Sentences with phrase «much material here»

Griffin disputes each of the four propositions deployed to defend freewill theism on this topic, and there is too much material here to cover in detail.

Not exact matches

Luke has already used much of the material that Mark and Matthew have here.

But if we have here only the preparatory stage, the first working - over of the raw material, the significant beginnings but not the final endings of a vast purpose, we can accept life with a much better grace.

But even if the theology here were rich and deep and uniformly brilliant, I would still be concerned about a Bible with so much ancillary material on a single subject.

That collections of such sayings should be made — some here, some there, by various persons — to serve the practical needs of the church, was in the nature of things, and these collections of sayings provided the gospel writers with much of their raw material.

The truth is that much of the material that is presented in this course can be found here and there on the internet.

In my experience over the last month, I'm mostly referring to material things but there's certainly a much bigger take - away here (the Minimalists talk about this very thing on their blog).

Here you will find the latest Social Media Content, Point of Sale Materials, Webinar Calendar and Registration, Research Documents and much much more.

This is especially good because, here in Brazil, there is not much material available in our language specifically about Attachment Parenting.

Where possible, I've linked to the relevant sources within the text of this series, and much of the material printed here derives from either the articles quoted or from other pieces listed in the Essential Reading.

So we know that some long period of time from now, we'll be on a sustainable, low - embodied energy, crustally abundant advanced materials, advanced distributable, renewable energy; somewhere between here and there, a lot of capital equipment is going to become obsolete, because the marginal cost of production of it is so much more than the new way of doing it that the new way will put it out of business.

Astronomers believe large moonlets up to at least a half - mile in size may hide among the rings, which themselves are only about 30 feet thick; the taller vertical structures visible here could be ring material that «splashes» up when the fine particles of the rings collide with these moonlets, much as water at the sea's edge can splash up and over a rock.

There is almost too much here to take in: tax incentives, export controls, forestry policy, waste reduction and recycling proposals, CO2 taxes, electrical co-generation, virgin materials fees... There is even a discussion of energy - saving light bulbs and how to market them more efficiently.

Even here, the author seems too much in love with his subject to confront the toughest conclusion raised by his own material — that Hubbert's work may no longer matter.

Here, Complete Genomics with its extremely high demand for sample material and the much slower Life Technologies» platforms may render themselves inappropriate for certain applications.

There's not much more than half - an - hour of original material here, but there's a quality to the stories in these songs.

Fans of the book won't mind so much, they can enjoy the play - acting of the material while knowing what's to come, but anyone who hasn't read the series will likely be frustrated by the lack of a sweeping narrative, and heaven help anyone who decides to jump aboard here.

You'd think that Spielberg, whose specialty has always been entertainment, and the large, distinguished, suitable cast he effortlessly assembles here would help breathe life into the wordy material, but there's only so much that can be done.

For viewers who really loved the film, there's certainly a lot of interesting material here, but it's a bit much if you just thought the film was mildly entertaining.

Here his approach isn't much more subtle, but it suits the material better, since this is presented as a controversial exposé, complete with opening and closing remarks from Derek Jacobi, an actor revered for his Shakespeare stage performances in the British theater.

That is slightly shorter than An Unexpected Journey, but there's so much new material crammed in here that it continues to feel more like a Lord of the Rings companion piece rather that a light - hearted Hobbit.

And before you worry that too much is given away here, keep in mind that the trailer is largely cut from first - act material, so it isn't nearly as revealing as it might seem.

Blu - ray Highlight: There's so much great material here that it's hard to choose.

Woody Allen is very much in control of his material here and his latest offering is not to be missed.

You're never bored, but there's so much material covered here that The Last Jedi easily could have been two movies, and there's so many final standoffs and climactic scenes by its close that it feels like at least four or five movies» worth of conclusions.

«Full - Length Alternate Celebrity Interviews» (44:48) give us unused material from nine of the season's ten celebrity interviews, hinting at just how much footage was shot for them (very little of the used material resurfaces here).

