2012 looks like a particularly exciting year, opening with Rian Johnson's Looper and continuing with new films by Paul Thomas Anderson (The Master), Brian De Palma (Passion), Terrence Malick (To The Wonder), Joss Whedon (Much Ado About Nothing), Noah Baumbach (Frances Ha), David O. Russell (Silver Linings Playbook), Olivier Assayas (Something In The Air), Sally Potter (Ginger And Rosa), Harmony Korine (Spring Breakers), and many others.

Jackie, what Ray Pride calls a mask about the mask,» was another let - down for the panelists, who learned nothing new about Jackie Kennedy Onassis.While there was much debate over the nominated films, there were also talks of snubs, including Disney Pixar's Finding Dory and Clint Eastwood's Sully.

It's a modest film «about a small personal crisis that represents something much larger,» as two junior - high - aged new friends roam New York City and bond, even as their parents get further entrenched in an eviction dispunew friends roam New York City and bond, even as their parents get further entrenched in an eviction dispuNew York City and bond, even as their parents get further entrenched in an eviction dispute.

The Special Edition DVD of Fargo comes loaded with many added extras including «Minnesota Nice» - a new documentary featuring interviews with the cast and crew about the behind the scenes making of the film; Interview with the Coen Brothers; and «The Coen Brothers» Family Tree» - an interactive guide, plus much much more.

What works best about Insidious, which is about as adoring a love letter to Tobe Hooper's Poltergeist as a good film can get, is how it takes horror flick concepts both old and relatively new and mixes them up, blender - style, and the result is a 95 - minute fun - time ass - kicker that has as much love for the genre as it does in making you pounce out of your seat.

Larry Mantle and KPCC film critics Wade Major, Charles Solomon, and Lael Loewenstein review this weekend's new movie releases including the much anticipated horror flick «The Witch,» a biopic called «Race» about superstar athlete Jesse Owens competing in the 1936 Olympics, and more.

Ianucci's new film about the demise of the gravedigger of the Russian Revolution is not so much maliciously anticommunist as it is, above all, historically clueless.

Over the past few years, January hasn't been quite as disastrous for new films as its reputation would suggest, but it's hard to find much to be positive about this time around.

It's a smart way to wink at how audiences feel about reboot culture while also getting across that this new film is very much it's own thing.

If you know about Owens» life and the ’36 Games heading into «Race», the film doesn't provide much new insight.

I would overhear hushed conversations on the bus about Republican relatives who won't stop gloating; directors would introduce their films, even the most purportedly apolitical, with sly allusions to the new President; a woman even struck up a conversation with me before a screening to complain about the film industry's closed - minded attitude towards her particular brand of libertarianism (I didn't have much to add).

Her new film is as much about second chances, migrant working conditions and the cultural divide between Anglos and Latinos as it is about the loneliness of the long - distance runner.

After talking about how his next film would continue playing in the southern America / slavery playground that Django Unchained dabbled, Quentin Tarantino revealed that the title of his much anticipated new film would be The Hateful Eight.

The poster is minimalist and doesn't reveal much about the film except that it is, «a new nightmare from the mind of academy award winner Jordan Peele.»

On the documentary front, there is as ever simply too much for us to be able to cover, but a few potential standouts are «Uncle Howard,» about a New York filmmaker who died of AIDS which features footage of William S. Burroughs, Jim Jarmusch, Tom DiCillo and more; «Zero Days,» Alex Gibney «s investigation of malware used for international espionage; two docs on famous photographers in «Don't Blink — Robert Frank» and «Mapplethorpe: Look at the Pictures ``; and finally «Strike a Pose,» a film catching up with the original dancers from Madonna «s «Vogue» video, which sparked a craze and defined an era in pop.

His much - awaited new film, «At Any Price,» is set in the Iowa heartland and is about two American icons: A family farmer and a race car driver.

During our wide ranging conversation we talked about everything from how performance capture technology has reached a new level in terms of integrating CG characters into live - action filming, to how they didn't use miniatures on The Hobbit, and so much more.

As the two men begin to come out of their grief in different ways, «Dean» puts a smart new spin on male - driven comedies, making his film as much about emotion as it is about humor.

Fresh, funny, and full of witty insights about modern love, this hilariously heartfelt film «is the rare rom - com that reminds us why we love them so much in the first place» (Time Out New York).

In this excerpt from a new interview available on our release of the film, Deschanel talks about shooting in Sardinia, the location for much of the first half.

Of this weekend's four new films, there wasn't much doubt about who was going to claim the top spot on Friday.

Catch the new television spot, and the other trailers if you have missed them, which I very much doubt you have, and let us know exactly what you are feeling about the upcoming film.

Not much has been said about the new Warcraft movie since Sam Raimi said he was no longer directing the film.

We watched Chloé Zhao's newest film, The Rider — about a family of half - Native American cowboys — which we met with as much enthusiasm as Scott Cooper's new film, Hostiles — a glossy production examining the archetypal «Cowboys versus Indians» trope.

Jaglom's appeal may finally rest on the audience's lack of exposure to other self - reflexive movies — a type of film that virtually defines much of the French New Wave, American experimental film, and Hollywood movies about movies, ranging from Sullivan's Travels to The Stunt Man to comedies by Jerry Lewis and Albert Brooks.

Del Toro is good with the little he has to work with on the page as Che, and the rest of the casts (including such too - generally - underseen faces as Julia Ormond, Catalina Sandino Moreno, Franka Potente, and Joaquim de Almeida) do well in limited time (though Matt Damon's cameo in the second film is distracting to say the least), and the HD - shot images look great, but by the end of the 4.5 hours I can't exactly say that I really learned much new about nor gained a whole lot of insight into Che.

Feeling just a bit sheepish about being one of the few people in the throng who hadn't already seen this film, I went last evening (with Fordham research director Amber Winkler) to the big Paramount / Viacom - sponsored Washington premiere of Waiting for «Superman» — the much - discussed new education movie.

«About his work...» Dorothy says in the new film, «it's so much related to early abstract expressionism, that a lot of other people thought it was maybe old - fashioned.

Rail: No no no, I mean I know that's an obvious thing, but that you did go to a new medium, but on the other hand I'm thinking now that you did make your Brooklyn Battery Tunnel film after Warhol's «Empire,» you have done photographs, so... I guess neon is in its own way as much about jazz clubs and Broadway as it is Bruce Nauman or something.

The Lord of the Rings film director Peter Jackson is excited about augmented reality, so much so that he has created a new company in New Zealand dubbed Wingnut new company in New Zealand dubbed Wingnut New Zealand dubbed Wingnut AR.