Sentences with phrase «much as viewers»

Not exact matches

This is the AdWords for Video Tool which allows you to see more video and YouTube specific metrics, such as subscribers earned and how much of the video viewers watched.

As for enticing new viewers, I don't think about that very much.

The New York Times notes other Fox hosts don't get as much leeway, but Hannity has the network's best ratings: «On Monday, his first show since the revelations about Mr. Cohen, Mr. Hannity pulled in 3.7 million viewers, topping his MSNBC rival, Rachel Maddow, and two N.B.A. playoff games,» The Times writes.

For his troubles, he gets around three million viewers per night — about as much as Fox News's primetime line - up.

Our characters have another lesson to learn, but the real twist is that the lesson is as much for us, the viewers, too.

Of course, most Oscars viewers have about as much chance of attaining that lifestyle as of winning the New Jersey Lottery.

It was as much a success with critics as it was with viewers — if you're too young to remember, note that this used to be the most popular show in America — and it leveraged that success to break new ground in television.

Because audience loyalty to these programs has been built so much on images of growth and success as indicators of God's direct blessing, cutbacks could have theological as well as psychological effects, producing a further loss of support from loyal viewers.

(6) Assuming that there is a similar viewing pattern among viewers of other programs, this duplication could drop the total number of individuals who watch syndicated programs by as much as 50 percent, or down to as low as 15 million.

As we roll out the four episodes in 2014, viewers will learn so much from these chefs and pick up on some of their secret tips and incredible techniques.»

Viewers back home have rarely enjoyed watching any of their European exports as much as Son, but the sight of the rapier - like forward slashing through defences in England and Europe presents a double - edged sword for Shin Tae - Yong, head coach of the South Korea national team.

I'd be curious to see how much an effort like this cost, both in the aggregate and per - click, and also how many people actually responded — though also note that a candidate's ad would function as a virtual yard sign even if the viewer doesn't click it.

But the speak - your - weight machine interview is a great irritation to listeners and viewers as much as it is to us.

Like most television shows, the goal of Dr. Phil's producers were to create as much controversy as possible to attract viewers.

Not that I mean to sound like Erik Killmonger, though I imagine some viewers will find him more compelling than the noble, conscientious T'Challa — much as Malcolm X is a compelling counterweight to Martin Luther King.

Fans may not like the CGI zombies, but unlike the video game creatures in I am Legend (2007), these are more filmed actor - CGI tweaked hybrids; their believability is really dependent on how much viewers will accept the virus as a fast - moving bug which immediately transforms a host into a rabid sprinter with super-strength (not unlike 28 Days Later).

Critics Consensus: Its efforts to earn laughs can be as ungainly as its title, but for viewers in tune with its absurdist humor, The 100 - Year - Old Man Who Climbed Out the Window and Disappeared offers much to recommend.

Critic Consensus: Although it may serve as a passing diversion for very young viewers, The Oogieloves fails to offer much more than several brightly colored examples of the worst stereotypes of modern children's entertainment.

Critics Consensus: Although it may serve as a passing diversion for very young viewers, The Oogieloves fails to offer much more than several brightly colored examples of the worst stereotypes of modern children's entertainment.

He will remain as much an enigma to viewers of this movie as to those who don't see Rebel in the Rye.

The biggest shortcoming — and perhaps the most / only significant one of the entire series — may be that viewers entering the film without reading the books will not be able to comprehend nearly as much as those who have.

The episodic bent of the film's first half - much of the narrative seems to follow the central characters as they fight one fire after another - does test the viewer's patience to a fairly demonstrable degree, and it's clear that Backdraft, by and large, works best when focused on the rivalry and relationship between the central figures (and how it ultimately affects their respective work).

It's clear that Killer's Kiss requires a great deal of patience from the viewer, as much of the movie's first half suffers from the feel of a rather unimpressive student film - with director Stanley Kubrick exacerbating this feeling by suffusing the proceedings with needlessly ostentatious visual choices.

The movie's all - too - deliberate pace holds the viewer at arms length for much of its overlong running time, however, as Foley's rough - cut sensibilities result in a surfeit of palpably padded - out and entirely needless sequences - with the ensuing lack of momentum ensuring that certain moments aren't able to pack the visceral punch that Foley has intended.

It's about as much fun for the viewer as being dropped into a virtual - reality version of a highway - safety crash film.

The movie doesn't reinvent the superhero genre so much as reclaim and reenergize it — archetypes, cliches, and all — for viewers hungry to dream in their own skin.

The bottom line is that viewers who enjoyed Deadpool will almost certainly enjoy Deadpool 2, although perhaps not quite as much.

Not all that much happens, but the episodes nip along just smartly enough to sustain interest as to what this jigsaw puzzle will look like once assembled, the disclaimer being that viewers will have good reason to be ticked off if the payoff doesn't justify the commitment.

Though by no means an unbearable watch, A Promise is almost as much an exercise in patience for its viewers as it is for Friedrich and Lotte.

