Sentences with phrase «much deeper character»

In particular, several different elements of the game have been overhauled to make use of these systems» more powerful hardware, including seamless online cooperative play, revamped menus, much deeper character customization, and a general open - world vibe that wasn't possible on past consoles.

Not exact matches

This, then, is the conclusion of the matter: life can be either consecration or desecration, and no test of character goes much deeper than the decision as to which of these two it shall be.

On this view, Bethlehem is as much the saving event as Calvary Jesus» death has a special character because here the path has been made through the deepest baffler.

Eric Boodman's stories consistently engage the reader in highly original topics with the help quirky characters, deep reporting, fun details and so much more.

If the film had not been afraid to go a little darker, dig a little deeper and develop its characters beyond their stereotypes, it would have been a much stronger effort.

Much as Bruce Dern dug deep into the lead role in Nebraska, Gere relishes his chance to flesh out a character as ripe as Norman Oppenheimer.

The remake features the same story, but entirely rewritten by Hideo Kojima, with a much deeper plot, more character development and a lot of cutscenes.

Unlike the Naruto: Ultimate Ninja Storm series which is more and more a mess of technical, balance and gameplay issues these days, Brave Soldiers delivers what is a nice, franchise - based fighting game, at first, i was expecting a simple fighting game with some button mashing, however, the game proved me wrong and i fell in love, the combo system, while easy, is a lot more deep than the one in the Naruto games, with all of the characters having two special attacks, two «burst attacks», a knock - away and a launcher respectively, a throw and an ultimate attack (called a «Big Bang Attack»), every character also has an universal dodge - action that sends them behind their enemies while spending one cosmo bar, making bar management that much precious and shielding you from a half - a-hour combo, unlike in the NUNS series, the fighting and the characters are nicely balanced, with every character being fun to play and viable at the same time, the game runs smoothly without frame - rate issues and the cell - shaded graphics, character models, arenas and effects alike are nice to the eye, battles are divided into rounds, with all the tiny nice stuff like character introductions and outros being intact (fun fact: the characters will even comment on their score after the battle), the game also features an awakening system, called the «Seventh Sense» awakening, unlike the NUNS awakening system which became severely unbalanced in the later game, every character simply gains a damage / defense boost, with the conditions being the same for all characters, eliminating situations when one character can use awakening at almost any point in the battle, or one awakening being drastically stronger than the other, the game has a story mode with three story arcs used to unlock characters, a collection mode, tournament modes, a survival mode, a series of special versus modes and online battle modes.

Its story will take in excess of 30 hours to complete, there's so much loot that you won't know what to do with it, and its character development is surprisingly deep.

Admittedly, he sounds nothing like the actual Edward Snowden (what was the point in putting on a much deeper voice), but he expresses that mental inner turmoil and anxiety to perfection, leaving us with a real - life character that is consistently intriguing to watch.

Following that up in between the first two seasons of «Looking,» Haigh furthers his unique ability to explore the deeper meanings beneath gentle exchanges with much older, more melancholic characters in «45 Years.»

Stymied at every turn by an alarming lack of non-anecdotal concrete evidence of her existence (much of her early understanding of the character comes from a few scant interviews with former coworkers and one still photo), she begins to take on her own conception of the character, a deep dive into the method acting process.

Obviously the series has both the scope and time to be able to explore the various dramas of Westworld to a much deeper degree, especially the existential crises of the «characters» created to service visitors.

However, as it goes on it starts to show that Gordon - Levitt has a much deeper grasp of the character and what makes these people who they are, what they're interested in, and why.

Characters come and go seemingly at random, the scenes are shuffled together like a disordered deck of playing cards, and even Day - Lewis doesn't get enough screen time to reveal much past a surface of anecdote - spouting folky wisdom and a slightly deeper surface of crafty political power - player.

One of the joys of «The Details» is watching the surprising way in which the story unfolds, as Maguire's character digs himself deeper into moral peril, so it's hard to describe too much of what follows without ruining the film.

While many love stories never delve much deeper than the initial attraction and union of two people who must overcome obstacles to finally come to equal terms, The Painted Veil differs by starting out with an uneasy union, with characters that have many conflicting feelings for one another at varying times, never quite able to come to a mutual understanding of what they mean to each other.

Looking at it in another way, it could be called an anti-romance, as these characters were never afforded a mutual interest, though they eventually form a bond that connects them far more, and runs much deeper, than in stories that depict common courtship.

Director Baltasar Kormà ¡ kur («The Deep») and screenwriters William Nicholson («Unbroken») and Simon Beaufoy («127 Hours») are slow out of the gate (there are many details to and players to set in motion), but once in motion they deftly unfold the perfect storm of bad weather, miscommunication, and fateful decisions that led to the tragedy in a way that sneaks up on the viewer much as it does the characters.

The depth of her research, the layers of her characters and the way she wove the most modern of themes into a deep period setting to produce a page - turner of a thriller made my work an absolute pleasure and meant I was able to follow the contours of her story much more faithfully than is sometimes the case.

