Sentences with phrase «much as an animation»

Not exact matches

The Journal report said that Comcast could pay as much as $ 3 billion for DreamWorks, and would combine that business with its existing Universal movie and TV unit as a way of taking on Disney in the animation market.
As William R. Stanek stated in PC Magazine: «With dynamic HTML, you can create Web pages with eye - popping special effects, animation, and much more without relying on server - side scripts, database engines and hundreds of lines of complicated markup code.
NBCUniversal CEO Steve Burke made it clear that he sees DreamWorks as much more than just a creator of family - friendly entertainment it can fold into its animation arm.
It isn't so much about mimicry as making more interesting robots by taking lessons from centuries of theatre and animation.
Dr Peters said that using animation as a research tool will allow scientists to measure much more accurately the behavioural signals of lizards.
In the absence of a black hole, the stars would move at a much slower rate, as shown in the animation.
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One of the great pleasures of animation is the way it distills movement and color and sound into their simplest outlines; at its best, it gives us as much information as we need and no more.
Featuring as much content as the original, Two Worlds: The Temptation will feature more intricate missions, improved voice - overs and animations, retooled horseback riding, completely revamped combat, and a new game engine that delivers visuals that have to be seen to be believed.
Much to Ace's annoyance, Eliot's creative neighbors all pitch in to help, injecting their own styles to story and animation as they take turns.
That she grew up as much a fan of martial arts as animation can be felt everywhere, in elaborately choreographed fighting sequences à la «Crouching Tiger, Hidden Dragon,» and in small touches — the way in which Lord Shen turns his peacock feathers into lethal weapons, especially powerful when combined with Oldman's ability to sound so deadly.
(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.
For much of this movie, the three young protagonists of the saga — Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson)-- exist in suspended animation, camped out on a series of picturesque British heaths as they flee the Death Eaters, minions of Harry's archrival Voldemort (Ralph Fiennes).
The cute animation for pulling stickers off anything (walls, bushes, trees, etc) is nice at first, but quickly grows tiresome as you need hundreds of the damn things and just multiply the two seconds it takes to pull each one off and you'll realise how much time is wasted.
I liked Pirates Curse so I will definitely get this one as well - I admit at first I liked the pixel style of Pirates Curse more, this one reminded me of the Ducktales Remaster too much (good artstyle but animations were a bit disappointing).
Unlike games of today which are totally rendered by computers, Cuphead uses hand painted backdrops and animation as you become immersed in this crazy game that is definitely a much needed title in a market flooded by first person shooters.
As much as Inside Out was a full blown masterpiece for Pixar (and it was), it is clear to me that Laika is the animation house to pay attention tAs much as Inside Out was a full blown masterpiece for Pixar (and it was), it is clear to me that Laika is the animation house to pay attention tas Inside Out was a full blown masterpiece for Pixar (and it was), it is clear to me that Laika is the animation house to pay attention to.
• Shaun the Sheep - It shall remain a mystery why this hilarious & sweet Aardman animation effort didn't get US families into theaters to see it (it earned three times as much abroad) considering the absolute garbage parents will take their kids to.
But with a partly Kickstarter - funded animation based on his play «Anomalisa» currently filming — Kaufman is listed as co-director — probably the film we're anticipating even more from him as writer / director is his much - touted «examination of celebrity as a mental illness» (according to star Jack Black) «Frank or Francis» a musical, which also stars Nicolas Cage, Kevin Kline and Steve Carell.
Hollow Knight's deep gameplay seems perfect for portable play as much any TV or PC monitor, and I'm sure its fluid animations and vivid colors will pop on the Switch's screen.
It is as much a colossal void as the vacuum that serves as its backdrop, so relentlessly plot - driven that it resembles a video game not only in its near - total animation but in its stage - oriented narrative movement.
Although the irony is unmistakable that Green, who in recent years has done more as a voice actor than a live actor (on «Family Guy» and his own creation «Robot Chicken»), goes unheard here and receives top billing for what amounts to not that much more than what reference actors essentially did sans credit in the olden days of animation.
The Jungle Book looks immaculate, that much is certain, and the cast is standout (Lupita Wyong» o, Scarlett Johansson, Bill Murray, Ben Kingsley, Christopher Walken and Idris Elba as Shere Khan) but will the 3D live - animation jungle pic set itself apart from the troubled history of Disney's modern live - action adaptations?
