I love the stuff (LET THE GREAT WORLD SPIN is one of my most favorite recent reads), but the sad fact is that it doesn't sell in any form near as
much as genre books do.
Go online and find other book covers you like, remembering to think in terms of style and theme as
much as genre.
It's not a moral values lesson so
much as a genre exploration that blends traditional and revisionist Western techniques, taking the best of both worlds to make something that is both action - packed, thoughtful, and thrilling.
Not exact matches
(TheMIX)--
As a reverse fairy tale for the CEO set, the reality television program Undercover Boss is fascinating, not so
much in the witness - to - a-train - wreck mode of the rest of the
genre, but because it is so revealing of our conflicted relationship with «the boss.»
For, recognizing that «there is a difference between translating what the text means and translating what it says,» he emphatically elects the latter, thus reconnecting the
genre of modern Bible translation with the ancient practice of reading aloud and,
as a result, conveying
much of the texture of the Hebrew in ways that other translations can not.
The former camp were highly concerned with packing
as much theological and biblical knowledge into each song
as possible, while the latter adopted the strategy of reaching hip - hop culture by fitting into it, and there's more great Christian - focused hip - hop being made, which will appeal to more fans, than at any point in the
genre's history.
There's perhaps no filmmaker working today who brings
as much artistry and thematic weight to massive
genre films
as Christopher Nolan.
Are the Hebrew Scriptures
as much a
genre of literature
as they are the theological pillar of Judaism and Christianity?
This is a topic close to my heart, so it was a joy listening and learning
as Jose Morales (a bishop in the Disciples of Christ Church who also happens to be a DJ) explained how we can think about biblical
genres much in the same way we think about musical
genres, and
as Jay Bakker shared why he hasn't given up on the Bible, even when he's seen it abused and misused.
Though a newcomer on the country music scene, Luke Combs is quickly establishing himself
as one of the
genre's most promising artists, so
much so that he's announced a headlining tour...
When they analyzed musical
genres, the researchers found that
genres haven't changed
much over time, but new, less happy
genres, such
as punk and heavy metal, have become popular and brought lyric scores down.
Rapper, singer, and fashion enthusiast Theophilus London is known just
as much for his
genre - blurring sound
as he is for single handedly keeping wide - brim hat makers in business (well sort of).
Unlike its contemporary cuneiform Sumerian, Egyptian Hieroglyph's origin is
much Edge Studio provides a large library of commercial voice over practice scripts in a variety of
genres such
as food and beverage or retail.
Wayans isn't
as funny
as Johnson and unfortunately for him he looks way too
much like his dad so you keep thinking it is his dad, and lets be honest... Damon Wayans Sr. is no top twenty movie star in any
genre.
It tries to be sweet one minute and decides to be incredibly raunchy the next (very
much so when it comes to John C Reilly's corrupted, hilarious and insanely infectious character) and quite often it sways between completely different
genres, at times becoming awkwardly stupid
as opposed to being actually funny.
it was certainly a more accessible film in terms of the sci - fi
genre and has bolstered the credibility,
much like Children of Men, however, I disagree with the seamless integration of the film styles and think the trailer misled,
as the film is not really mockumentary at all.
The film doesn't do
much to satirize the spy
genre, instead using its flimsy plot mostly
as a scaffolding for a barrage of jokes.
Conceptually I still think Stick of Truth was stronger — it managed to mock fantasy video games
as much as the fantasy
genre itself.
The future of blockbuster films such
as these lie with directors like Coogler (and Patty Jenkins, and Taika Waititi), ones who are bringing
much - needed new life and ideas to the superhero
genre.
The movie doesn't reinvent the superhero
genre so
much as reclaim and reenergize it — archetypes, cliches, and all — for viewers hungry to dream in their own skin.
It is gritty and
much more realistic,
as realistic
as a game can be, it is delivery of this
genre.
The DSG
genre is not to be scoffed at — it's given us such classic comedies
as Caddyshack and Animal House and, more recently, Wedding Crashers and The 40 - Year - Old Virgin — and has done
much to codify the behavior of drunk heterosexual men everywhere.
Playing with
genre expectations
as much as jumping around in time to instil dread and disquiet, it's a very compelling and skilfully well - made chiller, but a brutally violent watch many may find cruelly uncomfortable.
There's almost excessively little within Cabin Fever that won't seem all - too - familiar to horror fans,
as scripters Randy Pearlstein and Roth have infused the narrative with just about every convention and cliche of the
genre imaginable - and yet it's clear that the movie, in its early stages, fares
much better than one might've anticipated.
Doesn't add
much to the coming - out
genre,
as it has been established in countless Sundance competition films and made - for - television movies.
Having never been
much of a fan of
genre labels, the idea that this film should be judged differently because it has female stars irks me a bit, but if that gets more people into theatre seats and away from the junk that typically qualifies
as «entertainment for women,» I'll happily embrace it.
