Sentences with phrase «much choreography»

CYL How much choreography and instruction was given to the singers?

There's still very much a choreography happening.

Not exact matches

In the much of the fifty years of Santa Clara Aquamaids» existence, head coach Chris Carver has consistently demonstrated her Olympic medal winning choreography skills.

Just thinking about how much coordinating and the choreography to do this... wow, just wow.

I remember how much I enjoyed performing choreographies and dressing up for events.

While the choreography is generally fairly minimal (at least for this sort of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying too much about such nettlesome items as character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.

The directors seem to have lavished so much energy on the choreography of the sex scenes that they have nothing left for verbal expression.

Still, if you're expecting Black Widow - style fight choreography for Johansson, think again: After a few early gun battles and mano - à - mano moments, she pretty much Obi - Wans her enemies into submission.

The choreography, cinematography, direction, and performances of this film really added some nice flare to this film, but at the same time, it had a huge flaw that dragged me too much that I actually have difficulties seeing this movie and it has to do with the story.

Of course, there is plenty of Hong Kong fighting action that Jackie Chan is famous for, and in this sequel, the fight choreography and pacing seemed to work much better than in the original.

Brief moments of interesting camera work and fight choreography tease us with the idea that this could have been much more kinetic and memorable.

There is also some great fight choreography on - hand throughout the movie, especially during the escape and final showdown, granted much of it looks like a video game, but the character animation is all motion - captured, and Liebesman stages these sequence well.

Release: Friday, February 10, 2017 [Theater] Written by: Derek Kolstad Directed by: Chad Stehelski If you are on the fence as to whether you should see what happens to John Wick in a sequel, you should first ask yourself how much of a geek you are for the really technical stuff, like fight choreography.

Considering the incoherent shambles he made out of his James Bond movie, «Quantum of Solace,» Forster handles the large - scale action here with considerable aplomb and much striking imagery, enhanced by the seamless mix of choreography, prosthetics and CG that bring the herking, jerking zombies to «life.»

Alas, the choreography is so choppy that it's difficult to tell kaiju from jaegers, much less being able to differentiate the multiple varieties of kaijus and jaegers.

11:30 am — TCM — Gold Diggers of 1933 The story's nothing to get excited about (and in fact, the subplot that takes over the main plot wears out its welcome fairly quickly), but the strong Depression - era songs, kaleidoscopic choreography from Busby Berkeley, and spunky supporting work from Ginger Rogers pretty much make up for it.

9:45 pm — TCM — Gold Diggers of 1933 The story's nothing to get excited about (and in fact, the subplot that takes over the main plot wears out its welcome fairly quickly), but the strong Depression - era songs, kaleidoscopic choreography from Busby Berkeley, and spunky supporting work from Ginger Rogers pretty much make up for it.

Showgirls (1995) This much - reviled film got new life as a midnight movie in 1996: Audience choreography and mimicry of the camp dialogue ensued.

The Raid 2 is a recent example of the incredible stunt choreography that can make a mediocre plotline that much more amazing to sit through, and it's a shame that The Protector 2 falls back into such familiar «new school» action territory.

Cable's plays the straight man and the token over-the-top badass in equal measure, and spends his fight choreography oozing well - designed coolness, even if he does sometimes feel like he wandered out of a much more down - to - Earth movie every now and again.

I wish Richard Beymer and Natalie Wood were a little more interesting as the leads, but the supporting cast is electrifying enough that it doesn't much matter, especially with Bernstein and Sondheim music and Jerome Robbins choreography.

I've learned lots of West African music and dances thanks to a wonderful Zumba instructor, and I'm currently participating in a Dancehall / Reggae Workshop, where we learn just as much about Jamaican history as we do their choreography.

I can't say much yet about all the features we are going to have but this year Just Dance will raise the stakes by adding 4 players choreographies on Wii, giving a chance to every Just Dancer to get their moment of fame through unique moves.

In it you see how he and his team created their very popular fighting game — from animation, capturing actual fighting choreography, music, sound effects and much more.

Let's get the good points out of the way: the game has a nice selection of both older and newer Michael Jackson songs to choose from, and the dance choreography is pretty much spot - on with the actual moves performed by Michael in music videos and concerts.

With so much of choreography inscribed, not a single contemplated set piece went amiss.

Her canvases are like choreographies, akin perhaps to Warhol's «Dance Diagrams,» albeit much more beautiful.

The continually shifting light, the passing pelicans and the ship traffic all contribute to the choreography and the film, the sort of random intervention much welcomed by both Cunningham and Dean.

As the performers moved about the space in a random pattern of loose choreography, they sang the lines: «Who say you have to be a dead dog... One is the loneliest number that you'll ever do... And it comes down, it comes down, well it comes down, and it comes down, it comes it comes... Scores of blood and fire and freeways, I am going to get my share... One is the loneliest number that you'll ever do... Who say you have to be a dead dog...» Handling each other's bodies with as much regard as the set's props, the performers alternate between a cappella and in - the - round chorus, fugue and eventually total discordance, rising as high as Math Bass as she climbs to the top of the ladder supported by her full cast in order to smash the plant and end the performance.

Approximately 35,000 people pass through historic Madison Square Park every day, few of whom give much consideration to the subtle choreography of daily maintenance routines that endow this public space with its characteristic lush environment and lively atmosphere.

Sometimes I find myself gravitating too much toward existing works because I can feed them into a choreography a little more, but --

Seeing the choreography of Merce Cunningham changed my entire concept of what dance could be: dance could be a chance operation just as much as it could be a rehearsed and scripted movement.