Sentences with phrase «much of the artistic production»

«I think most people are familiar with the paintings, and even the sculptures, and we really wanted the chance to let a broader audience gain access to his photographic work, which is of course the basis of so much of his artistic production.»

His unique style of painting was influential in the international revival of large - scale, figurative painting that characterized much of the artistic production of this decade.

Not exact matches

So much writing about contemporary art today is quick to identify the successes of the age, to establish a new canon of artistic production, but what would happen if ambivalence became a productive force, if art were no longer judged according to a vague and malleable scale of quality?

Much of my artistic practice has involved ephemeral drawing installations and the production of graphic novels.

Robinson, noted perhaps as much for his criticism as for his art making, gained notice in 2014 for his Artspace article «Flipping and the Rise of Zombie Formalism,» which coined a widely adopted catchphrase that describes a current trend in artistic production that «brings back to life the discarded aesthetics of Clement Greenberg.»

Rush has said that much of what he is interested in is «the idea of failure and how it might constitute success, and much of what I do could be characterised as the management of actual or potential disasters -LSB-...]» Through these forms the artist hopes to address the problematics of artistic territory and truth, and the boundaries between the art object, its site of production and eventual arena of display.

Like much of Stark's work, the story of these virtual encounters self - reflexively addresses the conditions of creative self - doubt, sources of insight and inspiration within the context of the everyday and the problem of production through the often - difficult process of artistic labour.

The recent anti-cuts campaigns and protests that I have been involved in, have done much to strengthen my interest and a sense of urgency in interrogating the relationship of art and activism and the place of artistic production in the current neoliberalisation of cultural spaces and art education.

Long overlooked as a centre for artistic production, London was seen as not having any sort of artistic predilection, and if any, much lower than that of heart of artistic innovation, Paris.

But such rationalizations can't justify the historical amnesia of a world - class museum dedicated to recording and delineating current canons of significant artistic production and taste no matter how much the museum exhibition and collection depends on the endowments of collector trustees who arguably benefit from rearrangement in the historical record.

While much of the work in the exhibition utilizes Ebony and Jet imagery and text as source material, for some, the concept of these iconic publications and their institutional histories provides the starting point for artistic production.