Sentences with phrase «much of a cop car»

Additionally, much of a cop car's life is spent idling and wasting fuel; this would become mute with a Model S or any EV.

Not exact matches

NO ACTIVITY Ordered straight to series STUDIO: CBS Television Studios / Gary Sanchez / Funny or Die TEAM: Will Ferrell (ep), Adam McKay (ep), Patrick Brammall (ep), Trent O'Donnell (ep), Jason Burrows (ep), Joe Farrell (ep) LOGLINE: Set against the world of a major drug cartel bust and celebrating the mundane, it follows follows two low - level cops who have spent far too much time in a car together, two criminals who largely are kept in the dark, two dispatch workers who haven't really clicked and two Mexican tunnelers who are in way too small a space considering they've only just met.

This adaptation of Stephen King's 2009 doorstop of the same name features all the familiar characters: James «Big Jim» Rennie (Dean Norris), a used - car salesman who is second selectman of Chester's Mill and would very much like to be first selectman; Dale «Barbie» Barbara (Mike Vogel), a former Army captain in town on some sort of business; Deputy Linda (Natalie Martinez), the kindhearted cop; lovely Angie (Britt Robertson) who has a regrettable fling with not - so - lovely «Junior» (Alexander Koch); intrepid newspaper reporter Julia Shumway (Rachelle Lefevre); and so on...

Hot - head police captains, torturous and talky bad guys, drug busts, loose cannon cops, some domestic drama, and car chases represent the bases you'd have to touch in order to make a decent rehash, but outside of a couple of scenes of Paul regurgitating famous film lines from cop flicks of the 80s (which isn't exactly true, as he mysteriously quotes from movies of other genres and eras as well), there isn't much to Cop Out one could call a loving spocop flicks of the 80s (which isn't exactly true, as he mysteriously quotes from movies of other genres and eras as well), there isn't much to Cop Out one could call a loving spoCop Out one could call a loving spoof.

The screenplay by Robb and Mark Cullen (Manchild, New Car Smell) puts together a mish - mash of 1980s cop flick clichés without generating much humor out of them other than the knowing references.

That the script leaves so much unexplained works to its benefit in the final scenes, as it's a given that everyone from taxi drivers, store owners and news venders to beat cops and police patrol cars are given photos of the mob fugitives and that all of them are reporting directly to the mob.

There's so much good in Cop Car, it's easy to see why it became one of the «buzziest» tickets earlier this year at the Sundance Film Festival.

You can use a small shockwave to make someone nudging your door to lose control of their car, blast the back of a car with an electromagnetic pulse (much like the cops), drop land mines that also deliver a temporary debilitating blast, and more.

«It had a nice implementation of the car - chase elements from 70s films, which I loved,» he says, «but I was annoyed by the way it cheated on the physics — the cop cars being much heavier and having incredible acceleration and top speed.»

There was the lag on payments to the factory's construction company, the senior staffers jumping ship, the confusing debut of a seemingly competing car from the company helmed by its principal backer, the lawsuits from a supplier and a landlord who said they weren't getting paid, the work stoppage on the factory, the state officials in Nevada who said Jia didn't have as much money as he claimed (something that Jia denied in a haters - are - my - motivators statement), and the fact that leaders in that state copped to never really knowing much about FF's financials before approving that incentive package.