Not exact matches
Executives spend too
much time dealing with investors and analysts, trying to meet or exceed earnings
expectations every quarter, and
end up seeking short - term gains at the expense of the company.
Enter with
expectations of learning, growing and changing, and you'll find those are
much more easily met than specific
end - goals like marriage and babies and happily ever after.
There is little doubt that there is
much in the Biblical witness that supports this doctrine and that the
expectation of such a final
End to history has been foundational to
much of Christian theology throughout the centuries.
If in the ruins of Rome, St. Augustine dreamed of a civilisation that should be the City of God on earth, and penned, even while weighted with despair and
expectation of the
end of the world, the noble outline of the Christian order which inspired so
much of mediaeval thought, how
much more reason have we today, with so
much greater resources, to expect for our civilisation a resurrection out of our decay.
For a rock song or a symphony, a ballet score or a ballad,
much depends on handling the space between tensions and postponed resolutions in ways that can satisfy the desire for resolution while also being open -
ended enough to sustain the
expectation of, and desire for, more.
In one of the most important passages in the Education of Cyrus, Cambyses (Cyrus's father) gives Cyrus the following advice: «If someone deceives often, instilling the
expectation of good things, such a person
ends up not being able to persuade even when he speaks of true sources of hope... One must, as
much as possible preserve trust in one's own encouragement in the face of the greatest risks.»
All in all such material and the
expectation for the
end is very
much a form of entertainment.
There wasn't
much of a logic behind my thinking, but this never -
ending race to meet society's
expectations and constant comparison made any inkling of my own personality fade away, little by little.
Liverpool have had a number of false dawns in the last six years or so, when a decisive
end to the season created
expectations for the next,
much like how our FA Cup victories since 2014 have deluded us into thinking Wenger has regained his mojo.
We spend so
much time comparing ourselves to others and trying to live up to society's
expectation of what is normal and in doing so we
end up feeling quite inadequate.
«To The Wonder» (Terrence Malick) «Cloud Atlas» (The Wachowskis & Tom Tykwer) «Argo» (Ben Affleck) «The Silver Linings Playbook» (David O Russell) «Love, Marilyn» (Liz Garbus) «Free Angela And All Political Prisoners» (Shola Lynch) «The Place Beyond The Pines» (Derek Cianfrance) «Midnight's Children» (Deepa Mehta) «Hyde Park On Hudson» (Roger Michell) «Great
Expectations» (Mike Newell) «Inescapable» (Rubba Nadda) «Twice Born» (Sergio Castellitto) «English Vinglish» (Gauri Shinde) «The Perks Of Being A Wallflower» (Stephen Chbosky) «Thanks For Sharing» (Stuart Blumberg) «
End Of Watch» (David Ayer) «Imogene» (Robert Puccini and Shari Springer Berman) «A Late Quartet» (Yaron Zilberman) «
Much Ado About Nothing» (Joss Whedon) «Frances Ha» (Noah Baumbach) «The Time Being» (Nenad Cicin - Sain) «Writers» (Josh Boone) «At Any Price» (Ramin Bahrani) «Venus And Serena» (Maiken Baird) «Byzantium» (Neil Jordan) «Quartet» (Dustin Hoffman) «Ginger And Rosa» (Sally Potter) «A Liar's Autobiography» (Ben Timlett, Bill Jones, Jeff Simpson) «Foxfire» (Laurnet Cantet) «In The House» (Francois Ozon) «The Impossible» (JA Bayona) «Hannah Arendt (Margarethe Von Trotta) «Mr. Pip» (Andrew Adamson) «Capital» (Costa - Gavras) «The Attack» (Ziad Doueriri) «Zaytoun» (Eran Riklis) «The Deep» (Baltasar Kormakur) «Dreams For Sale (Nishikawa Miwa) «The Last Supper» (Lu Chuan) «Anna Karenina» (Joe Wright) «The Reluctant Fundamentalist» (Mira Nair) «The Company You Keep» (Robert Redford) «Jayne Mansfield's Car» (Billy Bob Thornton) «A Royal Affair» (Nikolai Arcel) «Dangerous Liasons» (Hur Ji - Ho) «Thermae Romae» (Hideki Takeuchi) «Caught In THe Web» (Chen Kaige) «Dormant Beauty» (Marco Belloccchio) «Everybody Has A Plan» (Ana Piterbarg w / Viggo Mortensen) «Kon - Tiki» (Espen Sandberg) «Reality» (Matteo Garrone) «A Few Hours Of Spring» (Stephan Brize) «The Hunt» (Thomas Vintenberg) «The Iceman» (Ariel Vromen) «Lore» (Cate Shortland) «No» (Pablo Larrain) «Outrage Beyond» (Takeshi Kitano) «Rust And Bone» (Jacques Audiard) «The Sapphires» (Wayne Blair) «Tai Chi O» (Stephen Fung)
It is also apparent that some major and last - minute editing was performed; one entire subplot involving Hunt and Mrs. Phelps is so obscured throughout the film that its sudden reappearance at the
end of the film is as
much a surprise as a clarification of audience
expectations.
