Based on the data we've collected, we can now give you an insight into how
much book editors and designers can expect to make on a freelance gig.
Not exact matches
Biden's first presidential run was derailed by a plagiarism scandal, and the former vice president will face
much more scrutiny after the publication of Breitbart News
Editor - at - Large and Government Accountability Institute President Peter Schweizer's blockbuster new
book, Secret Empires: How the American Political Class Hides Corruption and Enriches Family and Friends.
Nigel Rees,
editor of an engaging newsletter that tracks down quotations, reports that Chesterton's fictional Father Brown said things very
much like that, but he suspects the source is Emile Cammaerts» 1937
book on GKC, which paraphrased him as believing that «The first effect of not believing in God is to believe in anything.»
My
editor at Macmillan worried that the
book might be making too
much of the phenomenon, that all the talk about ecology was «a flash in the pan.»
Recently retired Christianity Today
editor Harold Lindsell, in his
much publicized
book The Battle for the Bible, chronicles certain of the tensions presently shaking the evangelical world.1 He would have us know that many «evangelicals» have forfeited their right to use that title any longer.
Here's a secret about food
editors: we spend so
much time developing recipes and cooking that at night — between the busy day in the office and after - work activities like dance classes and
book clubs — the last thing we want to do is cook.
-- Lauren Iannotti,
editor in chief, Rachael Ray Every Day «A
much - needed
book.»
It doesn't seem to appeal to
editors much anymore, but it appeals to me and one day when I have shot some more portraits I want to present this facet of my work in a
book.»
Michael Lemonick, opinion
editor at Scientific American, talks about his most recent
book, The Perpetual Now: A Story of Amnesia, Memory and Love, about Lonni Sue Johnson, who suffered a specific kind of brain damage that robbed her of
much of her memory and her ability to form new memories, and what she has revealed to neuroscientists about memory and the brain.
In a
much - discussed article published in December, The Atlantic
editor - in - chief James Bennet summed this argument up well: «When you do nt have to print words on pages and then bundle the pages together and stick postage stamps on the result,» he wrote, «you slip some of the constraints that have enforced excellence (and provided polite excuses for
editors to trim fat) since Johannes Gutenberg began printing
books.
But the biggest surprise here is that
much of Infinity War fairly zips along, as directors Joe and Anthony Russo and their armies of previz teams and
editors cut between dozens of competing characters and cliffhangers — they've yanked all the good parts from a colossal Marvel comic -
book crossover event and chucked them onto the screen.
The film focuses on Wolfe's relationship with legendary
book editor Maxwell Perkins (a bland Colin Firth), who in (a clichéd) New York of the Roaring»20s trims down a
much - rejected manuscript that ran over 1,000 pages into Wolfe's classic best seller «Look Homeward, Angel.»
Wilder plays George, a
book editor that decides to travel cross-country by train to have a boring time where he can get some
much needed rest and relaxation.
Citing the intriguing life story of former New York Times
book editor Anatole Broyard, an African - American who spent
much of his adult life passing as a white man to achieve career success and broader opportunities, and research on gender stereotypes and math skills and race stereotypes and I.Q. tests, Steele offered three recommendations for making classrooms places where students feel a sense of belonging:
I think I'll need to look into Norlu for design,
much thanks for the suggestion — the content
editor was a godsend — but my
book was also history, so having someone who knew history was also a must...
If you're looking for a
book to share with a toddler, try Deborah Underwood's The Quiet Book, which Nonfiction Editor Kate Pritchard liked so much, she said, «I kind of want to use it for my own bedtime reading!&ra
book to share with a toddler, try Deborah Underwood's The Quiet
Book, which Nonfiction Editor Kate Pritchard liked so much, she said, «I kind of want to use it for my own bedtime reading!&ra
Book, which Nonfiction
Editor Kate Pritchard liked so
much, she said, «I kind of want to use it for my own bedtime reading!»
Other top
editors, including the venerable Harvey Ginsberg, would squire her
books through the process of publication, but while she touches on advances and print runs and marketing plans, Godwin, sadly, doesn't really provide
much insight into what she calls the «dance partnership» between author and
editor.
When Roger Straus or Lucy Morello brought a new author to Frankfurt, they all jumped, as they did for Rob Routman, the head - turning
editor in chief of Owl House — sometimes, it was rumored, without reading all that
much (or, let's be honest, any) of the manuscript — because often, or often enough anyway, the
books «worked,» i.e., sold copies back home.
Though there are 2 things I discovered about publishing: (a) a
book editor is a must and (b) a good cover (but don't spend too
much.
Much of the advice Quillen offers, this
editor had to learn through trial and error, and certainly this
book would have saved many hours if it had been available a year ago.
After working with my
editor intensely over the past few weeks, the
book is
much better now than when I submitted it.
That's not to say that you should go it alone — hiring proof - readers, a good
editor and getting a great cover design can help give your
book a
much better start.
