Sentences with phrase «much performance art»

Not exact matches

Richard Beck has described the book as a sort of «hermeneutical performance art» and explains that «by refusing to pick and choose, Evans reveals to anyone reading her book just how much picking and choosing is actually going on.

DuPont ™ Appeel ® masters the art of seal - peel performance by providing easy - open lidding, seal integrity, and much more.

«If it's all performance art, that's not much of a mission.»

In fact, some elevated the hatred to performance art: I saw a video by actor Jarrett Sleeper impersonating her while graphics showed how much it would cost to stock her pantry.

On a whim, he declares that he painted the children with the oversized eyes, and the lie spirals out of control until the paintings become a revolutionary, multi-million-dollar industry (much to the chagrin of an art critic played by Terence Stamp and a gallery owner played by Jason Schwartzman — two amusingly droll performances).

There is so much in this picture, from dread, horror, to suspense, bitterly moving love, extraordinary, Oscar - worthy art direction and a desperate lead performance from Viggo Mortensen which perfectly illustrates the wrenching desperation of parental love.

If Crane didn't pour himself into what he calls a performance art, Lipsitz wouldn't have much conflict to ride.

To those who only know James Franco from his much - maligned lifeless hosting of last week's Oscar ceremony or his Pineapple Express stoner recalled by it, in this movie you'll discover James Franco the serious actor, not dabbling in daytime TV and calling it performance art, but giving his all to embodying a reckless real person pushed to the limit and determined to escape.

Never before had Cruise given so much of himself to a role, never had he dared to go as deep as he did in this film, willing to be disliked, willing to risk everything in the performance for the sake of the art.

Directed by Denzel himself, as he did with his previous Antwone Fisher, Washington proves his own style to mimic that of Tolson himself — he is able to elicit just the right performances from his actors while his content is manufactured to win people over much more so than to be a work of true art.

Part concert film, part documentary, part performance art and wholly self - indulgent — Dylan plays «Renaldo» while his wife Sara plays «Clara» — the film is the work of an artist whose ambition, hubris and vanity know no bounds, but as the singer - songwriter in question was already at that point a mythical figure a few years shy of his fortieth birthday, who's to say how much is too much?

Creativity, imagination, thinking skills, using and applying knowledge, art, performance, team work, speaking and listening and much, much more are all on the agenda with this terrific bundle, but all wrapped up in «conventional» English, maths and topic based activities but with the added bonus of being seriously fun and engaging for children in KS2 or KS3.

There is so much more to talk about and unite each school community than the divide of religion, e.g. health and diet, scientific discovery, citizenship, preparation for a school performance or music event, the arts.

While it does give students many opportunities to excel in performing arts, the curriculum is much more focused on industry than on performance.

While the interior design would encompass improved materials along with the latest best practices, the exterior design would incorporate the state - of - the - art GMC design language with the extensive use of aluminum and mixed materials, much akin to the Cadillac CT6 aiding in improved fuel economy and performance of the car.

Performance and handling Under the SL's hood hums a 4.6 - liter V - 8 biturbo engine that's as much a work of art as the chassis.

On the other hand I am aware that both I as a writer, and my writing, are very much at the edge of fiction genre-wise, where the boundaries with performance art blur.

Interpreting Relative Performance lines is as much an art as it is a science.

From the breathtaking views at Lake Sherwood to the original performance work at Trillium Performing Arts Collective, there is so much to experience during your visit.

Guests can spend their days wandering around gorgeous art museums, watching an opera or other performance, shopping on the Gran Via, viewing a soccer match, dining on tapas, drinking with new friends and much, much more.

The game was praised by pretty much everyone who played it, due to its fantastic character design and art style, superb animations and voice acting (particularly Mark Hamill's show - stopping performance as the Joker), and varied and entertaining gameplay.

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

Look forward to 600 + artist studios open to the public, free live music, performance art showcases, panel discussions, outdoor festivals, and so much more!

The Baltimore Museum of Art is a unique venue with a variety of spaces that are ideal for events large and small — milestone celebrations, intimate dinner parties, wedding ceremonies and receptions, rehearsal dinners, bar / bat mitzvahs, corporate receptions, holiday parties, meetings, performances, film screenings, and much more.

