Sentences with phrase «much every plot twist»

Not exact matches

and there's rarely much character development or plot twisting.
Dorff is stellar and the film builds some tension but a bit too much required suspension of disbelief, some plot holes, weak dialogue, and two increasingly silly twist endings ultimately sink the piece.
It is as much a survival film as it is a war film, and there are some plot twists that keep it interesting.
The characters don't have much depth, the plots twists are at times laughable (no, I really did laugh out loud on several occasions) and, in season 1, you could see some plot developments coming from a mile away.
The plot doesn't have enough twists and clues to be called a «whodunnit» and, surprisingly, there isn't much of a romance element either.
While not offering much in terms of player influence, the story of Sleeping Dogs is strong, supported by excellent voice acting and brutal plot twists.
Deadpool 2 has also been praised for its plot twists and surprises, which have taken audiences by complete surprise, much like Ryan Reynolds appearing on King of Masked Singer disguised as a unicorn.
Not much of a plot, not much conflict resolution, and not much in message, Laurel Canyon is a soap opera with a twist, a turn, and then the credits roll.
As much as the twist - heavy plot relies on a preponderance of happy coincidences in order to survive, it also seems to have all its ducks in a row from a character motivational standpoint.
Seeings as pretty much the entire continuing plot hinges on a (really obvious) twist revealed in that movie's final minutes, we'll just mention that it had Sean Bean in it and for a nice change he didn't betray anyone and / or die — meaning the Game of Thrones star can return for a larger role in the sequel.
Blue Ruin is all about escalation, and while its sensibility is Coen, its plot is very much like Shotgun Stories (which is still my favorite film directed by Jeff Nichols), twisting about in the absurdity of a feud.
More than just that, the storyline is filled with much cooler scenarios, and lots more interesting twists and turns in the plot.
This is very much a character - driven piece, rather than plot - driven (though there are some dramatic plot twists) and the problem with this film is that the characters are simply unlikeable.
There is a whole world involving the supporting players Lucy, Ida, Wally and Bert who all play significant roles in the film that we haven't gotten to and we've left out pretty much all the major plot turns and twists of the story.
To reveal too much about the story would be a disservice to the film, one where the plot is progressively revealed over a series of sombre twists and turns.
Director Jaume Collet - Serra put Neeson through his paces in Unknown and does the same here, unleashing him on a script that is not much more than a series of plot twists and evil genius scheming with so many moving parts that it could only work in the movies.
But jokes about a 30 - year - old guy who still cares way too much about his mother's approval turn out to be far more harmless than the bizarre plot twist with Aunt Kimberley, who takes a liking to Olivia (for more than just her voice).
It's hard to describe too much more of the plot without giving anything away, but there are several plot twists (some interesting, some not) and, believe it or not, there are in fact aliens on this planet.
Embrace of the Serpent: For a film this artsy and intent on exploring the fractures between native South American populations and white interlopers, it's also quite entertaining, with some eye - popping visuals and the kind of plot twists that keep you riveted every bit as much as you would be in a Fast and Furious movie.
The plot itself is swell enough, with a nifty Twilight Zone twist in the tail and, to be fair, things do pick up toward the home stretch, but there's just so much smug, addled, misfiring filler that the film has long - since hobbled itself and the whole thing seems a good deal longer than its brisk 71 minutes runtime.
There's no point into going into much detail about the plot as it gives new meaning to the word «perfunctory» (not to mention the one big «twist» should be plainly obvious)-- all one needs to know is the new locale is Paris, thus opening a new can of culture clash comedy.
Although much of the story's arc is eerily reminiscent of the original's plot, this new installment is quick to build on Lucas» legacy with new characters, adventures and twists.
There's actually much more to it than that, none of which can be revealed without giving away the various plot twists, and The Cabin in the Woods is a movie whose plot twists with clockwork precision.
The plot, which comes together in pieces, involves Albert trying to get over a breakup with his girlfriend Louise (Amanda Seyfried), who quickly starts dating Foy (Neil Patrick Harris, who, with much amusement, says every line like he's twisting his moustache), the proprietor of the town's moustache shop.
I'll say up front that I pretty much figured out the plot twist about 10 minutes into the film, but that didn't stop me from enjoying «Suburbicon.»