The Sitter did not fare
much better than «Allen Gregory», drawing mostly negative reviews and falling at the low
end of box office
expectations.
World Premieres: Looper --(Rian Johnson)--(Opening Film) Cloud Atlas --(The Wachowskis & Tom Tykwer) Argo --(Ben Affleck) The Silver Linings Playbook --(David O Russell) Love, Marilyn --(Liz Garbus) Free Angela And All Political Prisoners --(Shola Lynch) The Place Beyond The Pines --(Derek Cianfrance) Midnight's Children --(Deepa Mehta) Hyde Park On Hudson --(Roger Michell) Great
Expectations --(Mike Newell) Inescapable --(Rubba Nadda) Twice Born --(Sergio Castellitto) English Vinglish --(Gauri Shinde) The Perks Of Being A Wallflower --(Stephen Chbosky) Thanks For Sharing --(Stuart Blumberg)
End Of Watch --(David Ayer) Imogene --(Robert Puccini and Shari Springer Berman) A Late Quartet --(Yaron Zilberman)
Much Ado About Nothing --(Joss Whedon) Frances Ha --(Noah Baumbach) The Time Being --(Nenad Cicin - Sain) Writers --(Josh Boone) At Any Price --(Ramin Bahrani) Venus And Serena --(Maiken Baird) Byzantium --(Neil Jordan) Quartet --(Dustin Hoffman) Ginger And Rosa --(Sally Potter) A Liar's Autobiography --(Ben Timlett, Bill JOnes, Jeff Simpson) Foxfire --(Laurnet Cantet) In The House --(Francois Ozon) The Impossible --(JA Bayona) Hannah Arendt --(Margarethe Von Trotta) Mr. Pip --(Andrew Adamson) Capital --(Costa - Gavras) The Attack --(Ziad Doueriri) Zaytoun --(Eran Riklis) The Deep --(Baltasar Kormakur) Dreams For Sale --(Nishikawa Miwa) The Last Supper --(Lu Chuan)
Although 2014 Cherokee features a first ever «un-Jeepman-like» front
end design, where razor thin headlamps catch the initial glance, Cherokee's core utility is still intact, although I will admit the headlight design wavers perhaps a bit too
much from decade long Jeep design
expectations.
«As
much as we'd love to have it in your hands today, we've made the difficult decision to wait to launch BlackBerry PlayBook OS 2.0 until we are confident we have fully met the
expectations of our developers, enterprise customers and
end - users» said Smith.
«As
much as we'd love to have it in your hands today, we've made the difficult decision to wait to launch BlackBerry PlayBook OS 2.0 until we are confident we have fully met the
expectations of our developers, enterprise customers and
end - users,» RIM senior vice president for the BlackBerry PlayBook David Smith wrote in a blog post yesterday.
I think it's also because I'm starting with
much lower
expectations of the
end result.
The company only has modest
expectations for sales of the device, which is very
much aimed at the premium
end of the tablet spectrum,» said Ovum analyst Tony Cripps.
I think this is partially because I didn't go into it with certain
expectations: by Mass Effect 2 I'd already pretty
much come to the conclusion that my choices wouldn't honestly affect the
ending of the trilogy all that
much because if they did then the writers would still be putting pen to paper in the year 2025, by which point I'm planning on either being king of the world, and thus having no time for games, or dead, also meaning I'd have no time for games.
However, they also say, «Now that we are approaching the
end, we can see that the Definitive Edition is turning out way better than our initial
expectation, and we hope that the players will like this game as
much as we do.»
Now that Square Enix is creating a remake of its popular game fit for today's higher
end gaming consoles, the pressure is on for the publisher to live up to gamer's
expectations of the
much - loved, classic RPG.
You gave a realistic «picture» of the
expectations /
end result that has been very
much appreciated by me.
No one takes a job assuming it will
end in disappointment —
much like no one starts a new relationship with the
expectation that it won't work out.
If it does, I'm expecting the tsunami to look
much like what hit Hawaii last year after the tragic quake in Tokyo... huge fear, huge
expectations and in the
end, not
much.