That's probably because, as she proved in Joe Swanberg's terrific Drinking Buddies, the actress is a formidable onscreen flirt (all side - eye sass and veiled longing) and here brings much - needed vinegar to insipid material.

Although those DVD documentaries aren't included here in their original form, much of the material has been repurposed in the U-Control Picture in Picture feature.

A few decent notes pop up here, but the program seems too general to present much useful material.

This is an idea that was better suited as a short film, although there's so much funny material here that it's understandable why they felt the need to expand it to feature length.

Title has no sense of the rhythm of material like this, so the attempts at frights happen without much or any context (Basic staging is a significant problem here: In one scene, four actors are talking, and each one is shot in complete isolation, meaning we're spending more time determining who's responding to whom instead of listening to them).

There is a great plot to be found here in Parker's relationship with the Green Goblin's alter ego Harry Osborn, but rather than let that mature, they dumb it down and drown us with too much other unnecessary material.

Thank you for this article.Personally, I think this material is great.I agree with much of your information here...

Material quality remains quite good for the price point, but there's not much in here to impress the neighbors when it comes to whiz - bang gadgetry or intriguing design.

For drivers that don't want to fuss with all the fancy materials other modern cars come with, I can see the Compass being a hit but there isn't much to fall in love with here.

The interior has, like nearly every Chrysler product I've encountered lately, improved markedly — not so much in material quality, as there is still a lot of hard plastic here, but in design and execution.

The basic premise of what Emmett is laying out here is that the preponderance of women in the curation and presentation of so much of children's material may have something to do with a perceived lack of content that's as interesting to boys as it is to girls.

I think that one of the subtler shifts has to do with what we're hearing from Mark Coker of Smashwords — I've just written about his latest comments here — and from others, about the overwhelm of so much material.

As with other Samsung devices, the aesthetics here don't change that much since TouchWiz hides the majority of the Material Design improvements that Lollipop brings.

I do know this: Get Rich Slowly will address a much wider range of material than I was able to tackle here.

Hackett adds that a good product categorizing tool which defines important similarities and points of differentiation will help a retailer in the following ways: • Determine which items fall into the good, better, and best within each category and sub - category • Develop guidelines for choosing new products to add to their assortment • Identifying brands that should be expanded or contracted based on growth and strength trends of each brand within their assigned category • Determine how much space should be allotted to each category based on space to sales movement • Determine merchandise locations and prioritize brand positioning • Develop advertising strategies based on these trends • Build a story line for the products in their store • Provide training materials for staff to communicate these categories to the consumer and the differences between them Here's a few more tips from Hackett: Categorize: A great buyer develops strong tools to categorize and sub-categorize their business.

Here you can find destination information, group bookings RFP, sales material, sample itineraries, certifications and much more.

It's material very much worthy of re-inclusion, and though the recording quality of this live concert album isn't at the same level as that studio album, I find the performances for most arrangements are more dramatic here.

I'd love to translate all your material into Portuguese and opening here O Artista Próspero (TAA in Portuguese) Thank you so much for the attention!

, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

Each of the museum's two current headline exhibitions — Anna Betbeze's Venus and Matthew Angelo Harrison's Dark Povera Part 1, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

Indeed, so much of the material poised to shock at the fairs here looked like retreads of past revolutions: at Fondation Beyeler, the Toiletpaper Collective plopped bunches of freshly cooked spaghetti over a mannered agglomeration of trailer - trash kitsch.

The formal strategies of graphic depiction that are here deployed comports this material in a manner not unlike choice elements retrieved from the dustbin of a defunct printer's shop; and much of the source material for this work was acquired from such establishments.

And I think that the contemporary approach to art making, which thrives on playing with meaning as much as materials, on mixing generes and media, and on voraciously devouring as much of the world for incorporation into art, will find much to use here.

And it is here that West's affinity with Hepworth is clearest: in their shared commitment to making and the transformation of brute material into something meaningful, however ambiguous or elusive that meaning, however much it might slip away back into the river like the ghost of a thought.