Sentences with phrase «much contemporary art critical»

During the 1930's, much contemporary art critical rhetoric was surrounding the «American Scene,» or, at the very least, a return to realism, as seen in the work of Thomas Hart Benson and Reginald Marsh.

Not exact matches

To be fair, much of the Contemporary Arts Museum of Houston's recent exhibition programming has spoken to critical and feminist concerns, from a phenomenal presentation of ICA Philadelphia's Dance with Camera to the knockout Hand + Made: The Performative Impulse of Art and Craft organized by curator Valerie Cassel - Oliver last summer.

Lovell?s major installations and exhibitions include: Visitation: The Richmond Project, which traveled to the University of Wyoming in Laramie, the Columbus Museum in Georgia, and the Museum of Contemporary Art in Sydney, Australia; Deep River, which was first exhibited at Hunter Museum of American Art in Tennessee then travelled to the Jepson Center for the Arts in Georgia and the Cummer Museum in Florida; and Whispers From the Walls, which received much critical acclaim and toured nationally, appearing at venues including the Seattle Art Museum and New York?s Studio Museum in Harlem.

According to curators Marek Goździewski and Tom Morton, the exhibition is meant to reflect «the extraordinary parallel flowering of contemporary art in Britain and Poland -LSB-...] conventionally identified with two much - contested «groups»: the Young British Artists, and the exponents of Polish Critical Art.&raqart in Britain and Poland -LSB-...] conventionally identified with two much - contested «groups»: the Young British Artists, and the exponents of Polish Critical Art.&raqArt.»

«The Arts Writers Grant Program not only provides much - needed support to critical writing,» said Suzy Delvalle, Creative Capital's President and Executive Director, «it actively broadens engagement with contemporary art and artists.

The program's main goals are to provide a stimulating and supportive environment in which students can thrive and develop as artists, to foster rigorous critical engagement with contemporary art and other cultural forms, and to produce an ongoing conversation, through work as much as through words, about what we make, how we make it and why.

In her often - narrative compositions Eisenman draws as much from art history as from popular culture, and her works, while accessible and humorous, occasionally yield critical and poignant images of contemporary life.

Within the context of contemporary art history where there was so much critical bias against figuration I would have to agree that it was indeed heroic.