Why this doesn't seem strange to people as
much as this cartoon does is also bizarre to me.
The ogre Shrek (Mike Myers) lives alone, quite happily, in his own private swamp, until his solitude is shattered by a noisy, restless troupe of fairy - tale and nursery - rhyme characters who've been forced from their homes by the nasty Lord Farquaad (John Lithgow), who, with his Prince Valiant haircut and long, squared - off jaw, resembles nothing so
much as a cartoon - world version of Laurence Olivier's Richard III.
Not exact matches
With his ideas made clearer by Phillipson's return to first principles, Smith emerges
as a
much more subtle and interesting figure than the
cartoon freemarketeer he's often thought to have been.
Bad atheism is worth
cartooning as much as any other bad religious expression.
I suppose I didn't have that
much of an issue until you described the sort of person being portrayed in the
cartoon as a «silly» man.
It reminded it yet again,
as does your wonderful
cartoon, that
much of what we think
as Christian theology is really just a gospel based on performance, good works, being a good person, etc...
This
cartoon is just
as much hate - speech
as anything coming from the right.
For
as much as I enjoy your
cartoons, I think I like your miniature paintings the best!
I had an image in mind, but your
cartoon is
much more fitting and,
as usual, balances the gravity of the situation with some
much needed laughter.
The first was was the infallibility of my own church / denomination's interpretation of it
as my struggle was very
much over what you portray in the
cartoon above.
That means that
as much as you might enjoy the break you get when your little one is chilling out with
cartoons or turning pages in that mail - order catalog that caught her attention, you want to encourage her to get moving after an hour spent sitting around.
It's only after they are around other children who have already latched onto this notion that kids don't like vegetables and after they start watching television where
cartoons, commercials, and other television shows perpetuate the «kids don't like vegetables» notion (if you watch kid's programming, you'd be surprised at the number of times that either kid characters in shows or television commercials portray vegetables
as yucky) that they are exposed to the
much - accepted norm that kids don't like vegetables — and so they decide that vegetables are yucky.
Flashy TV ads promoting sugary cereals are
as much a staple of childhood
as the Saturday - morning
cartoons they interrupt (and underwrite).
The real Tasmanian devil doesn't look
much like the familiar snarling and whirling
cartoon character known
as Taz, but it's every bit
as fierce.
As I wrapped boxes in the usual department store paper strewn with
cartoons of Santa, reindeer, holly, snowmen, and Christmas trees, I thought, wouldn't it be so
much nicer to wrap packages that are enhanced by thoughtful details rather than Christmas cliches?
I'm pretty
much an open book, nerdy
as hell, I like writing, going out, hanging out with friends, watching movies, tv shows,
cartoons, anime, etc..
Accept me
as i m (love freedom; clumsy; talk too
much; not good with people; love tv, movies and
cartoon; love window shopping; love sweets; judgemental; highly emotional; hate showing off, pretence, lies, attitude, showi..
And Stephen Chow had Kung Fu Hustle, a giddy tribute to old martial arts movies that took almost
as much inspiration from Bugs Bunny
cartoons.
Jeremy Renner stars
as Webb, who comes off like a bizarre caricature of a concerned, anti-establishment rabble - rouser; with his goatee, his aviator shades, his vintage MG and his Clash albums, this guy feels
as much like a
cartoon as Roland Burton Hedley, Jr. from «Doonesbury.»
Taking in $ 21.4 million in North America and $ 17.6 M elsewhere, Mars put up numbers comparable to a Winnie the Pooh movie, but
as effects - intensive motion capture, it cost about five times
as much as one of those humble traditional
cartoons.
As much as some people despise seeing them, I actually really love that the Koopalings seem to be getting personalities and social dynamics (between this game and Paper Jam), something we only ever had in comics and cartoons before no
As much as some people despise seeing them, I actually really love that the Koopalings seem to be getting personalities and social dynamics (between this game and Paper Jam), something we only ever had in comics and cartoons before no
as some people despise seeing them, I actually really love that the Koopalings seem to be getting personalities and social dynamics (between this game and Paper Jam), something we only ever had in comics and
cartoons before now.
And there isn't
much for Toulouse - Lautrec to do:
as played by John Leguizamo, he is a
cartoon figure, hardly more real than Eric Morecambe's impression of Jose Ferrer: kneeling on his shoes to get the right height.
There's a clear difference between the flesh - and - blood figure and the animated character watching him: One is distinctly repulsive — he looks like an immoral lunatic who's losing his mind — but the
cartoon Trump is just silly; he's not a bad guy so
much as an empathetic buffoon.
San Andreas was an absolute blast in terms of top - notch popcorn entertainment, and while this movie may pile on the cheese a little more with its
cartoon villains — particularly Akerman's bitchy, hard - nosed top - level executive and Morgan's brilliantly performed modern cowboy, there's
as much fun to be had, if not more.
