Sentences with phrase «much publishing experience»

Not exact matches

A 2008 study published in the Journal Psychotherapy and Psychosomatics concluded that inactive individuals who normally complained of fatigue experienced increases in energy of up to 20 percent and decreased fatigue as much as 65 percent by participating in regular, low - intensity physical activity.

In our experience, investors in Canada place far too much reliance on published numbers.

To begin to build that trust, we strive to be the most open fund — we published our full operating manual to Github, people who come in to meet with us have called us «shockingly transparent,» and we still feel the pain ourselves from our own experiences of how much investors» lack of clarity cost founders in time and headache.

The International Monetary Fund (IMF) has published very robust research involving more than 140 countries around the world which demonstrates that countries with extreme levels of inequality (1) tend to experience much slower rates of economic growth; and (2) are far more susceptible to the kind of severe financial / banking / credit crisis that America just went through five years ago.

It is hard to tell how much of the present skepticism about the worth of our human civilization has come as a result of revealing experience and how much has come as a result of published thought on the subject.

(Wylie is also the subject of an extensive profile published by the Guardian on Saturday, which contains much more detail about his experiences with Cambridge Analytica.)

The much longer second piece is an interview of director Lester conducted in 1970 and published in 1977, speaking at length and in detail about his creative processes and experiences on the film in addition to touching on his other movies.

Those of us without the time or inclination to relive high school can choose from a small range of books published over the past several years by noneducators (usually journalists) who, provoked by events at Columbine, piqued by their own children's high - school experience, or simply in need of a job, took a semester or a year off to revisit the scene of so much youthful Sturm und Drang.

Mentoring programs — of the kind Publishing Perspectives reported on for this year's conference of the American Literary Translators Association — are common in the business and Hahn talks of how much of a translator's time today is spent not translating but bolstering the profession with contributions of experience and talent.

I wanted to let you know just how much I enjoyed my publishing experience...

< And in our preparatory column to last week's Issues on the Ether column for our #EtherIssue live discussion, Bringing Tools of the Trade to Self - Publishing, we askwed our readers to talk with us about what tools entrepreneurial authors need most; to what degree those tools can be as much of a burden as a help if they slow down writers with steep learning curves; how well the commercial world seems to be responding so far to the needs of entrepreneurial authors; and what kind of results they're seeing from their own experiences and experiments with new tools.

Their converter is more friendly than the Meatgrinder over at Smashwords, they have some extras that make your publishing experience a little more pleasant, and you get reports back much closer to real time.

This week, the publishing industry came together at Digital Book World 2014 — described as a reflection of the current state of the publishing industry and the changes it has experienced — to tackle discussions such as «change management, technology and start - ups, data - driven decision making, cutting - edge tools for ebook production, and much more.»

Jeff & Shirley Lawrence published their book, Hollywood Be Thy Name in 2006 with Outskirts Press, and, like most of our authors, enjoyed the experience so much they gave us a glowing review:

So what's it like having a book commercially published after so much self - publishing experience?

Thanks so much for sharing your self publishing experience and knowledge with us!

Even so, his experience is more of an exception than the rule, and good for him — it's one the reasons I like self - publishing so much.

Thanks so much for sharing your experience in cookbook publishing!

With all the knowledge you have gained, Becca - much of it the hard way by experience - about self publishing, you ought to write a book about self - publishing a book.

I intend to self - publish down the road, but this experience is teaching me sooooo much about the publishing side of our industry, that I wouldn't miss it for quids.

Here's what she said in a post from 2005: «The publishing industry has changed so much in the past 10 - 20 years that the advice of someone who broke in more than a decade ago may no longer be accurate, if that person is basing the advice on his / her own experience.»

A year in the making and based on seven years of experience in digital publishing needs, Aquafadas» goal with Cloud Authoring was to simplify the process as much as possible without sacrificing any of the end products» features.

But in this instance (and I have not read the four other titles published so far in the Hogarth Shakespeare series), the retelling, though enjoyable, doesn't add much to a modern reader's experience of The Tempest.

As a traditionally published writer, my experience has shown me that unless you are a «box - office» draw, publishers don't do much for you in term...»

