Sentences with phrase «much action on the screen»

Performance leaves a lot to be desired, there's just too much action on screen, the controls seem poorly thought - out, the power - ups lack balance and above all the whole experience of playing the game is devoid of a sense of satisfaction.

Lets not totally swipe the graphics under the table as there are bosses, creatures and scenarios in here that look beautiful, some of the bosses really stand out from the entire experience overall but since this is a top - down arcade shooter there is so much action on the screen at once that most of the power of the new consoles are put to good use in that aspect.

Not exact matches

Since the «Star Wars» prequels, in which George Lucas was heavily criticized for using too much CGI to create the worlds and characters, many big - budget movies have tried to find that happy medium of practical and visual effects to give the action on screen a more grounded feel.

Cost savings, combined with what researcher Dr. Jerome Singer documents as the importance of movement and action as an immediate attention - getter, account for much of the pressure for gratuitous violence on the screens in our homes.

«I am amazed that the American people must have lost so much faith in the system that you can watch every few weeks basically the same horrendous scene replay on the screen and they haven't spurred to action.

Much of the action seems grafted on almost as an afterthought, and Batman (Keaton) plays far too small a role in the proceedings; Burton clearly identified more with the Joker (Jack Nicholson) and apportioned screen time as such.

You may not be able to remember the specifics of Rogue Nation's plot for more than a few weeks and yet you will remember how much fun you had letting it take you on its ride of high - octane spy action for which there is clearly still a place in today's CGI and green screen - heavy Hollywood.

But, a bit too much of Destiny 2's action is watered down by long cooldowns, the lazy sit - behind - cover until you're full - health again, and the way enemies completely lose their ability to aim once your health hits the blinky - red portion of the on - screen life bar.

But it's unfair to judge on a book on its cover (or title) and after seeing Matthew Vaughn's film adaptation which releases this weekend, I can honestly say that Kick - Ass is much better than I first expected and Vaughn's big - screen version of the graphic novel features sharp writing, brilliant performances, and of course, indulgent action sequences and story - telling.

Anis Cheurfa is proficient in French free running discipline Parkour, so much of his physical action on screen was filmed for real.

Indie director David Gordon Green, an out of left field choice if ever there was one, successfully married hilarious pot culture humour with splendidly ridiculous action, and gave us a great pairing in Seth Rogen (admittedly doing his usual Seth Rogen thing, basically his cop from Superbad in a suit) and James Franco, the latter of which had me laughing hard pretty much anytime he was on - screen.

It runs perfectly on the basic hardware too in a silky smooth 60 fps action all - around, no matter how much stuff is happening on the screen.

«My Old Lady» does not feature much physical action, and as you watch it on the big screen, you'll have no problem figuring that it was meant to be played on the stage.

Perhaps it was in order to squeeze one more screening into the day (this is not unheard of — it was widely known when Sylvester Stallone's Cobra was released in 1986, he kept cutting its running time down until he could add another performance) or maybe it was just their concern that there was too much plot going on in an action film.

Once you realize, and it's quite early on when you will, that Snyder isn't going to do much more with these characters except give you more porn fetish outfits for them to try on and move them into a variety of increasingly over-populated action - war scenarios, you will find yourself doing what Baby Doll does in the film, zoning completely out and into the comfort of your own daydreams as the bullets fly and explosions erupt on the screen.

It does seem, however, that no matter how much screen time he actually ends up having in the film, Richard Croft will have a large presence in the reboot's story, whether that's just through the character's impact on Lara or his own actions in the actual story itself.

Don't get me wrong, action sequences here are amazingly choreographed and I can't imagine how intricate the process of getting some of the stuff they did on screen — all the way from storyboarding to post-production — but it's clear that Jackson's put too much time into these action beats and not nearly enough into the hobbit, dwarves, wizards, and elves in them.

Craig's Bond is rougher than Brosnan, much more adept at the sort of hand to hand combat that feels painful to watch on screen, the type of action that Paul Greengrass brought to the mainstream in the Bourne films.

Directed by Joe Johnston (Jumanji), Captain America proves to be a riveting roller coaster ride from beginning to end, basically because it relies on a winning recipe featuring all the fixins needed to hold an audience's undivided attention, from a compelling plot which ratchets up the tension all the way to the final showdown, to eye - popping action and special effects, to a sweet romance between likable leads exhibiting screen chemistry, to lots of unexpected moments of levity (with much of the hilarious comic relief arriving courtesy of Tommy Lee Jones).

Even though Harding's point - of - view dominates much of the action (that is, what we see on screen corroborates her accounts of Gillooly's abuse, rather than his interview - scene denials), there's still a visible struggle for her to maintain it, even in her own biopic.

While the dogs can be trained to handle as much of the action as possible, cats are unruly animals, so while being the more interesting characters, are also the most frustrating to depict on - screen.

It's a warmly melodic, family - friendly spirit that's much like Debney's affable personality, growing from the small screen to apply his lavishly fun orchestral sound to such live - action and animated fantasy epics as «Inspector Gadget,» «The Ant Bully,» «The Scorpion King,» «Evan Almighty,» «Zathura» and «Lair» — a lavish orchestral score that arguably put videogame soundtracks on the map as a musical contender.