As much as its intriguing, painstakingly - established premise might sound like a cross of The Fugitive (1993) and No Way Out (1987), the balance of Salt unfolds less like a cerebral mindbender than an implausible display of acrobatic stunts dependent on patently - preposterous, cartoon physic
As much as its intriguing, painstakingly - established premise might sound like a cross of The Fugitive (1993) and No Way Out (1987), the balance of Salt unfolds less like a cerebral mindbender than an implausible display of acrobatic stunts dependent on patently - preposterous, cartoon physic
as its intriguing, painstakingly - established premise might sound like a cross of The Fugitive (1993) and No Way Out (1987), the balance of Salt unfolds less like a cerebral mindbender than an implausible display of acrobatic stunts dependent on patently - preposterous,
cartoon physics.
But even the costume of the assailant in Elle flags cinema traditions long past:
as much recalling Mario Bava's Danger: Diabolik
as it does Louis Feuillade's 1913 silent crime serial Fantômas, it tells us that it is simultaneously a pantomime, a
cartoon and a melodrama.
Much of Agents of Mayhem's aesthetic and tone takes inspiration from Saturday morning
cartoons: it's reminiscent of Transformers, Power Rangers, and other animated shows I used to watch
as a kid — our squad of anti-heroes even have their own cheesy, guitar - laden theme tune (skip to 1:30 in the video above).
«Out of the Shadows» is most enjoyable when it plays to its strengths
as a fun and frothy spectacle, borrowing so
much from the late»80s
cartoon that it practically becomes one itself.
The slides also reveal some early UI designs for what would become Android 3.0 Honeycomb,
as shown above; the widgets and iconography are
much more
cartoon - like than the final design, which would eventually form the basis of the «Holo» theme used in Android 4.0.
The game begins so promisingly with a 90s
cartoon vibe complete with a vibrant color palette and a guitar riff that sounds so
much like my Saturday morning viewing
as a kid that my nostalgia gland (totally a real thing) briefly went into overdrive and nearly killed me.
However, Toad is not nearly
as valiant in the games: his fear of Bowser is
much more pronounced than in the
cartoons, and he often ending up kidnapped just the same
as Peach, or is simply reduced to running to the Mario Bros. for help.
The graphics aren't really a point with South Park
as it is a stylised paper - cut - out
cartoon style, but the graphical effects for powers and takedowns take this colourful yet plain style that
much closer to being movie worthy.
While Nintendo games tend to avoid realistic violence and bad language (check each game's certification for a clearer guide), don't be fooled by the
cartoon exterior: Nintendo also make the most «adult» games in terms of depth, so a title like The Legend of Zelda: The Breath of the Wild can be enjoyed by the whole family, and is (almost)
as much fun to watch
as to play.
There are some other excellent snippets here
as well, including some thoughts on Yoshi's origins (he was originally more reptilian, but the
cartoon dinosaur look fit
much better with Mario's aesthetic), and he only came to be because Miyamoto wanted Mario to ride something like a horse.
Whereas the mainstream Mario series uses somewhat upbeat, happy music for the ghost house areas (like in Super Mario Galaxy and 3D Land) or stereotypical «haunted house
cartoon» music (such
as the soundtrack in Wario Land Shake It), Luigi's Mansion's music has a very
much more ambient style to it.
It is a wonderful
cartoon show that is just
as much focused for adults
as it focused on kids.
The art of killing Hell's horde in the most gruesome fashion is treated with
as much joy
as an Itchy and Scratchy
cartoon.
Huddersfield - based games developer Red Kite Games has just released its beautiful,
cartoon - style game for iPhone and iPad, Firefly Runner, and is aiming to raise
as much money
as possible for its two chosen charities.
As I didn't mention all too
much in my announcement piece, the game takes place in mind of a child during the 50's, surrounded by 50's American culture and media, which would include
cartoons, radio shows, film, you name it.
Few
cartoons have changed
as much as Ben 10.
I hope you have
as much fun learning how to draw this
cartoon lion
as we did.
Drawing from the art - historical lineage of cubism,
cartoons, figurative painting and gestural abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Comic Future is
as much about the breakdown of the human condition
as it is about the absurdities which define the perils of human evolution.
The outlined people, a bit like
cartoons, have the charm of folk art
as much as the terror of the unconscious — or of modern life.
People have seen traces of the human figure in Pollock's last work, and they have seen it
as a betrayal,
much as de Kooning's women before him or the merger of abstraction and
cartoon agonies in Philip Guston later on seemed one
as well.
Drawing from the art - historical lineage of cubism, graffiti,
cartoons, figurative painting and gestural abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Aaron Curry's eagerly awaited survey exhibition at CAPC musée d'art contemporain de Bordeaux next summer is
as much about the breakdown of the human condition
as it is the absurdities that define the perils of human evolution.
She's best known for the Moomins, a loveable family of round, hippo - like creatures, brought to life in a series of newspaper
cartoons and books, but there's
much more to Tove Jansson —
as this retrospective aims to show.
Abstract expressionism came with a lot of critical
as well
as artistic bullshit,
much of which Ad Reinhardt gleefully lampooned in his coruscating
cartoons and statements.
Cartoons depend so
much on their own plastic surface, and this is something Pensato vigorously takes on, using the eraser
as a tool in its own right to transform any semblance of plasticity or sheen.
Her body of ceramic works has received
much attention, with designs influenced by the 1980s and imagery of
cartoon animation with fictional characters such
as dinosaurs.
Let's call him Captain Planet» No other
cartoon I watched
as a child has had
as much impact on my day - to - day adult life.