Sentences with phrase «much older artists»

I also included pieces by a few much older artists who made specifically feminist work in the 1970s: Alice Neel's portraits of Linda Nochlin and other figures from the movement, and a number of Louise Bourgeois» installation and performance works.

Also, it's been an exciting opportunity to link these younger artists with much older artists.

Not exact matches

But I was just amazed by how everyone, young and old wanted to be involved... and was so deeply enriched and touched by the experience and the laughter and the love I experienced from the people I met and how women would in particular open their hearts to me and tell me the stories of where they've come from, particularly because I have the language and was coming there as a woman and just how touched they were that I was there as a woman from England who's learned the language and who's an artist and running this project and come all the way to see them so they didn't feel forgotten I think that was pretty much what they felt... that their stories were being heard so they don't feel forgotten knowing the tents would be around the world.

Old people are often stereotyped as not knowing how to use new technology, but 73 - year old artist Tatsuo Horiuchi knows how to use Excel Spreadsheets better than pretty much anyone because, yes, this is an Excel spreadsheet and it is, yes, the world's most beautiful spreadsheetOld people are often stereotyped as not knowing how to use new technology, but 73 - year old artist Tatsuo Horiuchi knows how to use Excel Spreadsheets better than pretty much anyone because, yes, this is an Excel spreadsheet and it is, yes, the world's most beautiful spreadsheetold artist Tatsuo Horiuchi knows how to use Excel Spreadsheets better than pretty much anyone because, yes, this is an Excel spreadsheet and it is, yes, the world's most beautiful spreadsheet...

But while much of the crime is gone, so are many artists and older businesses.

I appreciated very much hers old albums, but now she seems to me only a without character artist.

In the film's stronger moments, the artist in her definitely seems to be saying that the impulse to retreat into cultural fundamentalism carries dire risks, that much of what is old and traditional needs changing and there are some things about the detested process of globalization that are wonderfully liberating.

If Green ultimately takes too much pride in his hipster references (however nostalgic I got seeing the 2001-esque United Artists logo that used to scare the bejesus out of me as a child, it's self - conscious whims like these that make Undertow sometimes feel superficially invested), the presence of the generally indifferent Bell has a neutralizing effect on Green's tendency towards the pedantic, and the director's championing of old - school values — his dislike of ADR, his fondness for found locations — once again inspires lonely but hearty cries of solidarity.

That title might even be a stretch, since the titular vehicle doesn't make much of an impact in the film besides serving as a shiny prop for the laid - back soundtrack featuring blues, R&B, and old - school hip - hop from artists including Bobby «Blue» Bland, Erick Sermon, and Marlena Shaw.

Instead of mocking the ultra-sincere scene or having fun with the age - old narrative of the brilliant - but - troubled artist, they instead cast a remarkably sincere eye on their hero and his plight, perhaps recognizing that artistic success has as much to do with luck and timing as it does with talent.

In 1909 London, 17 - year - old Victoria must figure out just how much she is willing to sacrifice to pursue her dream of becoming an artist.

Kids, much like my ten - year - old self, are often the perfect accomplice to a small pet escape artist.

Place of the biggest pineapple in the world, this little 1820 Settler village is an eclectic mix of old and new, much of the original buildings well preserved and thus an enclave of artists, academics and retirees who like the blend of rural and historical relevance just 10 minutes» from Port Alfred.

There is an old fashioned cove at the corner of the tiny bohemian town that is as much frequented by the artist community as those seeking a respite from the more overtly pretentious and crowded luxury resort destinations in Costa Rica.

Whether you are a beginner or an expert, a programmer or an artist, young or old, in a team or going solo, you will gain much from participating.

On the demon side, the unfortunate reality of just how much effort would be needed to produce portrait art for every single demon means that there's a wild mixture of art from older games, newer games, games in between those games, and brand - new monstrosities created not only by Doi himself, but also various guest artists from the world of tokusatsu media (Japanese live - action fare like Godzilla, Kamen Rider, and Ultraman).

PF You know, as an artist, however much you respect an older figure, you can't simply keep on admiring them.

Another older, successful artist is evolving in much the same way.

We spoke to the installation artist and sculptor about her upcoming 24 - hour blowout at the Guggenheim and why she's enjoying getting older so much.

One such outlier is 88 - year - old Chicago artist Evelyn Statsinger, who has had some taste of national attention during her long, still - active career but should be much better known.

As well as being the first woman and the first painter to win the prize in almost a decade, after years of artists with personas as feverishly worked upon as their art, here was someone about whom we knew practically nothing: 38 years old, from Kiel in Germany but resident in London for the past 12 years, and (rumour had it) the former girlfriend of Chris Ofili - that's pretty much it.

Amongst these additions, an Etruscan mirror with a line drawing of a running Sun god sets up a dialogue with Picasso's engraved line; the etching of the artist drawing the model by Rembrandt establishes how much Picasso learnt and was inspired by the old master; and a beautifully austere bust of the head of Hercules from the villa of the Emperor Hadrian is a wonderful counterpoint to the prints of the sculptor and model.

The art form had pretty much died out by the time artist Joan Sallas began studying centuries - old illustrations and taught himself how to re-create them.

Jung Uk Yang's sculptures at Doosan Gallery in Chelsea appear to be much older than the artist, a 33 — year - old BFA graduate from Seoul.

