Sentences with phrase «much plot»

Also the film tries to squeeze in too much plot in the remainder of its running time and things seem a bit rushed almost.
There really isn't much plot here to spoil it's about three different generations in love.
The really good thing about this is that it covers the fact that although everybody is running around, there isn't as much plot as the first time around.
It's not so much the plot that really drives the game forward — it's the scenarios, the characters, the little details, and most of all, the humour.
And this one shares way too much plot in common with the recent rash of them (domestic animal gets tossed into the wild and learns important stuff) to get away with it.
But don't expect too much plot getting in the way, as the game takes a retro style approach to storytelling by letting your combos take the place of exposition.
I can't go into specifics as this movie is pretty much a plot twist, but in essence this is two different stories.
So I'm very much plotting my books like a thriller when I'm writing the dark ones, and even not the dark ones.
Most of the film lives up to its title, a very silly idea for a movie without much plot except to get the two idiots into comic situations.
I can't go into too much detail on the story, because we try not to give away too much plot before the game is released.
Too much plot mixed with too little dialogue adds up to little more than a pretty looking 90 minutes of nonsense.
There's not much plot beyond that, and what little the movie tries to add doesn't make it richer.
Since there's too much plot convenience and stupidity, but at the very least it wasn't boring or too pointless.
There's not much plot detail in the demo to judge, but the banter between characters is entertaining, if not a tad cheesy.
That's about as much plot as you need for one of these things really.
This is very much a plot - driven game and for the most part the actions asked of you don't amount to much more than carrying out basic tasks to advance the story.
Not much plot was revealed, and the teaser focuses on the tension around the force apparently waking up.
Going in, I feared it would be too many characters and too much plot.
It still felt muddled at times, though, like there was too much plot development going on for future books; the viewpoint switches from Wren seemed unnecessary, too.
Elaborate as this sounds, there really isn't much plot here, only a parade of arbitrary visual tricks to hold the film together.
Too much plot crammed into too little movie, and a wholly farfetched plot at that, leads to concocting some serious contrivances and heavily manipulated situations in order to work.
Unfortunately I'm not very comfortable baking with yeast, so after much plotting and planning I decided to use the essence of the poppy filling / spread and merge it with one of my old favourites, the cinnamon bun.
Pretty much every plot twist and development that occurs in the original film is here in the new one, and only a few changes (there is now a child in a wheelchair) to the kids makeup.
The script lifts so much plot from Disney's animated Frozen that it could qualify as a remake.
The result is lots of noise and the pretense of progress, but not much plot advancement or character development.
It's always nice to see Timothy Dalton (and Josh Hartnett and Eva Green), but there was too much plot for one pilot, and the many disparate threads did not add up to a cohesive or coherent whole.
In the 70s, the «day in the life of...» occupation movies were more the norm as far as comedies went, with an ensemble cast of colorful characters, and not much plot other than to watch them all interact and laugh at the results.
But I don't think I missed much plot, this film a just about a bunch of dumb Guidos running around after sharks.
Setting aside things like Harry Potter, The Hunger Games, or the Nicholas Sparks canon as trying merely to reiterate as much plot event as possible in a moving image form, is the job of the adapter to be faithful to the original text?
As you might imagine, there isn't much plot one can follow in Epic Movie, as it is mostly just a reason to poke fun at well - known films with rabid fan bases for easy mass consumption.
One shouldn't apply too much plot logic to any time travel stories — all those time travel paradoxes will really fry your brain as a character says in the trailer for the upcoming Looper — but Frequency really throws out all logic out the window for its action finale, which just makes no damned sense whatsoever!
Ballet 422 is narrative without the heavy structural imposition of much plot, and the small, captivating tensions that are framed by the film seem to parallel current innovations in contemporary ballet.
That's about as much plot as there is in director Henry Hobson's film.
But even though I found the last half of the film a bit draggy - too much plot getting in the way of the fun - there were enough funny bits of dialog coming out of Brand's mouth and enough of Helen Mirren being... Helen Mirren, to give this a marginal passing grade - you could do far worse if you're looking for a bit of light humor.
There is too much plot development with actors that are window dressing, for example Sofia Vergara of «Modern Family» runs the risk of overexposing (metaphorically) that comic Latina character she's developed.
«Glib, trendy and not so much plotted as delivered in comedy - club one - liners, with an over-the-top final twist.»
But even without much plot, it's a fascinating exploration of identity.Twins Antoine and Quentin (Alexandre and Victor Carril)...
The article carries an interview with Rockstar Games» Dan Houser, who says this of GTA «s new anti-hero; «Johnny is a very different character than Niko, with a very different background... I can't go into too much detail on the story, because we try not to give away too much plot before the game is released.
Not much plot here, but enough to precipitate some of the best song and dance numbers on film.
Annihilation is very much a plot - driven film, rather than a character - driven film, which means that while I maintained interest throughout, because yes, I wanted to know what the deal with The Shimmer was, I wasn't particularly invested in any of these people.
Perhaps it was in order to squeeze one more screening into the day (this is not unheard of — it was widely known when Sylvester Stallone's Cobra was released in 1986, he kept cutting its running time down until he could add another performance) or maybe it was just their concern that there was too much plot going on in an action film.
The killer's portrayal as some sort of ghostly figure that only shows up on tape as a glitch creates a neat stylistic effect, but «Tuesday» crams too much plot in its short runtime.
The main mission took me around 90 minutes to clear, and while the bits and pieces of story you get are stunning to behold, there's not much plot development to speak of within that brief time.
There is, as Joe Bob Briggs would put it, too much plot getting in the way of the story here, and Rampage bogs down somewhat in its midsection, sidelining its ever - enlarging beasts in favor of melodramatics amongst the standard - issue supporting players dealing with them.
There's not much plot — the kids misbehave and are sent to bed early, but before they crawl into bed, they create more havoc — and an overflowing bathtub that Ollie doesn't discover until it has flooded the whole bathroom.
great game n fun to play but too short i recommend it for fun but do nt expect too much the plot is avg i lyk the combat system its nice
And while it may sound like we're giving too much plot away, don't worry, because it's nothing you wouldn't have figured out within the first half hour of the film.
great game n fun to play but too short i recommend it for fun but do nt expect too much the plot is avg i lyk the combat system its nice bosses are quite creative
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