Vanguard's low - budget computer animation does not give the audience as much to marvel at as Pixar has done, but it does boast a quite likable design.
Directed by Makoto Shinkai in high - end 2D animation with digital flourishes, it's as moving in its way as My Life As a Zucchini, though it has much grander aspirations than simply depicting a slice of lifas moving in its way as My Life As a Zucchini, though it has much grander aspirations than simply depicting a slice of lifas My Life As a Zucchini, though it has much grander aspirations than simply depicting a slice of lifAs a Zucchini, though it has much grander aspirations than simply depicting a slice of life.
Still Early Man is not a complete disaster, and being an Aardman picture, the animation is smooth and colourful; their classic overstylised figures are still as much of a joy as when Wallace & Gromit first hit the screen.
With colorful animation and catchy tunes (just like last time), this film is sure to delight just as much as the first.
Like the stories they relate, the interviews are also included in the animation and had this been done otherwise this may not have held our interest as much as it does.
Though expanded and sometimes reinterpreted, this «live - action» Beauty (which relies extensively on digital effects and animation) is every bit as much of an appealing crowdpleaser as the source film.
Miyazaki and his team at Ghibli Studios indulge in their talents of hand - drawn animation that eschews technology with just as much sincerity and pure love as that between the boy and the fish.
Big Fish & Begonia Visually dazzling and made very much in the mode of brilliant Japanese animator Hayao Miyazaki, but as co-directed by Xuan Liang and Chun Zhang, this surpassingly beautiful film marks a major step forward for Chinese feature animation.
But between its wonderful voice performances and eye - popping animation, there isn't too much to complain about, especially as a follow - up to Pixar's nadir.
But there remains much to enjoy, including the pleasing animation and a zesty vocal performance by Eddie Murphy as Shrek's wisecracking donkey sidekick (basically reprising his zesty vocal performance as Mulan's wisecracking dragon sidekick).
Like much Japanese animation of Miyazaki's generation, the film is sentimental and sweet, but as much as it deeply understands the artistic mindset of a driven creator, it also acknowledges the darker implications of a genius» tunnel vision.
Who Framed Roger Rabbit helped bring animation back to the masses with its huge success paving the way for modern animated films such as The Little Mermaid and Aladdin to be accepted by adult audiences as much as they are by children, just as Walt Disney intended for his animated films such as Snow White and the Seven Dwarfs, Alice in Wonderland and Pinocchio.
Even if you just like Depp or Fisher or the animation and that's it, I don't know anyone who dislikes this movie as much as you do.
As much as I know where to land when having a Pixar v. Dreamworks CG Animation argument I still like Dreamworks movieAs much as I know where to land when having a Pixar v. Dreamworks CG Animation argument I still like Dreamworks movieas I know where to land when having a Pixar v. Dreamworks CG Animation argument I still like Dreamworks movies.
We have to really work to try to get as much storytelling and design in the effects that we do — we push in the same way character animation does.
The animation is great; the songs are (largely) better than you've heard, Tarzan himself is quite a decent and intriguing interpretation of the classic character, and while I haven't seen any of the other versions of Jane yet, I bet none of «em were as much of a cutie - pie as this one.
The fielding animations in particular have received attention this time around making the transition between the various poses much smoother than before and less jarring as a result.
All the actors were encouraged to improvise as much as possible to help keep the animation spontaneous.
Characteristically, the Academy's track record with animation has as much to do with timing and politics as it does the movies themselves, but there's undeniably something especially Oscar-esque about Beauty and the Beast.
Although the displays need power only when they're redrawn, the redraw itself is much slower than an LCD screen, which makes the technology unusable for faster moving images, such as animation effects and video.
He will show you the best techniques for taking advantage of engaging elements such as animations, video, audio, and much more.
And I like animation, almost as much as I like comics, but I'm not rushing to pay out for a cheap, bastardized form of both.
Lighted tennis courts, mini golf, archery, pedal boats, windsurfing and much more are available with extra charge, while archery, petanque, table tennis and a full programme of sport activities are available all day long, as well as non-stop animation.
I don't think this is a way to discourage people from quitting as much as it is a funny little animation for the other person in the match.
Still looks like an amazing game, but character animation deserves as much focus as other effects & features, and I feel like it is an area that goes under developed in most games these days.
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