Sentences with phrase «much less paint»

Although I use much less paint now than when I couldn't really afford it, 95 % of it still ends up in the bin.

Abstract Expressionism looks great, but it quits before color - field painting apart from Joan Mitchell, much less painting today.

Not exact matches

HRT: I think the children's work was much more raw, what they depicted often very kind of... again the images of soldiers and dead bodies and destroyed houses... and it was children painting these images... The adults» were less emotionally charged.

Figure 1 paints a much less rosy picture for investors looking for an earnings recovery.

CNN: My Take: Reclaiming Jesus» sense of humor Here's a serious question about levity: The Bible clearly paints a picture of Jesus of Nazareth as a clever guy, but he never seems to laugh, much less crack a smile.

Rust - Oleum ® SpraySmart ™ pouches mix and evacuate more effectively, providing more paint coverage for the same package weight, and the used pouches take up much less space.

Adult education courses are always a great place to start (funding to this area has already been severely reduced this year so there is much less provision) or you could even go on a painting holiday!

It would seem like a great idea to paint your kitchen blue in order to eat less, but too much blue can also depress the mood.

Latex craft paint also is much less permanent and is less hard and is a little more likely to lift.

The thick cloth will absorb much of the impact and the paint will actually break less often.

Started a project using white milk paint over a very dark piece (bleed thru is not the problem), it's just a much different chemical composition (thinner coverage, even when mixing - in less water) and doesn't cover well, requiring a minimum of 4 coats (great for some projects, but not this one).

I'll be sharing my secrets for shopping for appliances, how to get high - end granite slab for much less than what you see on the display room floors, painting your own cabinets, customizing an existing kitchen island, creating your own mirror and tile back splash online, and other tips for saving tons of money on a kitchen makeover.

I never would have thought of painting this, much less blue.But I'm amazed how great this turned out!

A terrific work of political and social satire set in a Nebraska high school that has the intelligence of (the less coherent) «Rushmore,» while painting a much darker picture of politics and human relationships.

It delves into romance but the characters are painted so one - dimensionally that you wonder how anyone could like them, much less love them.

3 slides, ducted roof A / C, wired and braced for a 2nd A / C, electric jacks, electric tongue jack, new hybrid aluminum step, solid surface counters, large LCD TV, outside kitchen, power awning, frame less windows, painted front cap, great private bathroom with 60x80 queen bed, Huge double slide living room, and much more... 2

This makes the phone much less likely to slip out of your hand, and also less likely to have cosmetic paint loss.

Finger painting is so much fun and I've found that it can be a lot less messy than what you may expect.

The artist admits that «I... Make paintings that are difficult to look at, much less deal with.

I don't know — I think I sort of reversed it from painting so much more impersonally in intent and less intimate.

It has very often seemed to me that many painters of religious subjects seem to forget that their pictures should be as much works of art as are other paintings with less holy subjects.

But in keeping with the American artist's un-fussy sensibility, Diebenkorn's loosely painted arrangement is much less composed, almost haphazard.

He later adds that by the mid-1940s, Rothko's «allegiance to conventions of spatial order in painting had withered to the point where depth and contours could barely be detected, much less interpreted... Rothko used the fluidity of watercolor to erode distinctions and diminish resolution.

The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls (a disjunction heightened by the scale of the paintings, which range from larger - than - life to miniatures of only 10 by 6 inches or less).

Mono - ha worries much less about wrestling with painting.

The first British — probably the first European — artist to become aware of Pollock's innovations and take on the challenge of «action painting», the quietly spoken but formidable Scot forged his own expressive path that was less an imitation of Pollock more, as fellow artist Peter Doig put it recently, «like an expanded Paul Klee... but much more physical, much more visceral.»

There is that, too, the threat of extinction, which may affect physical painting much less, because if worse comes to worst, you can still make up paint using eggs and earth pigments.

To be perfectly honest, these Site - Self (projections) resemble San Marzano tomato paste, blue - tinted udon, perhaps a head of bibb lettuce — yes I've got food on my mind, but I think that is the greater point: we project ourselves (our Selves) onto these anonymous abstractions, much like Grant's paintings, less to derive an Ultimate Meaning than to find the truth that matters to us.

