Sentences with phrase «much character into»

It brings so much character into a space!

The script, by Jonathan Aibel and Glenn Berger [from a story by Ethan Reiff and Cyrus Voris] packs as much character into the film as action [and there's a lot of action!].

And an accent wall brings so much character into any room.

Not exact matches

As the actor who redefined what it means to be The Man in Hollywood with films like «Pulp Fiction,» he simply put too much into the role, making the Octopus one of his least memorable characters to date.

He and many of the other characters spend much of their time trying to shape reality into what they wish it really were.

Or maybe, he just put too much energy into building his reputation, without putting enough effort into considering his character.

My response to it all was, «yeah, but...» and I set up my piano on the border between Funny and Mean, playing sarcastic scales in the name of wit, you might be surprised by how much snark you can fit into 140 characters.

Much of the energy that goes into reflection about the Christian tradition in general, and Christology in particular, is generated by awareness of its oppressive character.

And while many of the episodes slipped into the worst of Christian entertainment's tendencies (one infamous episode ended up with a character getting attacked by a forest demon after playing too much Dungeons & Dragons) the writing staff had a knack for humor and characterization, and the voice actors were top - notch.

It's hard to say much about Aubrey Plaza's character on Legion without veering into spoilers.

I intend to confine myself to the three points that preachers traditionally allow themselves (more aptly, perhaps, the three wishes that fairy - tale characters are always granted just before they are turned back into frogs) I wish, first of all, that one might avoid the statistical traps that lie in the path if one relies too much on changing church membership figures — in this case the figures that are supposed to show drastic decline and weakening in oldline Protestantism since the 1960s.

much like the character in the Matrix wanted back into the Matrix.

The native genius and character of the several peoples of the Western world; the profound significance of the Greek intellect still potent in the analytic mood of the present; the constructive, organizing genius of Rome: all these and much more have gone into the making of the modern dwelling of the human spirit.

The Elephant story existed well before Buddha's time but the writers of the Pali Canon (one of many Buddhist contradictory canon), made put the story in the Buddha's mouth much like Christianity has Gospel writers putting things into a character called «Jesus» «s mouth.

Moreover, he lays so much emphasis on the fact that this event of the past can be real only if it is brought into vital connection with our own lives, that he undermines the historical character of the event itself.

I'm very much inspired now to put my matcha through the paces — I often forget it's in the pantry but when I use it it totally transforms my dishes into something with real character and depth.

Recently he has morphed into a character very much wearing his passion on his sleeve.

I realised, I had a somewhat blind view of motherhood and as quick as the character «the flash», I gained a much broader insight into my new role.

One Time Through's recently completed Character Series features much of my research into effective parenting strategies as well as my thoughts and experiences on how to raise happy, emotionally healthy kids.

The book doesn't so much delve into that and I had more questions about how, but one thing it discusses is the helicopter - parented child who never has to figure anything out for himself, gets to college and after college and doesn't really know how to make things happen because he's never been given the opportunity / challenge or had certain character traits instilled.

If you're able to enter and view ideograms easily, Twitter's role as a conversational space can really expand, since its most significant limit in English and similar languages is the fact that you can really only fit so much complex thought into 140 characters.

Let's also take a look at the very first and last lines of Jon's article, the first coming after an extended quote from part of my article pointing out what I see as a limitation of Twitter — that you can only stuff so much complex thought into 140 characters:

As much as he was kind of a colorless billionaire when he first ran, he's turned into a bit of a character, a little bit a hottie [sic].

Lee insisted that she didn't put much of herself into her novel, even though the main character and her love interest have some striking similarities to the cookbook Queen and her gubernatorial consort.

I walked across town into Carlton (in the constituency) yesterday as a matter of fact, and it is certainly looking like the more tired, faded edge - of - conurbation territory which once would've been lower middle - class / aspirational working - class Tory heartland but is now very much more like an inner suburb of Nottingham in character (and psephology).

A lot of people forget the very first main computer - graphics character integrated into live action was Jar Jar Binks — as much as he gets derided.

I painted it in a paint product I was testing out, but the pale blue color was blending into the wall and I really wanted the character that I love so much from milk paint, so I slapped on a coat of Boxwood one morning.