Following discussions with the artist, the work has now been replaced by another work in Prince's series, Spiritual America IV (2005), which was photographed in collaboration with Shields when she was much older.

Riley's formally taut, abstract compositions yield a singular sense of visual pleasure for the viewer, a notion derived as much from the artist's formative encounters with Old Master and Impressionist painting as from her early experiences with nature.

The reason has to do with her medium as much as her attitude: The forty - three - year - old Scottish artist is...

Robert Rauschenberg's Tenant (Scenarios)(2005) at Waddington Custot Galleries This big old late Rauschenberg, flooded with snapshots of life on Captiva — the island refuge of his final years — is pretty yet muscular, conveying both the vitality of his still under - appreciated later work and also how much the artist would have loved Tumblr.

Since moving to the states in the early»90s, much of artist Do Ho Suh's work has explored the concepts of space and displacement, most notably through massive installation structures that re-create places such as his childhood home in Korea or an old New York City apartment.

The 55 - year - old Texas artist took the New York gallery scene by storm in 2012 with four separate gallery shows, including the much - lauded «ARTSTAR» at Zach Feuer.

The 76 - year - old artist has spent his career at odds with the larger trends of German postwar art, devoted to painting while much of the art world's creative energies went into conceptual art, performance and video.

«It is not clear when the essentially formalist notion of inner light became a commonplace in the criticism of Venetian painting of the sixteenth century, but it was certainly a major concern of the Bavarian painter Max Doerner, whose handbook The Materials of the Artist and Their use in Painting, with notes on the Techniques of the Old Masters (1921), had been published in an English translation in New York in 1934 and came to be much used in the circle of the abstract expressionists.

To be sure, there are dozens of major Henri Matisse works in the show, but Matisse / Diebenkorn is very much the story of Richard Diebenkorn and his decades - long engagement with the older artist.

Amsterdam has these beautiful old streetlamps, and I saw so much street art in the daytime, but no artist was using city lights and streetlamps as a canvas.

Typically, the show is either the story of two friends and colleagues, or an old - timer admired by someone younger, or artists from different countries and / or cultures sharing much in common.

There he enjoyed playing poker with friends in a game of long standing, and he was very much involved, with a dozen artist cronies of middle age or older, in a cooperative exhibition space, the Long Point Gallery.

In Chicago in the early 1970s, we had our own third and best - known generation of alternative spaces (each city can claim its own artist - run history, probably with a fair share of boosterism thrown in), such as ARC, Artemisia (both were feminist galleries formed from West - East Bag, a nationwide network of women artists), and N.A.M.E., with the much - heralded Randolph Street Gallery opening in 1979.7 This is not to mention still - running artist - driven efforts such as the Hyde Park Art Center, founded in 1948, and the South Side Community Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 1940.

SL: That every artist, no matter what the perception is of them — whether they are making a lot of money or not, whether they are recognized as much as others, or if they are older or younger than others — they are all on the same page: a working artist is a working artist.

At a time when the so - called New Image Painters — Baselitz, Schnabel and co — were reviving interest in neo-expressionist painting, the existential cruelty of Titian's painting, in which a satyr is skinned alive, seemed like a message from the past, telling us that the truly great artist can not so much transcend the infirmities of old age — failing eyesight and diminished muscular control — as turn them into an aspect of genius, in works that strip back to the essence of things, and which can communicate to any age.

Indeed he has so much to say that the 53 - year - old is not only China's most famous living artist, but also a constant irritant to its authorities.

This meant that I wasn't able to work as much with older artists, many of whom have been too little studied and exhibited.

And while it could be argued that the dazzling boom and bust of a few 26 - year - old white male skateboarders - cum - abstract - painters isn't representative of thousands of other emerging artists, the spectacular market failure of that one, tiny group had a much broader cooling effect on the market: With collectors suddenly questioning the value of their not - insignificant investments (no matter how rich you are, watching your $ 100,000 painting go to $ 20,000 in a few months has to be unpleasant), a crisis of confidence resulted in some very good galleries going under.

Much of what the 72 - year - old artist born in 1946 in Belgrade has acted out is undoubtedly radical, but sensual, too.

The woman who brought me out was much older, and she told me it made sense if I was gay because many artists are queer.

In January 1909 Toorop, now 50, was represented at a group exhibition of the other, much older and more conservative, Amsterdam artists» society - Arti et Amicitiae.

Again, African - American artists are very much on the agenda: deceptively naive paintings by former slave Bill Traylor, who died in 1949, feature at Betty Cuningham ($ 50,000 - $ 140,000), while Donald Morris shows Bob Thompson, who was inspired by European Old Masters to produce boldly coloured figurative paintings (nine of 13 works sold on first day, $ 125,000 - $ 250,000).

If some of this doesn't sound much like «art», don't blame the poor old postmodernist artist.

I didn't want to save art — I respected the older artists too much to think art needed saving.

A hint about the artist's preoccupations these days may dwell in the show's name, «She Lay Down Deep Beneath the Sea,» which Emin says refers to «the idea of coming to terms with the weight of something that is so much bigger than myself - old age, death.

The New Old Master artists return to tradition, in recognition of the fact that it takes the body seriously, that its works have body, that it has much to teach us about being - a-body and making an enduring body of art.