Much less than the sum of its parts, «What Is Painting?»

If Marshall's work considers the erasures of history, Casteel's is very much set in the present tense (though her paintings are less a literal transcription of real life than they may seem: «I like to think of them as being able to wobble in and out of these flat and hyperrealistic spaces»).

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

The surprising thing is that Richter's recent paintings and drawings turn out to be much more linear and owe less to the plane and the stain than his earlier work.

At gallery HQ there was a museum - worthy summer solo exhibition by Thai filmmaker Apichatpong Weerasethakul, work by Birdhead was at Tate Modern and pretty much everywhere else, Xu Zhen's Supermarket (2007/17) popped up at Sadie Coles during Frieze London and even one of the less active gallery artists, Zhou Tiehai, saw his iconic 14 - painting - and - one - video, Will / We Must (1996 — 2004), enshrined in Shanghai's Yuz Museum.

But the picture is structured by a series of stripes that make it a cousin once removed to a contemporary stripe painting by Kenneth Noland, a painter whose work dominated art criticism at the time but which now seems much less substantial than Thiebaud's.

Untitled # 3 contains the same banded fields and elongated geometric forms across the picture plane found with the artist's Ocean Park paintings, yet his edition works feature much more subdued fields of grey that seem less distinct, blending into one another as they stretch across the surface.

Much less known, the paintings of the Ukrainian - born artist Janet Sobel were in part the inspiration for Pollock's leap into total abstraction, after her work was shown at Peggy Guggenheim's Art of This Century Gallery in 1944.

In another gallery room, though, there is a second set of self - portraits, painted in ink and watercolours, smaller, less explosively invigorating, much darker, in which the skull takes over.

combines the force of gravity with gallons of paint to create vibrant pour paintings — think spin art on a much grander scale, with less spinning.His pieces will make you long for the flower power of the «60s.

Artist Holton Rower combines the force of gravity with gallons of paint to create vibrant pour paintings — think spin art on a much grander scale, with less spinning.His pieces will make you long for the flower power of the «60s.

Although much simpler and perhaps less accomplished than the other paintings here, these are the most intriguing.

It is — of course — painters who keep painting alive (something also true of poets and poetry), rather than institutions (and I am thinking of just the ones in New York and how little they seem to know about current painting, much less exhibit it).

That's the way Rick Briggs» paintings read to me; as a much - of - a-muchness that could only be thus; as painterly situations so palpably exempt from the modernist «less - is - more» dictum that one feels absurd attempting to impose it.

Which is why, in those examples where Butler does a little less, her paintings do much more.

One of the nation's most unique artistic voices finds expression in this fascinating retrospective of his work, illuminating his groundbreaking work in collages, photastats, watercolors, gouaches, and oils, including examples of his lesser - known landscape painting, sculpture, costume designs, and much, much more.

The Americans never had that because Abstract Expressionism as an ideology was only in my mind and in everybody else was their various ways of painting, so that it was much less clear that there was something in common.

Striking a much less solemn note, Lucy McKenzie's «La Kermesse Héroique» was this year's contribution from curator Milovan Farronato (who surprised many at the last Biennale with a show of Peter Doig paintings in the same space).

I was dissatisfied because there was too much paint on the canvas and became less happy with it, so I overpainted it.

Hirst's paintings remind me of nothing so much as the lesser products of the so - called New Image Painting of the 1980s that gave rise to art world stars such as Julian Schnabel and Georg Baselitz.

Not a place likely to appeal to the editors of Architectural Digest, it is primarily a studio in which — amid dozens of paintings, new and old, large and small, on the walls and spread out over much of the paint - spattered floor — Nelson more or less camps out in rather Spartan comfort.

Frankenthaler, best known for her ethereal stain paintings, a technique introduced by Arshile Gorky and to a lesser extent, Jackson Pollack, has two such paintings here but additionally has other paintings with much more heavily textured paint.