He's had
as much success in the
genre as virtually anyone else since then, though he's had his share of flops, too.
Very
much a
genre stylist in the mold of golden - age Hollywood directors like Anthony Mann or Raoul Walsh, Uchida showed little discernible personal style to mark him
as an auteur in the French critical mold, but the uniformly high quality of his works and his ability to succeed in a variety of
genres mark him
as a filmmaker very ripe for (re) consideration by critics.
Sprinkled with little personality bits here and there (Tallahassee's mad quest for an ever - elusive Twinkie, Columbus's crippling fear of clowns, etc.), Zombieland doesn't break any new ground in the horror
genre so
much as make for a strong dose of escapist fun for knowing fans of the films.
Few movie
genres go through
as much experimentation
as the music biopic.
How
much research did you have to do in the period, and
as a Scotsman, where you at all worried about taking on the MIGHTY western
genre that is almost sacred to American movie culture?
As a straight up
genre flick, it's an anti-thriller — the actual hunt for Russell and Frankie is pretty
much skipped over entirely, and solved with a couple lines of dialogue.
This, however, is one of the
genre kings of the PS2 generation, and
as such, it feels like a
much bigger and more advanced experience than virtually anything else available on the App Store.
Sleeping With Other People, the second feature by writer - director Leslye Headland (Bachelorette), doesn't so
much subvert the conventions of its
genre as redeem them, one terrific gag and remarkably frank sex scene at a time.
But then again, it's not
as intriguing or
as quite put - together
as it thinks itself to be, with the fusion of the two
genres — see it done
much better in Robert Rodriguez's From Dusk till Dawn — not quite sticking together
as they should be.
Invoking both Hitchcock's grasp of psychological drama and Spielberg's
genre storytelling precision, producer JJ Abrams and first - time director Dan Trachtenberg don't so
much forge a followup to but rather adopt
as a reference point the 2008 found - footage monster movie Cloverfield.
Let's get this straight: there aren't many other products out there in this
genre that can deliver
as much fun and «oh, wow!»
Credit series creator, writer and executive producer Justin Marks (The Jungle Book) for crafting a surprisingly intriguing
genre mashup that explores identity
as much as the spy game and, for that matter, parallel universes.
The third act pivots on a twist you can see coming, but intentionally so — this is
as much a
genre riff
as Bobby Cannavale's thinly motivated terrorist villain, or the regular references to the kind of budget constraints that never trouble Bond.
Let The Sunshine In is a rom - com in
as much as it contains romantic situations and funny lines, but Denis subverts the
genre every chance she gets.
If a
genre performance comes along that is so earth - shattering, or perhaps not even that so
much as a head - spinner that demands critical attention and adoration, the Academy seems willing to comply in those often heated lead races.
I love blood and gore in movies
as much as the next horror fan, but I'm very tired of the so - called «torture porn»
genre (which, somewhat ironically was kicked off by Saw).
As ever with the filmmaker, «the environment is just as much of a character as the people,» but she also takes to the genre elements nicely, with the final set - piece being «the most claustrophobic thing she's made.&raqu
As ever with the filmmaker, «the environment is just
as much of a character as the people,» but she also takes to the genre elements nicely, with the final set - piece being «the most claustrophobic thing she's made.&raqu
as much of a character
as the people,» but she also takes to the genre elements nicely, with the final set - piece being «the most claustrophobic thing she's made.&raqu
as the people,» but she also takes to the
genre elements nicely, with the final set - piece being «the most claustrophobic thing she's made.»
What started
as a way of parodying the «Scream» films (themselves ostensibly a parody of the horror
genre to begin with) has evolved into a franchise which takes shots at pretty
much any movie it wants, from «Million Dollar Baby» to «Brokeback Mountain.»
And she is
as much a fan of
genre movies and hearing her talk about, not just Star Wars, but hearing her talk about those kind of films, is evidence that she would just kill it.»
A hilarious and occasionally heartbreaking tale of lost youth crossed with a wonderfully over-the-top
genre exercise, «The World's End» plays very
much to its creators» strengths, deftly intertwining male menopause and the apocalypse
as it follows a quintet of old friends reliving the key missed opportunity of their teen years — downing 12 pints in 12 pubs in their small town's «golden mile» of public houses.
Even though this is an extremely well - made film, it's difficult to know who will enjoy it,
as it's far too arty for horror
genre fans and
much too grisly for arthouse moviegoers.
I Saw the Devil — I put this movie off for a really long time because «revenge thriller» isn't so
much my
genre as «horror,» but boy, I sure am a dummy for putting the movie off for so long!
But admittedly, I'm biased because I love everything about Splatoon and what it does / brings to the online shooter
genre and
as someone who is a long - time fighting game fan Super Smash just doesn't excite me that
much.
I love a good popcorn superhero movie
as much as the next guy (maybe even more than most critics), but «Logan» shows how deep one can go in the
genre if they just approach it in a different way.