No matter how
much critical writing by artists — perhaps most noteworthily, from the 1960s on, by Donald Judd, Joseph Kosuth, Robert Morris, and Robert Smithson — staked out subtle avant - garde positions, their art and ideas were quickly assimilated, becoming trendy, marketable, and reputable.
Along the way, Yau cuts a much - needed clearing through the tangle of narrowly self - reflexive interpretations that have plagued so
much critical writing on Johns» work during the past half century — providing a fresh approach and opening our eyes to Johns» accomplishment in revealing ways.
Not exact matches
«The optics of any accumulation partner defections between now and 2020 are negative in our view, making new Aeroplan partner announcements between now and 2020 that
much more
critical to stem changes in member behaviour,» he
wrote in a report.
«Mark Zuckerberg's failure to answer several
critical questions during his appearance before the Senate today leaves me concerned about how
much Facebook values trust and transparency,» she
wrote on Twitter.
How
much do we hold back from
writing that book, holding that art exhibition, making that film, applying for that job or running that yoga class because we feel we aren't capable, or worthy, and that the perception of us will be
critical?
What I haven't seen as
much written about is why it is so
critical to keep these two walnut sized glands at the top of your kidneys happy and healthy and how to spot the freight train of adrenal fatigue coming full speed down the tracks and about to smack your life upside the head.
Alone among his
critical colleagues who became filmmakers, he insisted from the beginning that his
writing and filmmaking were essentially alternate vehicles for the same discourse; his early movies functioned as film criticism the same way his reviews anticipated
much of his filmmaking.
by Walter Chaw
Much will be written about Robert Forster's performance in Diamond Men, Dan Cohen's sophomore hyphenate feature, and as Forster lands an executive producer credit (daughter Kate gets the «associate producer» tag), the veteran actor's much - deserved critical buzz this time around is a product more of design than serendip
Much will be
written about Robert Forster's performance in Diamond Men, Dan Cohen's sophomore hyphenate feature, and as Forster lands an executive producer credit (daughter Kate gets the «associate producer» tag), the veteran actor's
much - deserved critical buzz this time around is a product more of design than serendip
much - deserved
critical buzz this time around is a product more of design than serendipity.
One reason it's hard to find
much critical guidance about Hong Kong movies is that most of what's
written about them in English comes from within the Hong Kong film industry, which monotonously emphasizes box - office grosses over everything else, and is in a form of English that borders on gibberish.
A 20 - second «Altered Ending» isn't
much to see without more context, but as the menu
write - up explains, this abrupt clip was what the film wrongly concluded with for decades, until over a minute of
critical footage was restored in 1997, completely changing the fates of our heroes.
«It is vital to get students to apply the
critical thinking and research skills they learn through
writing their research essays to the social media that consumes so
much of their lives,» says Menendez.
Its major finding was that most parents actually want pretty
much the same things from their schools: a solid core curriculum in reading and math, an emphasis on science, technology, engineering, and math (STEM) education, and the development in students of good study habits, strong
critical thinking skills, and excellent verbal and
written communication skills.
Write the words «
critical response» on the board and explain to them that it's
much more important for them to try and demonstrate how they feel about a topic than to simply explain the surface details of the topic.
Reading and
writing couldn't be more
critical to a student's success, Katz said, «so I don't think that any thought has been in the direction of, «We have too
much ELA.»
The Common Core standards, they
wrote, are
much better markers of readiness for college and a dog - eat - dog workforce because they call for heightened
critical - thinking and problem - solving skills.
Common Core and state - specific next generation standards are placing
much more emphasis on developing
critical thinking and analysis skills by asking students to develop evidence - based persuasive and informational
writing.
Apart from developing personal
writing skills and ability to conduct a profound research, a student also contributes
much to the development of
critical skills.
I always feel badly saying something
critical about a book as I know how
much work it takes to
write and how difficult it can be to actually be published.
The author quotes so extensively from external sources that the book's bibliography ends up being its most striking feature; I often found myself wanting to read these sources (primarily memoirs
written by Hemingway's relatives and associates) for myself so that I could come to my own conclusions... Ultimately, this book feels like a flawed achievement, one that has already garnered
much critical acclaim but will likely prove too daunting for all save the most fanatical Hemingway fans.
If you
write technical nonfiction, putting together a satisfactory cover is easier to do yourself, and can be
much less
critical.
It is
much easier not to
write assigned narrative essays than do
write critical essay
writing.
They should understand how
much these academic dissertations
writing is
critical for their final grading system.
Besides a great title and a great idea (which are
critical), personality of the author is next most important —
much more important than, say, how good the book actually is (not a slur on Tim's
writing, which I enjoy).
Also, on a side note, but to me
much more
critical, and to use your words, how on any planet is it okay for publishers to pay reviewers to
write reviews of books they never read?
I
wrote a few
critical pieces but they never really gained
much traction so I kind of felt like I was
writing into a void.
I may be
critical of the plot and its
writing, but that's not to say that I did not enjoy it — it just feels a little rough, and like it could have been
much more.
Examining the show in the context of curator Rubinstein's previous
critical interests (particularly Rubinstein's coining of the term «provisional painting») Micchelli
writes that «the genome of this generation of post-minimal abstractionists, who were born between 1939 and 1949, is embedded in the Provisional / Casual DNA... There isn't
much that's casual or provisional about the paintings (one from each artist) on display, even though improvisation is their main modus operandi.
Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I
wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,»
written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of
much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a
critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 30?
The
writing component for a gallery director, catalog essays, press releases, whatever, was very
much promotional; having to become a well - behaved servant in an institution suddenly made me nervous that I'd lose the capacity to be
critical.
He was a powerful, forceful writer, and as he
wrote in a 1997 essay entitled In Defence Of My Work, «The space surrounding my work is
critical to it: as
much thought has gone into the installation as into a piece itself.
The catalogue essay makes
much of how spiteful
critical writing about his pictures could be — but these were attacks on a financially successful artist, secure in his place at the heart of the establishment.
A
critical voice in the AJC, national publications and the blogosphere as well as at Art Papers, he has curated exhibitions and
written countless catalog essays for local artists, often gratis, and spent so
much time mentoring and encouraging them that one dubbed him the art community's parish priest.
«The Arts Writers Grant Program not only provides
much - needed support to
critical writing,» said Suzy Delvalle, Creative Capital's President and Executive Director, «it actively broadens engagement with contemporary art and artists.
By the early 1940s, Smith began to receive
much critical attention, including from the influential Clement Greenberg, who
wrote in The Nation «If [Smith] is able to maintain the level set in the work he has already done, he has a chance of becoming the greatest of all American artists.»
While the EPA says Imazapyr poses little risk to humans, it isn't
much good for anything else; The
Critical Habitat project of the Center for Ethics and Toxics
writes:
A
much - different perspective is provided by Ryan McKeen at A Connecticut Law Blog, who says Bloomberg offered him a test run after he
wrote a post
critical of Westlaw.
It's
critical to
write to a specific person rather than falling back on Dear Sir / Madam, which looks lackadaisical, as though you didn't make an effort (and that doesn't reflect well on how
much effort you'll put in on the job!).
Secular Chaplain Chris Highland says: «
Much of my
writing moves from criticism of religion to the
critical need for the faithful and faithless to collaborate with reasonable common sense to work for the common good.»