Sentences with phrase «much everyone in the film»

Suffice to say that the alien orb is one of the half - dozen «infinity stones» with which the unfolding Marvel - verse is increasingly concerned (the Tesseract and the Aether are the two others introduced to date) and pretty much everyone in the film is trying so hard to get his or her hands on it that it might as well be the Maltese Falcon or Ark of the Covenant.

Not exact matches

I want to watch the top 15 tackles or so real quick, and I'll watch everyone they select in the draft, but I won't be doing much more film stuff on Houston.

But while the sequel benefits from Reynolds» superhuman charisma as the charmingly annoying, katana - wielding protagonist, the film nevertheless feels too much like more of the same: more of the same gross - out gags, more of the same irreverent jokes, more bits where Deadpool has to regrow severed limbs to the disgust of everyone around him, more running commentary on the movie he's in....

Everyone must watch this film its my humble request... I liked it so much that i watched it more than 100 times.The song the cameras all are well set... Both actors looks charming and they have really given their maximum effort in making such a marvelous film... Come up with new films like this in future..

There's little that happens in On Golden Pond that isn't thoroughly predictable from the start, but the film is blessed with so much star power, charm and honest sentiment that everyone in the audience is willing to ignore the cliches and go the distance.

We can also include this short film, titled Dawn of the Deaf, about a few deaf people who must band together to survive in a zombie apocalypse - though it's much more about the relationship the main girl has with everyone in her life.

As much as I like Eye in the Sky, there is very little chance Mirren will be nominated for that film, given that (SPOILER ALERT) her character is responsible for a deed that will make most everyone in the audience recoil.

As much as everyone in Hollywood likes to deflect responsibility for putting words into action, the Oscars and the film industry share a symbiotic relationship; one can not make significant progress against history unless the other moves forward, too.

Those two films kept pretty much everyone else at bay in the Middle Kingdom, although as the only new kids offering, Sony's Peter Rabbit had a good start at $ 12.7 M.

Everyone's favourite characters, much of the surreal narration (delivered with perfect dryness by Stephen Fry), and the original's distinctive theme music, are all present and accounted for — and in an age where CGI has become the slick new medium for special visual effects, an inordinate amount of physical modelling and creature puppetry have been used to give the film a refreshingly organic retro look, as though the crew from the original TV series had been lured back to their old tools by a much bigger budget.

Mark Ruffalo is an excellent human for so many reasons, but topping our list today is the fact that he is just as desperate for a role in the new Star Wars films as, well, pretty much everyone else on the planet.

As with another film about tolerance in the Adam Sandler / Dennis Dugan (The Benchwarmers, National Security) oeuvre, I Now Pronounce You Chuck and Larry, the object is to perpetually insult and poke fun at its subjects as much as possible before showing that deep down, they really are just kidding and want everyone to get along.

For the entire fest everyone spends pretty much all day at the Drafthouse (which was re-opened this year with nine screens after a complete renovation), discussing / chatting about films when not in one, and enjoying indie video games, libations aplenty, and tasty food the rest of the time.

Luckily for Steven pretty much everyone in Kill Your Friends does appear to share the same philosophy and the film presents a year in the life of this dog - eat - dog corporate music hell.

It's easy to forgive the cast of «American Reunion» for having some hesitations about returning for another installment of the comedy franchise (especially after that terrible line of direct - to - video spin - offs didn't do much for its reputation), but credit to co - writers / directors Jon Hurwitz and Hayden Schlossberg for not only getting everyone on board, but delivering one of the better films in the series.

It doesn't make much difference in the long run, but if you're able to catch just one good film that you wouldn't have otherwise seen during a busier season, then it's a win - win for everyone involved.

With echoes of Gus Van Sant's «Drugstore Cowboy,» «Animals» is a breakout film for everyone involved, a riveting drama about codependence in the life of two junkies who may love each other so much that they're dragging each other down into their addictions.

Diehard football fans looking for two hours of the concussion battle will be disappointed, and everyone will be let - down by a fairly tame final half - hour, which somewhat negates much of the hard - hitting content from earlier in the film.

Forget about the excitement brewing because Matthew McConaughey (Ghosts of Girlfriends Past) is actually starring in a film that doesn't require him to remove his shirt or offer up his rugged good looks for an insulting rom com role opposite Kate Hudson or Sarah Jessica Parker — as much as everyone would like it to be, this is not a sequel to 1996's A Time to Kill.

Alas, Weitz sympathizes too much with his target, making everyone in his film, from the Bush - like President to the Al Qaeda - like terrorists oddly likeable and endearing.

The Week in Movies discusses the last seven days in cinema — including the new Batman v Superman: Dawn of Justice trailer (and everyone's thoughts on it), Trainspotting 2 being confirmed by Sony, Guardians of the Galaxy director James Gunn saying The Hateful Eight is Quentin Tarantino's best film and much, much more.

Richard Linklater's 12 - year project, chronicling the filmed - in - real - time tale of young Mason (Ellar Contrane) as he grows up from the age of six to the age of eighteen, has seemingly received just as much praise as it has derision, particularly by critics who were lukewarm on it amongst everyone else's ebullient praise, perhaps out of irritation.

And like pretty much everyone in the world, I was amazed to hear the news in fall 2012 that Disney had acquired Lucasfilm and were going to produce new Star Wars films.

«Zero Motivation» Israeli dark comedy «Zero Motivation» won the top Narrative Prize at Tribeca this year, and it felt like this was the rare prize winner that won almost unanimous support from attendees: the film attracted raves from pretty much everyone that saw it, and marks first - time filmmaker Talya Lavie as an exciting new comedic voice in cinema.

Everyone already knows who Helen Mirren and John Hurt are and while their presence in a film is always nice, it's such a shame they lacquered up Mirren's face with so much ridiculous clown make - up.