We writers have little or no way to reach them, (unless we publish directly with them) and in my experience, communicating via smashwords leaves much to be desired.

While some of this staff may have publishing experience, I doubt they spent much time in New York.

Through our free manuscript review process we will steer you in the right direction, help you save money, make better decisions, market your book successfully, and also make the self publishing process a much better experience than you will get from the many different self publishers out there.

Also, publishers without much practical experience tend to have a more difficult time negotiating contracts and complying with contract obligations — not from malice, but because they simply don't understand what's involved in running a traditional publishing house.

You'll be working directly with the creator, and this person will be emotionally invested in the project and possibly not have much experience of navigating the publishing world as a professional business owner (a hat self - publishers must decide to wear if they want to be successful).

And one of my favorite authors came out of FutureBook 2015 saying that the whole day was focused on tech: she'd had no idea that the trade was doing so much, let alone talking so much, she said, about new innovations — from Judith Curr's Crave app and self - publishing authors at that bastion of Big Five - ism Simon & Schuster to the «page - breaking» user - experience concepts of Peter Meyers and Georgina Moore's excellent discussion on what happens when corporate marketing people take to the choppy waters of social media....

This is a journey of self as much as a practical guide to learn how to create your children's book from a mentor with over 20 years of experience creating award - winning multicultural children's books in traditional publishing as well as alternative routes.

I hope sales of «The Agility of Clouds» brings you much success, and that you'll share your self - publishing experiences with everyone who needs to learn about this publishing frontier.

dali48 — I've not had much experience in ebooks4, but I'd take my time (alot of time — weeks nto days) looking into the market before making a commitment, I'd also check a good editor before publishing an ebook, anywhere, but it seems like a good idea, but get an editor beofre you do anything and write up a marketing plan for who this is going to be sold to.

When I replied that I've worked with four editors at six publishers — both Big Six houses and smaller independents — over the course of eight novels, and have never had my work mutilated or adulterated, much less transformed into a cookie, she told me that I was «very lucky,» for she knew of many traditionally published writers who'd had the opposite experience.

This is done by editors who are also experienced published authors and costs.0078 per word (about $ 1.90 - $ 2.50 per page, depending how much text you have on each page).

For much of publishing history, professional gatekeepers reserved that experience for authors deemed erudite, entertaining or wealthy enough to warrant a print run.

If I were a self published author I would definitely try to stay in the lower price range because I imagine that there are lot of readers like myself that are willing to take a risk on an unfamiliar book / writer as long I don't experience much financial risk

After publishing several books, each indie author has gained much experience with all aspects of publishing, often becoming not just a jack - of - all - trades, but also excelling in many areas.

My traditional publishing experience was actually a pretty good one, but working with Lulu has been much better.

There is always this bias and prejudice towards self publishing, yet self publishing offers by its very nature a much more rewarding experience in the end.

Having spent the last two years writing and publishing my first book, the experience you kindly share shows me how much ground I have to cover going forward.

Indie publishing is a much, much more intimate experience.

It's always been our strongest point to be personal, HONEST, and helpful to our customers.That's one of the reasons we find so much satisfaction and fulfillment in self - publishing, because every word we write about in each of our books comes from our OWN personal experience!

Digital publishing allows us to do so much more and yet still preserve the essential reading experience and storytelling techniques of a comic book.

This is one of the times when I love the transparency of self - published authors — they're not bound by contracts and can choose to disclose however much information they wish about their experience, hopefully providing more and more authors with a springboard for their own decisions.

What I've found is when speaking to people with as much experience as you have, the rules have changed from when you first began to play the publishing game.

With regard to his self - publishing experience with AuthorHouse, he was extremely surprised at the efficiency and simplicity of the whole process, so much so that he has already begun the sequel to Celtic Thugs, which concentrates on the next generation of Griffins.

Jeff & Shirley Lawrence published their book, Hollywood Be Thy Name in 2006 with Outskirts Press, and, like most of our authors, enjoyed the experience so much they gave us a glowing... Continue reading 5 Years of Author Testimonials

Much of our own knowledge about the self - publishing market comes from our experience working with him.

And while I've never been privy to much information regarding marketing a book as an ad agency or a publishing house might, I do have some experience selling ebooks.