It's awesome how much time some of these people will put into their costumes, and not just video game characters.

Everyone loves those cute, colorful characters, but emojis can quickly slip into «too much of a good thing» territory.

There's not much going on here that most audience members won't see coming miles away - ie the transformation of a crusty old blind character into someone distinctly more kindhearted, thanks to the presence of Quill - but the film nevertheless remains engaging, primarily thanks to director Yoichi Sai's patience in allowing things to play out naturally.

It's perhaps not surprising to note that Breathe inevitably segues into a fairly meandering midsection, as Laurent, along with coscripter Julien Lambroschini, devotes just a little too much time to the characters» uneventful exploits at a countryside cottage.

I Am Big Bird is not great filmmaking but it pays fitting tribute to Spinney and the character into which he invested so much of his own personality.

Michael Radford directs, but his effort is more to show off the music than to delve into the souls of his characters with much complexity.

Their fabricated stories occasionally dissolve into something much more honest; Jack, perhaps the most emotional of the brothers, is a short story writer, with suspiciously familiar plot points and characters he insists are fictitious (from the short, Hotel Chevalier, which accompanies the film at the festival, we know this is not true).

It is especially wonderful to see the much derided character Neville Longbottom (Matthew Lewis) finally come into his own and Professor Minerva McGonagall (Maggie Smith) also gets a couple of great moments.

This modest film falls into the category of «character study», which generally means there there isn't a real plot or story follow, so much as a brief peek into a life of someone for a while, perhaps in the hope of learning a thing or two about a different mode of life, or as a reflection of our own.

Even my nitpicking reveals how much Rowling's characters and their cinematic avatars have worked their way into our heads and made us care.

Innovative and interesting renderings of relationships are at a premium; it's obviously much easier to stick a few characters into stock situations and let the plot grind to a stopping point.

While I initially didn't expect much from the game, going into it being a longtime fan of the character, I am sad to admit that this game disappointed at almost every turn.

Too many characters and so much plot that no single scenario ever develops into an absorbing drama.

And although much of the movie's opening hour revolves around the protagonists» encounters with a variety of folks, Mirage's plot eventually does begin to take shape - as De Bankolé's character is drawn into the affairs of a nasty figure and his henchmen.

Mr. Franco isn't making fun of his character, at least not entirely; rather, he's put distance into the mix, as if to point out that Tommy is very much a self - made man, a construction.

Solo is as much the Kessel - running starship's origin story as it is the title character's, and without wanting to give away too many surprises, it's great to see how the Falcon looks before she is turned into a hyperspacing bucket of junk: all shimmering and white and with an escape pod neatly filling the gap between those two front prongs.

Lucas Till, as the 2016 version of the title character, doesn't make much of an impression in the premiere, which involves a bioweapon that has fallen into bad hands.

McEwan's understandable dedication to the source material also leads to some pushy, unnecessary inclusions, from a scene that dramatizes Edward's apparent «coarseness» in a way that's in direct opposition to everything else we've learned about the character, to a heartbreaking insight into Florence's family life that should either be much bigger or totally excised from the film.

It's just that the film feels so unusually empty; even if he has subtly snuck his usual hallmarks into the mechanics of the narrative itself, he's populated the foreground with characters who never come alive as anything more than archetypes, who trade in so much exposition it's hard to see how any audience member could be overwhelmed with confusion at the story being told.

Ms. Davis is a sparky, charismatic performer, and, much like her character, she whooshes into the story, infusing it with energy and scattering good vibes like a punk Tinker Bell.

Free Fire takes too long to get started with poorly developed characters and when it does kick into action the movie doesn't really improve too much.

Both the truths and the dares are tailored to the players, designed to ruin their relationships or to kill them trying, and delivered by familiar faces that contort into evil smiles, looking, as one character puts it, «like a messed up Snapchat filter» (much less scary than it sounds).

«The tale is an encapsulation of what Quentin sees as the thankless, futile nature of corporate employment and class aspirations, and it is a nice peek into the mind of a character who has not revealed much of himself so far.»