Wilde's story tells of a beautiful and
much - admired statue called The Happy Prince that stands «high above the city, on a tall column» and is «gilded all over with thin leaves of
fine gold.»
Since this look is already quite daring, you don't need
much in the way of accessories; a pair of
gold statement earrings and some white sunglasses should do the trick just
fine.
Thanks to the many other websites who link back here on occasion, and who help boost traffic, as well as inspire us to do better work — that would be Craig Kennedy and Living in Cinema, Anne Thompson and Indiewire, Kris Tapley and In Contention, Steve Pond at The Wrap, Melissa Silverstein at Women & Hollywood, Jennifer Merin at Alliance of Women Film Journalists, Jeff Wells and Hollywood Elsewhere, David Poland and Movie City News, Erik Childress at Cinematical, Ed Douglas as ComingSoon, Katey Rich at Cinemablend, Scott Feinberg of Scottfeinberg.com, Phil Contrino of Boxoffice.com, Vulture, Vanity Fair's Little
Gold Men, Metacritic, Rotten Tomatoes, and other sites that we depend on daily, Variety, the New York and LA Times, the New Yorker — we also love to read Glenn Kenny, Owen Gleiberman and Lisa Schwarzbaum, AO Scott and Manohla Dargis, Andrew O'Hehir, Roger Ebert, David Carr at the NY Times, Marshall
Fine, and the many other film critics who contribute so
much to our movie watching.
In the 17th century
gold and diamonds were discovered and the ports of Paratí and Rio, the closest to the mines, achieved massive wealth,
much of which was invested in
fine architecture and art.