There were also some slight rewrites (the Orcs are far more aggressive in this film than in Tolkien's novel) and some major rewrites, such as when the company of dwarves gets separated in a plot twist that was very much unexpected.
I guess this is pure romcom territory, and the plot twists aren't gonna surprise us too much, but still.
Hopes for real substance are pretty much deflated as well, as the plotting shifts from something's - rotten - in - Denmark to libertarian - Alex - Jones - Illuminati - conspiracy - territory, and while the film's ballsiness in its twists, and their impact on the movies going forward, is admirable, it smacks of being afraid to have a real viewpoint for fear of alienating some of their audience.
I'm reluctant to describe the film's plot in too much detail because, even though every twist seems obvious in retrospect, Molina and Matthew Aldrich's script frames each one so that seems delightful and inevitable.
There's little sense in trying to follow the intricate plots twists which subsequently occur, and when I realised that fact I suddenly started to enjoy Kiss Kiss Bang Bang so much more.
You can reveal character insights, plot twists (without giving too much away) and even send sample chapters for your readers» comments.
«Hannah fans will enjoy this fare, but from the subtle - as - a-50-pound-fruitcake irony of Joy Faith's name to a plot twist that necessitates hanging disbelief on the mantel alongside the Christmas stockings, it may be a bit too much for the more skeptical to swallow.»
Nonetheless, The Kept has much to offer, especially for readers who enjoy stories set in earlier time periods, written with vivid descriptions and intricate plots that twist and turn until the final page.
In a delightful plot twist, he ends up arriving at the same hotel as Eugenie and Lousie several hours later and much worse for the wear.
And without spoiling too much, expect your fair share of plot twists as you uncover the truth behind the attacks.
The plot plays out so by - the - numbers that you know what to expect before it even happens, making every dramatic moment less impactful, every cliched plot twist fall flat, and every line of military jargon that much more cheesy.
Enriching the experience are gorgeous art and graphics (despite this being a PS1 game, I think the visuals have aged quite well), Hitoshi Sakimoto's magnum opus soundtrack, and, in true Yasumi Matsuno fashion, a twisting, mysterious plot where pretty much no one is who they appear to be.
I won't say much in order to prevent spoilers, but plenty of old faces from the first Bioshock make a return, with plenty of plot twists as well.
After you learn that the story pretty much dissapears for most of the game and the only plot twist comes at the end, and it's fairly predictable.
The plot takes some interesting twists and turns, and the main characters are very much likable.
I'm not claiming that it's brilliantly written, but this plot twist does not seem like random bad writing to me so much as a symptom of the East - meets - West genre cross-pollination that, in general, makes Bionic Commando more interesting and quirky than your typical Western action game.
It is a unique story and although it doesn't contain much twisted plots, it still keeps the audience entertained.
From there the plot continues on much like in [i] EWatLO [/ i], hopping from island to island as you progress through the roller coaster - like story, twisting and turning in unexpected ways until finally reaching its conclusion.
There's a throwaway plot involving treacherous Russians, a rival ace pilot and a twist that literally gets spelled out in dialogue with about as much finesse as an elephant ballerina, just don't go in expecting to be fighting off huge flying fortresses in this Ace Combat title, though.
The effort put into the UI, and the plot twist at the end of the Prologue (spoiler: the world gets split into light and dark parallel worlds, and you'll control a party in each one) suggest that Dimensions quickly expands from a tightly - constrained and simple retro title into something much larger and more interesting, with a large cast, lots of combinations of equipment and abilities, and maybe even a different take on the «light v.s. dark» stories of the early Final Fantasy titles.
Have much of their plot and twists exposed should they be streamed from start to finish.
Significant plot twists don't serve for thoughtful development in the story as much as they provide inspired new action set pieces.
In the process, you'll have to disarm a laser grid security system, fool a guard, and deal with a last minute plot twist that determines how much you've been paying attention.
The story is awesome — plot twists, deception, romance, it has it all... and the plot is much better then most of the movies that are put out now a days.
Suriel Vasquez (@SurielVazquez)-- I finished up Yakuza 6 this week and while it relies a little too much on tropey plot twists towards the end, I really enjoyed it!
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