Sentences with phrase «much grief by»

Not exact matches

Others are speculating that the park companies are getting a price hike out of the way in early 2014 just so that they can add on another price hike before the year is over, without getting as much grief for jacking up prices by, say, $ 10 or $ 12 all at once.
By the way, I do impose many limits on myself, and it saves me from much grief.
A more humane feminism, along the lines sketched by John Paul II, could have spared us, and may yet spare us, much grief.
He seems to suggest, for example, that people approach tragedies and grief not so much by grieving but by raising abstract questions about the causes of suffering in the world.
Then Esau, who despised his birthright, also caused much grief to his parents by marrying two pagan wives (Genesis 26:34).
There have been published to the world from Luther's printing press many books which I have perused with great grief, for I found scattered throughout them so much of that poison by which innumerable simple souls, day by day, are destroyed.
He said: «As we see you, as we see this area with its constant memories of what has happened, we seek to share with you in a way that reminds you that you are not alone, that the pain you suffer is not considered passing but profound, and that the grief for the lost is something that will forever be inscribed by our memories in these very stones, stones that over so many centuries have seen so much violence, but have also seen the renewal of hope and the overcoming of evil.
All the plans and dreams she had for her precious baby have ended abruptly and she feels alone in her grief by the fact that no - one can understand why she grieves so much for someone they feel she barely knew.
I just felt exhausted, by the long haul of this grief but also by the need, still, to defend — there is only so much my own scarred heart can endure.
But now Esti is married to Dovid and Ronit is clearly shocked by how much older they seem, how much more conservative, how greater the gulf is between them, and by that token how much more intense her loneliness and grief then feels.
Alison in particular is overcome by sadness, anger and grief, and it has made her numb to pretty much everything around her, especially the affections of her husband.
And just as Haneke respects these characters (and us) too much to trivialize them through overemphatic contrivance or too - easy intimations of emotion, so too does he exclude all non-diegetic music from the soundtrack, so that when we do hear the music played and appreciated by these inveterate music lovers — as when the characters do, finally and unavoidably, betray their unwanted, overpowering grief — it's something rare, precious, truly sublime, and profoundly moving.
As for his own personal life, Alexander defies convention not by the intense homoerotic suggestions between he and Jared Leto's Hephaistion (homosexuality not a social taboo during this time), but by his marriage to Roxane (Rosario Dawson), a woman of a lower social order and about whom Alexander is given much grief from his advisors.
Like «The Babadook» and «Goodnight Mommy» before it, «Hereditary» involves a relationship between a mother (Toni Collette, delivering an Oscar - worthy master - class in emotional terror made physical much like Essie Davis did in «Babadook») and a son (Alex Wolff, heartbreaking and hypnotic) that is first contorted then corroded entire by unfathomable grief.
Other highlights in this section include: Pablo Larraín's THE CLUB, a mordant morality tale set in a sleepy Chilean coastal town, which won Berlin's Grand Jury Prize; CHRONIC, Michel Franco's uncompromising study of grief and isolation, featuring a revelatory performance by Tim Roth; brothers Tarzan and Arab Nasser's feature directorial debut, DÉGRADÉ, a smart drama that moves seamlessly between humour and despair, set in a women's hair salon in Gaza; the European Premiere of George Amponsah's intimate documentary THE HARD STOP, revealing the story of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?»
Reynolds and Enos are achingly raw as parents coping with unspeakable loss in profoundly different ways, and Egoyan underlines their grief by shooting as much white - on - white as he possibly can.
Though the movie is sprinkled with quite a bit of humor (much more than you'd expect for the subject matter), «Manchester by the Sea» is primarily a portrait of grief and how it affects everyone differently.
Even if the screenplay by David Lindsay - Abaire, who also wrote the Pulitzer Prize and Tony Award - winning play, feels too much like a «Greatest Hits of Grief» compilation, then it still manages to work due to the perceptive ideas it brings forth and the surprisingly tart one - liners that dot the film's landscape.
While John is waking up to the fact that he still loves Eva, Eva is confounded by her own grief, and the three children deal with events in their own way, with much of the focus being on 15 - year - old Daisy as she deals with her loss via various secret acts of defiance, culminating in an affair with an older man.
I save much time & grief by sticking to English language stocks — and if I exhaust suitable candidates, then I can think about diving into foreign language stocks.
Needless to say, business at the train operating company has since grown by leaps and bounds, so much so that Tama's death in June 2015 witnessed a huge outpouring of grief and even prompted the president of Wakayama, Mitsunobu Kojima, to solemnly state: «Tama - chan emerged like a saviour, a goddess.
The Italian Flag on this one is substantially dominated by the white part of the flag; if the authors had better taken this into consideration, they would have spared themselves alot of grief (and incidentally probably much of the publicity).
We can help with unique issues like helping children understand why they're not being raised by their birth parents, establishing roles and boundaries in relationships with birth parents, and handling difficult behaviors related to loss, grief and loyalty issues, and much more.
There is so much grief and devastation caused by parental alienation.
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