But in the paintings, when it is so divorced from the body, it doesn't feel so much like queer performance art.

Tate Modern, eat your heart out — this is real populism, much more so than a few spaces condescendingly devoted to «performance art».

By experimenting with nascent technology and unconventional materials that included their own bodies, they opened the door for much of the video, performance, and digital art we have today.

Through its wealth of documentation, video, photography, and performance - much of it never before seen - this exhibit catalog traces how these diverse art practices were in dialogue with the growing movement of independent art spaces throughout the 1970s and 1980s.

Much of his work is based on his artistic activities during that time, which included performances, installations, and other collective art endeavors.

The much - heralded Pictures Generation, a group of photo - based nonpainters, could trace its pedigree to 1970s Conceptual and performance art, and promised an orderly succession.

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 30?

This much was clear when he mounted his Bliz - aard Ball Sales throughout the 1980s, performances where the artist sold snowballs on street corners with other vendors, daring to question value in art just as that decade's art market was starting to boom.

Much has been made of his evasiveness, of the fact that he has spent his career flouting the art world's propriety: his continual refusal to settle on a dealer; the propensity to make himself unavailable to curators even in the midst of show preparations; to stage exhibitions, performances, and installations with no prior announcement.

This scepticism can extend to the issue - based art that draws on ideas from post-colonialism, feminism, post-structuralism and political history, an assortment of which often inform the content of much of the installation, film and performance work that features in biennials in Asia and the rest of the world.

But the best reward is knowing that your contribution helps advance and support the arts in Howard County through exhibtions, advocacy, art classes, the Howie Awards, live performances and so much more.

As much as «14 Rooms» benefits from the legendarily boundless enthusiasm of its two directors, who claim that the show speaks about the responsibilities of the museum of the future — and as much as I support a strong showing of performance at an event like Art Basel — the project is riddled with problems.

Franco's strategy is so much more thought - out — to basically turn episodes of General Hospital into conceptual art performances.

ROBERTO LONGO — Burden's performance art was so much about pictures.

Instead, the thirty - seven artists draw on crafts, Op Art, and performance as much as Minimalism, and more often than not one can hardly tell these influences apart.

One of the most unique aspects of studying art history at an art school was that I was required to develop my own artistic practice through hours of drawing classes, performance art classes, photography studios, and so on, which allowed me a much more intimate understanding of the artistic process — but it was also important to be surrounded by other ambitious creators.

They marked the birth of an American art form, much like Abstract Expressionist New York in much the same years, and visual artists found a home in performance, too.

A Performa Commission with HAU and SFMOMA, the performance continues SFMOMA's Now Playing live art series, which has transformed the nature of the museum's public programming by embracing the event - driven, performance - based aspect of much contemporary art.

For more in this series, see my thoughts on Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aArt itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aArt for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart fairs appealing to the masses, false opening hours, size matters and what's wrong with video artart.

For more in this series, see my thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aArt itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aArt for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video aart fairs appealing to the masses, false opening hours, size matters and what's wrong with video artart.

Following on from exhibitions of the work of Garth Evans (2013, curated by Richard Deacon) and Uncommon Ground: Land Art in Britain 1966 - 79 (2014), which between them covered the period from 1959 - 1982, where sculptural practice was very much ephemeral, conceptual, or based on performance, this current exhibition looks at the early 80s, a time when sculptural practice in the UK went back into the workshops to experiment with a completely new approach of assembling.

It's Saturday night in Manhattan and you'll dart between artist studio parties, film screenings, workshops, disco DJs and avant - garde art rock, Happenings, secret bars, a John Cage inspired jam session, performance art and much more...

In one way, as Lee describes it, what he does sounds very much like performance art.

If you can convince us that sculpture (I always think, for example, Phyllida Barlow owes as much to painting as she does to object and installation making), video (think Bruce Nauman's Art Make - Up, 1967) or performance (here, Yves Klein's Anthropometries works would be the obvious reference) fit the criteria; the jury will listen.

The 76 - year - old artist has spent his career at odds with the larger trends of German postwar art, devoted to painting while much of the art world's creative energies went into conceptual art, performance and video.

There were much - anticipated performance art projects, an arm - long list of lectures and symposia, and an international museum conclave.