Sentences with phrase «much everything about this movie»

Pretty much everything about this movie clicked for me, from the candy - colored visuals to the incredible soundtrack featuring tracks from Blood Red Shoes, The Long Blondes, and The Dø.

I hate pretty much everything about this movie.

Not exact matches

I like clean humor as much as I like dark humor, but everything I've read about this movie tells me that I will find no humor here.

When I came up with the title of this blog post, it had everything to do with the outfit and these adorable shoes that look exactly like Dorothy's ruby slippers, but the more I thought about this iconic movie quote, the more I realized how much it rings true in my own life.

About me: I love the movie twilight, pretty much listen to everything, I am fun, ask anyone i know, friend's say that I am a big flirt, which is a good thing.

We have experienced everything from movies to stand - up comedians on the subject, but how much do we really know about the Russian / Ukrainian bride safaris?

Director, producer, actor — James Franco is firing on all creative cylinders in The Disaster Artist, and it's telling that this restlessly inventive star (his critics are always bitching that Franco tries to do too much) is giving everything he has to a movie about... the worst filmmaker of the 21st century.

Much of the talk at Sundance this year, where, despite everything, sales and attendance were up, was as much about the ways in which movies will be «consumed» in the future — with all the various digital platforms on the horizon — as on the films themselMuch of the talk at Sundance this year, where, despite everything, sales and attendance were up, was as much about the ways in which movies will be «consumed» in the future — with all the various digital platforms on the horizon — as on the films themselmuch about the ways in which movies will be «consumed» in the future — with all the various digital platforms on the horizon — as on the films themselves.

It pretty much goes without saying that True Lies encompasses just about everything a thirteen - year - old boy could want in a movie.

«So much of this movie is about stripping everything away and exposing yourself,» he says.

We're doing 10 episodes and I think the interesting part about it is exactly what you said, everything's changed so much; the line between film and TV has blurred so much over the years, I think Jack Ryan is a product of that blurring so much that I think that they're not even really considering it a TV show, they're calling it a movie that's being told in 10 parts; and that's not just an argument of semantics, it's actually true.

The promotional materials for Thor: Ragnarok continue to give us pretty much everything we could want from a superhero movie about alien space - Norse gods duking it out: Jeff Goldblum being hammy, Hulk punching giant wolves and fire giants, and Chris Hemsworth affably goofing his way through another turn as the...

One reason it's hard to find much critical guidance about Hong Kong movies is that most of what's written about them in English comes from within the Hong Kong film industry, which monotonously emphasizes box - office grosses over everything else, and is in a form of English that borders on gibberish.

But everything in this movie is tame: the affair is about as passionless as it can get, even for the English; the guy is pretty boring — more traveling salesman than transgressive cad; and the film itself is written and shot so tastefully as to be pretty much inert.

At other times, however, our knowledge of real - life events hovers like a shroud over the movie, preventing us from caring too much about how everything's going to turn out.

«The Theory of Everything» is about the power of the human spirit, and while the first half makes for more compelling viewing compared to the generic story beats that encompass Hawking's later years, Redmayne and Jones are so good that even if their performances overshadow the movie itself, it's still very much must - see viewing.

Though it's hard to choose just one, the retrospective featurette «Chinatown: An Appreciation» is an engrossing discussion about the movie by industry vets like Steven Soderbergh, Kimberly Pierce, Roger Deakins and James Newton Howard on everything from the script, to Polanski's shooting method, to its memorable score and much more.

And Ayer, despite miscalculating pretty much everything about Suicide Squad, is REALLY good at cop movies — he made End of Watch, and the underrated Street Kings.

Blu - ray Highlight: The 30 - minute documentary «Between Good and Evil» is an excellent retrospective on making the movie, featuring interviews with various cast and crew, as well as a few Kubrick experts, about everything from the casting process, to filming in East London, to the director's notoriously long shooting schedules and much more.

When I stop to think about it, pretty much everything in Moana plays out precisely as I expected since I've been watching Disney movies my entire life.

This is kind of an aspect of the film, a loose (loose) plot line that holds everything together (despite kicking in around an hour into the feature) but, as I am about to argue, Detention has so much more to offer than this intentionally basic premise, one that underscores (in one way or another) basically every teen slasher movie of the mid-90s to late - 00s.

Everything about Michael Bay's fourth Transformers movie is too much.

EXTRAS: In addition to an excellent audio commentary by director Paul Greengrass, there's a three - part featurette running just under an hour long that tells you pretty much everything you'd want to know about the making of the movie.

We don't know much about Marvel's plan for the Doctor Strange movie, but it sounds like part of the plan involves making everything as British as possible.

Dawn of the Planet of the Apes takes everything great about the first movie and improves on that while adding so much more.

Too many spirited conversations with colleagues and young members of the movie industry, too much excited chitchat about how everything had changed, too many tweets riven with Sunken Place GIFs, and too much wonder over what it would mean for the future of the Oscars if the show could follow its historic Moonlight moment with a genuinely transgressive acknowledgment of Jordan Peele's social - thriller - horror - comedy - documentary as best in class.

The movie is at its best when relentlessly making fun of the X-Men (Wolverine in particular), the Marvel Cinematic Universe, Batman v Superman: Dawn of Justice, the idea of resurrecting superheroes, and pretty much everything about team - ups in general.

Our latest episode of The First Word podcast, featuring special guest film writer Tomris Laffly, is a discussion about everything dogs - dogs in movies, why dogs are the best, and so much more.