Sentences with phrase «much character development»

Not much character development outside of the main party, underutilized villain, technical hiccups, repetitive side quests, and a boring first act

Given that the focus is on adventuring the stories never get too in - depth; with the mass of characters there isn't much character development.

There really isn't much character development, which disappoints me.

This allows you to advance on a story path without too much character development.

There really isn't too much character development of Ethan Hawke or his family, other than fighting with his wife over the hell he puts them through every time he wants to write a book, but I don't think that's what the movie was supposed to do.

A lot happens, but there's not much character development.

Very few villains have been given all that much character development in the MCU, but Black Panther took the time for audiences to actually get to know Killmonger, and it's resulted in one of Marvel's best antagonists yet.

I agree that there isn't much character development (the filmmakers are assuming that most viewers have some kind of emotional connection to them already) but considering the sheer size of the cast, they fact they they squeezed in any at all was impressive to me.

Story is too large and cumbersome, not much character development and not much pay off either.

Pacific Rim Uprising is a dumb movie that knows it's a dumb movie and just tries to show you a good time and doesn't needlessly bog us down with too much character development or exposition because it knows we don't really care.

and there's rarely much character development or plot twisting.

I set my expectations pretty low: a lot of gross - out jokes, not much character development, and the occasional line that made me laugh, but also made me feel bad for laughing.

Abby Olcese: I set my expectations pretty low: a lot of gross - out jokes, not much character development, and the occasional line that made me laugh, but also made me feel bad for laughing.

Not exact matches

The generic character of John XXIII's original intentions for the Council, of course, was essentially responsible for much of the subsequent struggle between the Council Fathers and the Roman curia, the latter being accustomed to dealing with «live issues» rather than with general goals of development.

This episode is huge character development, not so much with the major - story - arc - connections (at least as far as we know) so there is much to discuss.

Character Development Curriculum: Soccer is much more than just kicking a ball.

The development taking place in both towns has sparked much debate, whether it involves efforts to make sure high - density housing and newly built retail spaces don't change the character of the historic downtowns or ensuring teardowns — new homes built on the site of razed ones — don't clash with neighboring homes or the town's character.

While it does spend much of its time looking at the «character» traits that help children succeed, it is broader focused than just character development, with many portions dwelling on evaluation of a variety of educa

«We all recognized and have strong interest in the potential future for Jamaica, and providing collective feedback for the Jamaica Now Action Plan ensures fulfilling its potential as a center for mixed - income housing, transit - oriented development, quality jobs, and much needed commercial opportunities while maintaining its diversity and character.»

The relatively favorable conditions in which he had placed them were still far from allowing a rational development of the character and of the intellect in all directions, much less of the free exercise of all their faculties.

The character development was also outstanding, so much to the point that by the end of episode 5, I was so attached to the characters and it made me want more out of the story.

Hostiles, as indicated earlier, ultimately focuses too much on creating and maintaining its dour mood and tone, at the expense of its character / thematic development and sense of pacing.

While there's not much room for character development amid the chaos, the unsettling film is provocative without resorting to heavy - handed contrivances.

Things get even more specific in «That's One Big Elephant: Animating Horton,» an eight - minute look at the development of the starring character, which is much like «Bringing,» but more Horton - based.

Much is made of dreams that, either spoken of at length or illustrated, are offered in lieu of character development.

We aren't given much by way of character background; only character development.

The characters don't have much depth, the plots twists are at times laughable (no, I really did laugh out loud on several occasions) and, in season 1, you could see some plot developments coming from a mile away.

The other major flaw is that so much time was spent in this movie on it's stylistic looks which as i said earlier were flawless but so much time and effort was spent on these that it seems to have taken away from the character development side of the film.

To be so meditative on characters going about their business, little is actually said by Matthews, as writer, due to very limited extensiveness, if not focal unevenness, that leave development to fail in distinguishing the characters all that much, making it harder to become invested in them.

As said, the acting is superb, especially Ruffalo and Dern, but Krause's character gets left behind big time, and the kids that are treasured so much by the characters as well as the story in general get next to no development, which isn't good when you consider the film's emotionally heavy climax.

Writing for a show about an extraterrestrial puppet could explain Stahl's compulsion for drugs, but this movie's paper - thin story isn't much interested in character development or insight.

The result is lots of noise and the pretense of progress, but not much plot advancement or character development.

Still, the movie's central story did not provide much for character development even with a 2.5 hour run time and, the end of the movie will leave most people disappointed compared to previous installments.

You're not going to get much in the way of meaningful development here, but the opposing Separatist forces have a bit of character to them.

The remake features the same story, but entirely rewritten by Hideo Kojima, with a much deeper plot, more character development and a lot of cutscenes.

With required action sequences, tie - ins to other Marvel appearances and characters, not to mention world - building and development of the hero, only so much time is left to spend on the villain.

The main plot drive the story so much, there aren't many scenes to provide for character development or to make the overall film interesting.

... manages some tense moments and mild intrigue, yet it never allows much room for character development along the way.

Its story will take in excess of 30 hours to complete, there's so much loot that you won't know what to do with it, and its character development is surprisingly deep.

And much like many of those games, the priority of this movie is making things look good, while things like character development, intelligence or a good script take a back seat.

Some main characters also receive slightly less development, but not so much that would effect your understanding of the plot.

It focuses on the development, special effects, character designs and much more and does it while showing the film.

So much of the movie is spent on the set up and exposition, but the character development is thin and the dialogue lacking the snappy humor and relationship drama necessary for these ensemble superhero stories to shine.»

In further discussing the process of developing the backstories of their respective characters, particularly since the filmmakers have been protective of not revealing too much information on the story, Winstead revealed that «It was a very collaborative experience, at least in the development of the backstory of Michelle.

There isn't much in the way of character development, and what little story there is feels too simplistic to maintain a high interest level.

IT's too much like Scary Movie, lots of laughs and violence, no story or character development whatsoever.

For a story with as much built - in suspense — which it occasionally executes, but not as often as it should — «The Fifth Estate» is not nearly as engaging as it should be, and that is because of the lack of character development.

Someone covered in blue, wearing Never - nudes and looking very much like David Cross» character Tobias Fünke from «Arrested Development» is seen in one of the scenes of «Infinity War.»

It forces the introduction of a number of new characters when there is still much development to be had from ones we already know, and who, let's face it, see performances from talented actors that the producers are lucky to have.

Don't give the director that much credit, the development of the characters was all the writers doing.