The truth is that no matter how
much you try, no matter how well your
editor and you edit and polish your manuscript, no matter how eye catching the cover of the
book may be, no one can ever predict what will be the next best seller.
When EC fired most of its
editors, its cover artists, and
much of its administrative staff in August 2014, I decided it would be a wise choice to request reversion of rights on every eligible EC
book.
So, if you just finished a
book and are making up excuses to not mail it to editors or not get it out indie published because you had too much fun writing it, because it came too fast or too easy, or it needs a massive rewrite, you really have issues with Book as Event think
book and are making up excuses to not mail it to
editors or not get it out indie published because you had too
much fun writing it, because it came too fast or too easy, or it needs a massive rewrite, you really have issues with
Book as Event think
Book as Event thinking.
Whether it is one of the big six houses or one of the dozens of often cash - strapped small press, the thing is that you wrote the
book and apart from having it «professionally edited and hopefully not changed too
much by the
editor, then printed, it's all down to you to make your
book stand out among the millions of
books currently available.
With the cliche of putting «money where your mouth is,» writers will never pass a single milestone event of others loving their
book that
much as when an agent /
editor invests in their work.
The
book ended up being well - received, yes, but in hindsight, a good
editor could have made it so
much stronger.
As a writer with limited, flawed and drastically influenced writing skills that interfere with readers desire to read my
book (wife and
editor say I write to
much like a cop.
This relatively affordable step can help you get your manuscript in
much better shape before you have the whole
book edited, so the
editor may be able to spend less time on it, and therefore charge less, or at least concentrate on other issues that might otherwise have been buried under grammatical errors.
Editors who acquire
books in publishing companies are doing
much less if any developmental editing.
I learnt so
much from the
editors who helped me with both
books.
For developmental editing, I'm not sure reading
books they've edited would be (necessarily) be a good way to judge — you don't know how
much of that was the original author's work and how
much the
editor's.
Reach publishers, agents, distributors, printers, booksellers, librarians,
book buyers, authors, journalists, rights executives,
editors and so
much more from a pool larger than any other all in one location.
From the line
editor: «I can't remember when I've enjoyed a YA
book so
much.»
Most authors recommend using a professional
editor in order to make your
book the best it can be, but the cost will depend on the level of your writing, how long the
book is, how
much editing it needs and the
editor you choose.
I feel
much better when people hire an
editor, but it's not cheap to secure the services of a good one and even the best
editor can only do so
much with a
book.
(The
book features so
much firepower that Stephenson enlisted what he calls a «ballistics copy
editor.»)
After
much discussion and determined lobbying for our personal favorites, the
editors of BookPage have reached a consensus on the year's best
books.
And although they may hope your
book will be successful, they aren't incentivized to work extra hard to make it a success (Perkins could spend 2 years on a project and still make a windfall on the successful
book — freelance
editors will put in as
much time and effort as they've been paid for.
I've heard from other writers whose NY
editors wanted them to change their
book so
much that it would've ended up in a completely different genre.
This awesome compendium of resource links covers the how - to gamut: publishing ebooks, audiobooks, or print
books; writing, editing, formatting, and conversion software; advice blogs; blogs where you can publicize your work; where to find
editors, proofreaders,
book interior designers, cover designers and artists, publicists, cover art and images, and
much more.
Having worked as an
editor, project manager and sales manager in Ireland and the UK, he knows exactly how
much coffee it takes to turn a manuscript into a finished
book (quite a lot!).
While it's important for you to do some of that research yourself, an experienced professional
editor has already done
much of it and can steer your
book in a way that will appeal to both readers and publishers alike.
You'll have a
much better chance approaching a different agent or
editor — or writing a new and even better
book!
But right now, I would love to turn my
book over to an
editor and have them wave a magic wand and fix the core problems that I know are still there, and I'm getting too frustrated with it to go through it a few more times and fix it... even though that's exactly what I need to do, and even a great
editor can't help
much with those things.
I'd
much rather pay a self published author $ 3 - 4.99 for his work which has been properly edited by a professional independent
editor than pay publishing companies $ 10 - $ 20 for the same
book where the author gets less and fat cat executives who feel that selling another million vampire novels is more important that trying a new idea that may or may not get huge quick enough to pay for that second jet for their company.
When we got back from New Orleans, we checked out the
book — and our children's
editor liked it so
much, she included a review in our September issue, and an interview with Auxier in the August 10 issue of our children's e-newsletter.
Former Gawker
editor Emily Gould (who now is the co-proprietor of Emily
Books) is known for her frank - to - a-fault writing — and the
much - written - about (by Gould as well as others) flop of her 2010 memoir / essay collection, And the Heart Says Whatever.
Self - published authors can hire freelance
editors to comb their
books for typos and grammatical mistakes, but when it comes to structural editing — telling the author the third quarter of a novel is too windy or insisting that the current ending needs to be tossed out entirely and redone, things no writer likes to hear but some writers need to — an
editor - for - hire is
much less motivated to displease her client even when demanding major rewrites would make for a better
book.