Sentences with phrase «much art discourse»

Unacknowledged in the premise of the sale is its un-ironic role in perpetuating concerns occupying many artists and much art discourse after modernism: the defeat of the avant - garde, or the immanent recuperation of artistic movements, as they fold into culture industry or are appropriated, for example, as a sale's headline.

Not exact matches

A much more pervasive dullness in the upscale art movie Damage unifies the sex scenes, the dialogue scenes, and the contrived plot; they're all in the same universe of discourse — or shall we call it the same hell of good taste?

It's notable that the Whitney Biennial takes place in New York, which for much of the postwar era was the center of the contemporary art discourse.

«Engender,» Kohn Gallery's upcoming group exhibition, is a much more intimate entry point into gender - based discourse in contemporary art.

EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

Clark appears not to have been affected by much of what happened during the»80s, either in art or critical discourse.

Exile presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generatioal and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

Transavanguardia not only reintroduced figurative painting into the predominantly Minimalist and Conceptual scene of the period, but proposed devices like allegory and mythology as valid strategies in contemporary art discourse, much to the chagrin of the art - world establishment at the time.

Her concerns offer a bracing contrast from much contemporary artistic discourse, and yet they are urgently contemporary: she consistently revisits representations of poverty, religious iconography (with a focus on Catholic monastic traditions), and the enduring beauty of folk art forms.

In the latter part of the 20th century, an emerging generation of postmodern critics challenged Greenberg's theories, though none could deny that Greenberg had laid the foundations for the questions of «high» versus «low» art that animated much of late 20th - century critical discourse.

This expectation was at odds with the self - reflexive discourse these artists had engaged as an aspect of their education and that constituted much of the advanced art - making practiced during the period.