The viewer subsequently can't help but walk out of the film with a much higher opinion of the notoriously incompetent commander - in - chief, as Bush is ultimately portrayed as a likeable good ol' boy whose presidency seems to stem primarily from his desire to please his father.

That doesn't mean the picture as a whole is likely to prove of much interest to most viewers.

For viewers, it is a smart, vibrant and ultimately entertaining film that also serves as a reminder that animated feature films can do so much more than serve as commercials for toy lines and fast - food meal tie - ins.

Bob Hoskins turns up as Old Fezziwig, pulling a CGI - assisted double - somersault, and causing the more nostalgia - prone viewer to ponder the fact that special effects seemed so much more special 20 or so years ago, when Hoskins worked his socks off for Zemeckis on Who Framed Roger Rabbit?

As much as I'd like to blame the trailers for misleading viewers, this is not an easy film to market, and as such, most ticket buyers walked into their screening ready for a simple, familiar formula: Seth Rogen + raunchy R - rated comedAs much as I'd like to blame the trailers for misleading viewers, this is not an easy film to market, and as such, most ticket buyers walked into their screening ready for a simple, familiar formula: Seth Rogen + raunchy R - rated comedas I'd like to blame the trailers for misleading viewers, this is not an easy film to market, and as such, most ticket buyers walked into their screening ready for a simple, familiar formula: Seth Rogen + raunchy R - rated comedas such, most ticket buyers walked into their screening ready for a simple, familiar formula: Seth Rogen + raunchy R - rated comedy.

Some viewers will require an adjustment period, as Tangerine involves so much shouting, and moves at such a breakneck pace, that it can feel a little assaultive.

When put together (as here), they are overextended and too long by half, with many a dull stretch before the famous wirework action sequences finally kick in — although perhaps this will not prove too much of a challenge for the modern viewer who is a fan of, say, 2015's The Hateful Eight (with its similarly protracted pace and duration).

The attendant 5.1 DTS - HD MA track proves that Zemeckis is still capable of turning on the afterburners with regards to mixing set - pieces (there's an almost musical quality to the Blitz as bombs clobber the subwoofer and hails of gunfire flank the viewer), yet when I think of Allied, I think of its restrained use of score — much of the music is diegetic — and of how Zemeckis finds a remarkable number of variations in the sound of the air around Max and Marianne's loaded silences.

Whether such material has captivated readers and viewers as much as Katniss» relatable plight, the result of a noble volunteering in her younger sister's place, and her love triangle with Peeta and local heartthrob Gale Hawthorne (Liam Hemsworth) is uncertain.

There are any number of readings available here, from Katniss and Peeta's relationship mirroring generations of Hollywood stars (closeted and otherwise) with fake publicity marriages, to the oppression of the working classes by the greedy 1 %, to the vagaries and dangers of instant fame, to bread and circuses, and «Catching Fire» allows viewers to dig into or avoid the metaphors as much as they want.

Weber (Annabelle & Bear) makes smart choices here, not least of which is to frame A Girl Like Her as a faux documentary, injecting a much - needed ironic distance between the action and the viewer.

The Piano Teacher, based on a novel by Elfriede Jelinek (apparently largely autobiographical, which is disturbing news in itself), is much more classical in style, though as before it demands considerable input from the viewer: Haneke deliberately avoids making any comments on the film's action, letting the audience judge for themselves.

Inspired by Sean Baker's Tangerine, Soderbergh also shot this motion picture on an iPhone and purposely gave it a squalid, lo - fi look in order to help magnify Sawyer's psychologically induced paranoia as much as possible, and while this visual aesthetic suits the material perfectly, it will just as likely turn off a small subset of potential viewers sight unseen at the same time.

But he knows as much about horse racing as most viewers probably do — which is to say, not much.

Centered as much on the rise and fall of Alex Pettyfer's ingenue character as it was on Channing Tatum's eponymous figure, Magic Mike showed viewers the allure of this life before hitting them with the harsh realities that lurked within.

Watching Hanna, it's easy to see why there was so much buzz around Seth Lochhead and David Farr's screenplay in the few years before the film went into production; the story of the mysterious young warrior is structured in a way that immediately draws the viewer in, and keeps us constantly guessing as the details of her enigmatic past steadily come into... read more

That ending isn't as much of a crime as making a decent premise, real smiles, quality entertainment and viewers hard - earned bucks disappear into thin air, however.

Despite only a few minutes of screen time together, the clear pairing of Broadbent and Alexander's characters acts as a subtle reminder to the, ahem, younger viewers that this film is just as much a foreshadowing of your mildly depressing future as it is a meditation on the mildly depressing present of the baby boomer generation.

Those good, average, and bad movies are the stepping stones for whoever writes, directs, or produces Infinity War; they can be sure viewers won't expect as much characterization as from the solo ones.

The set pieces are just as ludicrous, asking the viewer to buy into the movie too much when we have not been given any reason to engage with the plot in the first place.

I'd wager that a poll of exiting audience members unfamiliar with the original work would yield a much higher percentage of viewers who might regard what they've just seen as a drama with moments of comedy, rather than the ribald farce most who are familiar with the play know it to be.