Sentences with phrase «much recent painting»

Not exact matches

AUTOMOBILE was invited from the U.S. for the intimate gathering in London's Hospital Club, where a new production Bentayga SUV and its much - talked about 2015 Geneva auto show concept — the EXP 10 Speed 6 coupe — were displayed in a well - lit gallery along with paintings and renderings of recent work and physical presentations of materials and techniques used in the production of the company's projects.

Things have changed so much that comparing those early games to recent releases is like comparing ancient cave paintings with the Mona Lisa.

Consider the most visible trend in recent years of Zombie Formalism, a kind of reductive, easily produced abstract painting, sold quickly to collectors queued up on waiting lists and hungry for innocuous, decorative works in a signature style, so much so that the name of the artist himself becomes the brand.

In the recent «Chipotle» paintings, liquid plastic is applied by hand, in a manner much similar to cake decorating.

The artists chosen by von Heyl span a period from a 1928 drawing by Isobel Steele MacKinnon, a Chicago painter who studied in Munich with Hans Hofmann, to a 1968 frottage by Dominick Di Meo, a recent assemblage by Wuppertal - based musician / artist Peter Brötzmann, film posters by Josiah McElheny, a new painting by Molly Zuckerman - Hartung, and much more.

In her recent show with the Beijing satellite gallery of New York's Chambers Fine Art, she has concentrated on what she calls landscape paintings, which don't present landscapes so much as a kind of floating abstract world reminiscent of the work of the Chilean modernist, Roberto Matta, in their atmospheric effect.

However, discussing Dalwood's more recent work illuminated his practice as a whole, helping me to figure «Burroughs in Tangier» into a much broader understanding of the artist's paintings.

The notion of the formal meaning of a work, seen and understood in the light of other works of the recent past, is fundamental to understanding much of this century's finest painting.

These recent works with their multiple perspectives and deceptively simple rendering of landscape and figure look much connected to the tradition of Korean ink painting from which they do indeed come.

Having only recently returned to work following a debilitating stroke, her ensemble of recent and older paintings and sculptures was as much a statement of intent as a fully achieved exhibition.

Thus when the viewer sees the red date and signature of one of Mr. Kim's recent paintings the first association may be with the chop signature of a traditional Korean ink drawing, but it may just as easily be considered as a formal addition to the painting much in the way that Robert Ryman has continued in his work of 1996 to incorporate the date into his own seemingly minimalist, abstract paintings.

Now, viewers have a chance to see the latest evolution in Il Lee's painting which gives much insight into his recent and long term concerns.

For a recent interview with Hoptman we delved deep into the nitty - gritty of contemporary painting, including especially the recent trend towards a-historical borrowing that characterizes the works of both her much - talked - about 2014 MoMA exhibition «The Forever Now» as well as the widely denounced pseudo-movement referred to as «Zombie Formalism.»

So the posture is also human, reflected in the desire for solitude — whether as a reader, artist in the studio, time traveller or internet browser, and and there is much recognition, and warmth in that aspect of Ken Weathersby's recent paintings.

In many of your paintings the foreground and background together create an all - over atmospheric field, while in your recent paintings, large star shapes become significant points of focus constructing much more of a figure / ground relationship.

This volume, published concurrently with an exhibition at New York's Galerie Lelong, features 22 recent paintings, including works from Scully's much - admired Wall of Light and Robe series, plus recent watercolors and drawings.

Recent group exhibitions include «Magic Mountain,» Museum of Contemporary Art Santa Barbara, CA; «Spectra,» San Diego State University Downtown Gallery, San Diego, CA; «Lost line,» Los Angeles County Museum of Art, Los Angeles, CA; «ABCyz,» Launch Exhibition, Silvershed, New York, NY; «The Trans - Aestheticization of Daily Life,» University of California, Riverside Sweeney Gallery, Riverside, CA; «Too much love,» Angles Gallery, Curated by Amy Adler, Los Angeles, CA; «Around About Abstraction,» Weatherspoon Art Museum, Greensboro, NC; «Wall Painting,» University of Texas at San Antonio, San Antonio, TX; «Snap Shot,» UCLA Hammer Museum, Los Angeles, CA (Traveled to Museum of Contemporary Art, North Miami, FL); «Fresh,» Altoids Curiously Strong Collection, New Museum, NY; «KOREAMERICAKOREA,» Sonje Museum of Contemporary Art, Seoul, Korea; «Rundgang,» Kunstakademie Düsseldorf, Düsseldorf, Germany.

If Tanaami was employing distortions redolent of hallucinations in that period, the recent painting on display is a much more psychedelic experience

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

The surprising thing is that Richter's recent paintings and drawings turn out to be much more linear and owe less to the plane and the stain than his earlier work.

It seems safe to say that few such evocations are achieved with paint, a rarity that made Jacob Feige's recent show at Lombard - Freid, «After Dense Fog,» that much more affecting.

Instead of the vibrant palette featured in his last exhibition, Reveles» recent paintings display a much more subdued range of color, as grey and light blue linear masses hover over dark fields of black.

Her more recent work, from 2007, called I Was In Baghdad Ochre Fade, is based on the transcriptions of documents from the Iraq War while her Redaction Paintings series from 2008 features declassified memos and much of the text is blacked out and censored.