Based on a novel by Tim Tharp, the movie looks like any number of party - time high school movies, but burrows much deeper into its characters and situations, leaving a satisfyingly complex portrait of a guy you might actually know.

Played previously by Tom Noonan in «Manhunter» and Ralph Fiennes in «Red Dragon,» it's a classic character in Thomas Harris «series, but the TV iteration will go much deeper.

The film plays like a Trump - state Big Lebowski, as Ruth and Tony's amateur sleuthing teases out a much deeper conviction, perfectly stated by its main character.

What I thought was so wonderful was the way all of those things came together and you had a much deeper understanding of what was going on in the world at the time with the characters and it comes to fruition in this battle of the sexes at the end of the film.

Chiwetel Ejiofor give his reliably smooth, deceptively deep take on an underwritten character who has the advantage of feeling very much set up for more after this initial appearance.

On the one hand, perhaps this is too much to read into a teen sex flick, but on the other, Greenfield is inviting us to look deeper into the characters through the way in which he constructs his film, utilizing some very good, moody music mixed with vivid, slow - motion imagery to evoke many feelings, mostly profound.

You'd think the fact that «Insurgent» isn't bogged down by the same tedious exposition would allow the film to dig deeper into its characters and mythology, but you don't learn much more about the main players by the end of the movie than when it began.

Where Divergent felt gimmicky and a bit shallow, this chapter pushes the characters much deeper, giving the actors a chance to bring them more engagingly to life, which makes the odd set - up more involving as well.

Journey Through the Labyrinth: Kingdom of Characters runs 28 minutes and dives much deeper into the puppeteering.

Alas, looking this deep into it isn't warranted, and one can claim Role Models a coming - of - age film for the adult characters as much as the youngsters.

Alex Garland (heretofore the screenwriter of such gems as 28 Days Later and Sunshine) is in a lab tucked away deep in this unspecified facility, much like one of his characters in Ex Machina, putting to sleep the notion that humans have wreaked havoc upon themselves and maybe even deserve the downfall.

Final Verdict: Knocked Up is an amazingly deep comedy, focusing on the laughs as much as the character.

There is violence here that is graphic and unforgiving but much like more tame tellings of love fought for, this is told in a manner that is detrimental to the characters and leaves them digging deep within themselves to find the strength to carry on despite the horrors they have witnessed along the way.

With that event looming, the showrunners and cast have promised a much more intense and kinetic season, with fewer «deep dives into characters in single episodes.»

Choosing what to show, how much of the story to tell explicitly, how to portray the deep and impossible issues faced by the central characters took very fine judgment and was in my view perfectly judged.

However, if you use this to review a chapter, individual character might run much deeper.

To put it simply, character is much more about who we really are deep down rather than who we think we are.

Regardless of its authenticity (or lack thereof), the deep frequency sounds are discreet enough to add some much - needed character to the V - 6's repertoire, aiding an otherwise relatively quiet powerplant by lending it an air of personality.

Brilliantly observant, Ghost World captures the unthinking cruelty and insecurity of teenagers, but what is most impressive (and distinguishes it from the mocking approach of much of Clowes» work) is its sympathy, evident not only in deep understanding of the young protagonists but also in affinity for the supporting characters — even the parents, when they are glimpsed, are sympathetically depicted.

A delightful journey filled with memorable characters who have packed their bags with as much wisdom as mischief... and a story that shows how we do get second chances to fulfill our deepest hopes and dreams, especially during this season of miracles.

But it is also a remarkably nuanced novel whose currents run much deeper, delving into the minds of four characters: Aguilar, a husband passionately in love with his wife and determined to rescue her from insanity: Agustina, a beautiful woman from an upper - class Colombian family who is caught in the throes of madness; Midas, a drug - trafficker and money - launderer, who is Agustina's former lover; and Nicolás, Agustina's grandfather.

What seems at first a beautifully written but hardly unique tale of a sudden marriage across classes slowly morphs into something much deeper as the characters» pasts are revealed and a horrific incident in the woods shakes their world.

By bringing their characters alive, Miller and Armstrong do not judge so much as illuminate the deep sexism that continues to pervade our society's treatment of rape.

Well - drawn, full of memorable characters and great lines, it's a manga that's very different and much deeper (and darker) than it first appears.

There is a story here with characters that have much deeper lives than what you see at the surface (just like Lost).

Pros: - The game foregoes the traditional Monster Hunter style approach for the open world - Single - player is quite enjoyable as the story is much deeper than the previous entries - Online cooperative is the highlight of the game thanks to the more difficult missions - Carrying over characters is quite nice for those wanting to keep their character

It's a much more complex and deep story with tons of twists and turns and more interesting characters.

Being original from back in the 80s and 90s, the story isn't the deepest story there is, but it does what it needs to remain interesting, and the character development done in the remake makes it much more enjoyable than its original version.

Where Smash Bros tries to skim the surface by including characters from a lot of different franchises, Smash World could take this to a much deeper level.

Although the game does try to incorporate some sort of plot, it's not very deep, and it's pretty much what you would expect from a crossover title that includes characters from 11 different games.