Chan - wook makes the sex work, because the graphic nudity is about so much more than simply getting lesbian action on screen for the male fantasy.

There are some great action sequences, even if at times there is so much happening on screen it's hard to tell exactly what the hell is going on.

Even so, I'd much rather have an average - looking game with consistent frame rate, and that's no easy feat when there are a ton of characters on screen at once and the action is blazing fast.

On the plus side, besides full screen U.S. and International trailers (pretty much the same, with that strange glass logo), there's the four U.S. TV spots many fondly recall, emphasizing action and colour.

I doubt very much that Amazon would ever allow Kindles to run Android apps because the customer support issues would be immense (action games on an e-ink screen...?)

Screen time can add unneeded stress watching price action randomly intra-day or on a much smaller timeframe than your trading or investing strategy operates.

It's also very difficult to follow what happens on the screen, as there is too much action happening at once to successfully keep track of your avatar.

The Los Angeles Times review suggested the game would «fit better on a big screen in some multiplex», and also added that «Uncharted 2 is ridiculously immersive, so much so that you forget you are controlling the actions of treasure hunter Nathan Drake... everything is done right.»

The touch screen's second use is for the subsequent surgery, of which nothing's been shown yet, but going on what we've seen of Atlus» other DS medical game Caduceus, we imagine a much more tense, action - packed set of scenes than the adventure bits.

However, because there isn't much effects going on in either the background or on - screen firing action, the visuals can grow pretty bland in time.

The lack of touch pad implementation is surprising as the Vita's touch screen control scheme was pretty much perfected as it saw the cursor being replaced with icons and consisted of tapping on an icon to perform a particular action, interact with an object, start a conversation with a person in your group or to choose a response in a conversation, while dragging your finger around the touch screen would move Clementine around cover or exploring the environment as you search for supplies and people, so it is difficult to understand why such functionality could not have made the transition from the Vita to the DualShock 4 controller.

Button placement is very intuitive and I found that I had no problems controlling much of the action on - screen.

The lack of touch pad implementation is surprising as the Vita's touch screen control scheme was pretty much perfected as it saw the cursor being replaced with icons and consisted of tapping on an icon to perform a particular action, interact with an object, start a conversation with a person in your group or to choose a response in a conversation, while dragging your finger around the touch screen would move Lee around cover or exploring the environment and finding people, so it is difficult to understand why such functionality could not have made the transition from the Vita to the DualShock 4 controller.

Controller lag was pretty much non-existent and the only thing I noticed was a little hiccup here and there when action got super thick on screen but it didn't impact gameplay.

With the right team combining the right combat styles, weapon spirits and abilities the action can be explosive when the battle numbers increase and it is a visual treat to just see so much happening on screen.

It was hard to describe why the game looked to have so much potential, besides the obvious on - screen action.

As Maxwell, players can run left to right in the levels and jump using screen touches and swipes, but pretty much any other actions, such as climbing, flying, and so on, require that players interact to actually create the means by which this is possible.

First conceived way back in 2008, only one short year after the release of Uncharted: Drake's Fortune on PS3, a big - screen adaptation of Naughty Dog's iconic action - adventure series has been in the works for almost a decade now, and though stuck in development hell for much of that time, with constant fundamental changes delaying the project on numerous occasions, the film's survival has never really felt in doubt.

While its predecessor might have been an early example of how a portable action - RPG could be executed, as well as adapting the Zelda - style top - down screen - by - screen adventure into traditional RPG trappings, Secret of Mana had a much greater influence on how games would eventually develop in Japan.

I say this because the action on screen just seems a bit sluggish at times, and not as much of a fast - paced experience as I have found in the other two Street games.

If you're not a PC gamer, you probably haven't paid much attention to these kinds of innovations in display tech over the last few years, but FreeSync - like NVIDIA's rival G - Sync - is a technology that eliminates frame - tearing, that frustrating effect where the image on your screen displays a weird horizontal tear due to graphics parts struggling to render frames fast enough to keep up with the action.

We suppose we shouldn't complain too much, however, since every last one of them can be uninstalled by simply long - pressing the selection on the app screen and choosing the correct action in the drop - down menu.

The Action Center sticks to the far right of the screen, and doesn't expand or cater to the extra screen real - estate on an ultrawide, this is to be expected however as there's not really much an Action Center can do other than be a long vertical column, so no complaints from me on that regard.

In the video, Brownlee walks us through the OnePlus One's modified Android camera that makes it easier to take panoramic shots and add Instagram - like photo filters to pictures and videos; the built - in Screencast app that will let you record all of the actions that you take on your device's screen, which should make it much easier to do mobile app and mobile game demonstration videos; the Themes Showcase app that gives you additional customization options that you previously had to root your phone to acquire; the ability to turn on - screen buttons on and off so you can open up more screen real estate; and new capabilities that let you easily add more settings to your Quick Settings menu.