Mitchell's Salut Tom, painted in 1979, is the most recent painting in the exhibition, and shows just how much the abstract expressionist spirit had both endured and transformed.

«Much of Rachelle Krieger's recent series was painted and completed en plein air at Sands Point Preserve near her home in Port Washington, NY.

The more recent drawings I've done feel to me more like paintings and have as much weight as the sculptures I make.

Correa remarks: «Though much of my recent work has utilized print making techniques, I don't have any training or expertise in printmaking; what I like about it is it's physicality (I print by hand) and I like to think that my naivete allows for some diy ingenuity, or wrongness in printmaking can make rightness in painting... I've got a group of paintings made by painting on wine bottles and then wrapping and wringing canvas over them, and another group is made by painting through a blank silk screen, the screen clogs as I go, making it's own marks until its no longer useful.

Girolata (named after a creek in Corsica, but after the picture was painted), one of the most beautiful of Joan Mitchell's recent paintings, is a large triptych which does look very much like a fairly literal impression of the face of a cliff pocked with crevices and littered here and there with vines and messy vegetation.

A selection of nine black ink paintings show a different side to the artist's practise from the colour - laden pieces which have been most highly publicized, and for an artist who has had so much attention in recent years, this feels like a still - novel selection.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

My recent paintings go much further in approaching this point of view.

Borrowing from Caravaggio's Bacchus and minotaurs from Picasso, Lukacs» paintings are imbued with highly sexual imagery which has been the focus of much recent controversy surrounding his work.

Chabet's recent installation, 10,000 Paintings I Must Paint Before I Die (2009), shown in April at Mag: net Gallery — an artist - run space in Quezon City — was very much a reflection on the history of Modernism, but with a conceptual edge unique to the artist.

On the heels of her powerful solo exhibition, The W Axis (covered), as well as a blowout result at a recent charity auction where one of her much sought after Fold paintings reportedly sold for nearly 10x the estimate, the scalding hot contemporary artist has condensed her methodical -LSB-...]

Born and raised south of San Francisco, Norling hails from a recent generation of artists raised on the fun and gun ethos of graffiti and the mark - making of urban street culture; from stickers to wheat - pasted posters, it is from this street aesthetic; one that is in dialogue with Norling's teacher Raymond Saunders, as well as younger artists such as Barry McGee and the late Margaret Kilgallen, that Norling's paintings, sculptures and installations derive much of their impact.

Two of the great surprises of the day came in the form of Edward Ruscha's bold Golden Words, 1985, which realized $ 334,600 against a $ 70,000 + pre-auction estimate — one of the highest recent prices paid for a work on paper by the artist — while the bidding on Jack Goldstein's acrylic on canvas Untitled, 1983 exploded much the same as the subject matter of the painting itself, finishing at almost seven times the pre-auction estimate of $ 30,000 + to realize $ 203,150, and establishing a new world record at auction for the painter.

Featuring iconic works such as Monet's fabulous Water Lilies and Turner's much loved romantic landscapes, the exhibition will also showcase Cy Twombly's recent paintings of blooms, shown in the UK for the first time.

Much like the recent exhibition «Matisse: In Search of True Painting» at the Metropolitan Museum of Art in New York City, half the fun is in following the thread of the artist's hand.

(This is similar to the ways in which the market for Picasso in recent years has placed so much more value in the decoratively beautiful portraits of the 1930s over the revolutionary analytic Cubist paintings made between 1910 and 1912.)

Much of Olowska's recent painting has paid homage to women artists, often overlooked, whose works have influenced or inspired her.

His recent paintings too - weird pixilated abstracted canvases - are very typical of what painting is doing these days in that it is not so much about anything other than the language - it does not even matter how it is arranged, it is almost symbolic.

The abstract expressionists were fond of titles that didn't help viewers out much — the recent «Abstract Expressionist New York» exhibition at the Museum of Modern Art included Ad Reinhardt's 1963 «Abstract Painting,» for instance, or Richard Pousette - Dart's 1943 «Fugue Number 2» or Barnett Newman's 1946 «Untitled» or Mark Rothko's 1945 - 6 «Untitled» or Clyfford Still's 1944 «1944 - N No. 2.»

Rinklin is represented by Steven Zevitas Gallery in Boston, where her recent solo exhibition, Paracosmos was received with much critical acclaim, including an award for Best Painting Exhibition through the New England Art Awards.

IN RECENT YEARS MUCH ATTENTION HAS BEEN GIVEN to color in painting.

Much of his work, although ostensibly about painting, uses none of its accepted components — his most recent show in New York, at Greene Naftali Gallery, centered on sliced - up windsurfing boards — and when he does engage brush and canvas, the results can seem laughably thin.

The most recent works in the show such as kandampat (2002), an unpainted wall sculpture that functions much like a drawing in space, and K. 81 combo (K. 37 and K. 43) large size (2009), a painted sculpture that is attached on one or two points to the wall, continue to intrigue with their protean energy, inventive forms, and open - form aesthetics.

Opie's work draws as much from Renaissance painting as from the traditions of street photography, and her most recent body of work most directly engages with old master portraiture.

At the same time that some critics are preaching the funeral of the movement, Tworkov's recent work clearly demonstrates that, as an approach to painting, abstract expressionism is still very much alive.

Recent updates include new flooring throughout the living room, dining area and kitchen, new carpet on the bedroom level, fresh paint, and much more!