Sentences with phrase «much screen into»

Samsung has also moved to on - screen buttons and reduced bezel size dramatically in order to fit as much screen into the body as possible.

Not exact matches

«If you're paying attention to what's on the TV screens, you're not paying attention to what's going into your mouth and you end up eating as much as a third more.»

He transforms Iron Man into a superhero worthy of the big screen like no other: a wise - cracking egomaniac who cares as much about saving the world as he does about letting everybody know that he's actually Tony Stark.

The first, and most obvious, challenge is translating the content you have designed for a desktop experience into the much smaller screen size and typically slower performance of a mobile device.

When we're staring at our screens all day, we can forget how much we're putting into our mouths.

The brain is very sensitive to light, and too much of it just before bed — from computer screens, televisions or bright reading lights — can trick the brain into thinking it's daytime.

After all, there is no guarantee of anything no matter how much due diligence we pour into our screening process.

On the xcurrent screen, it shows you how much more you would save implementing xrapid (xrp) into the transaction, no partner is going to pass up clicking one button to save 60 %.

A tacit assumption is that PowerPoint computer presentations are merely a means to an end, a value - neutral tool used for innocent, perhaps even noble purposes: enlarging text for the hard of seeing; reducing the demand for and thus the production of printed materials; and bringing younger people, who spend much of their lives in front of screens — TV, computer, cell phone, PDA — into worship.

And a standard juicer is not much more useful, as the fast - spinning screen cuts the fruit into tiny bits and aerates these particles, leaving lots of foam, and juice with less flavor.

+ How Covington acquits himself defensively against an ultra-elite wing threat (and if he can maintain his hot shooting while expending so much energy on the other end) + Our team defense (especially on the perimeter) + Jah making himself a net - positive vs. Zaza + Our mental toughness response to a patented Golden State Run ™ + TJ's offensive QBing vs. GS's team defense + Dario's composure against a professional irritant + Justin Anderson and his steel pipes finishing with a 1 0 - 0 0 - 0 0 0 0 0 0 1 1 0 line (that would be one foul and one corresponding turnover when he subs in and immediately knocks Draymond into the second row with a happily illegal screen and gets subsequently ejected.

Young Moroccan scribe Abdellah Taia moves into the director's seat with the screen version of his autobiographical novel» Salvation Army,» losing much of the texture in translation from pen to camera.

Entergy countered by proposing a much cheaper wedge wire screen system that prevents fish from getting sucked into the water intake system used to cool the nuclear reactors.

This allowed him to screen the compounds in his lab at the university using much lower BLS - 2 safety standards, to see if they inhibited viral entry into the cell.

Nanobiotechnologist Babak Parviz and his team at the University of Washington are developing a much cooler approach: display screens built into contact lenses.

The first direct comparison of in vitro and in vivo screening techniques for identifying nanoparticles that may be used to transport therapeutic molecules into cells shows that testing in lab dishes isn't much help in predicting...

THURSDAY, May 3, 2018 (HealthDay News)-- Much of the debate over when to start having mammograms has focused on lives saved, but new research suggests that early screening might also translate into smaller tumors and less aggressive breast cancer treatments.

Dr. Carr outlines how the anxiety spectrum works, how you can determine where you currently sit on it, and also explains why our brains are not wired to spend so much time peering into screens.

My first movie in the cinema was «Aladin» and it was so exciting to wat h it on the big screen, I love the animations, the old drawings and how much effort was put into a single movie.

Basic stats and a selfie don't give you much insight into who's waiting on the other side of the screen.

Worse still, and the primary problem with The Kennedys, is that the programme - makers have tried to cram far too much into too small an amount of screen time.

Neither Kemper nor McLendon - Covey get much screen time, but they manage to turn the time they do have into some of the film's most memorable moments.

As much as I'd like to blame the trailers for misleading viewers, this is not an easy film to market, and as such, most ticket buyers walked into their screening ready for a simple, familiar formula: Seth Rogen + raunchy R - rated comedy.

Lily James («Downton Abbey») gives a star - making performance opposite the excellent Cate Blanchett, who really sinks her teeth into the role of the evil Stepmother (Blanchett receives top - billing but doesn't have as much screen time as you might expect).

In addition to the usual amount of detail I like to put into my work, I also tried out some new halftone patterns for the gradients and textures which I hope will make the final product that much more enjoyable to see in person opposed to just viewing a jpeg on screen.»

Director Tim Miller goes onto explain that this latest 3 minute teaser is meant to ease fans into a world that is much different, perhaps even «shockingly» so, from any Marvel superhero previously brought to the big screen.

Relying on assumptions and prejudices brought into the film by the audience as much as anything shown on screen, The Loneliest Planet is something of a distant cousin to Roman Polanski's 1962 drama Knife in the Water, where a relationship is threatened and the presence of a mysterious other man is used to unsettle.

Elizabeth Olsen's Wanda / Scarlet Witch exhibits a similar connection between personality and superpowers: Although much (too much) of her screen time consists of hovering over her wounded lover, Vision, while her raccoon eyes squeeze out tears, when she strides into the fray, waving her arms and emitting cracking scarlet beams, she suggests mythic power.

The film's centerpiece, in which the two come together over a lip - sync rendition of Jefferson Starship's «Nothing's Gon na Stop Us Now», is as crowd - pleasing a moment as any you'll see on screen this year and a testament to the fact that no matter how much Maggie and Milo can dig their claws into one another they will always have a bond that no one can manage to break or fully understand.

Imagine getting a downhill grind on a nice long straightaway, watching the city soar from the horizon into your periphery as pedestrians scramble out of the way But beyond that, it would control great on a Circle Pad, and you could even use the touch - screen for a much more precise take on those notoriously tough graffiti challenges.

Personally, I wish the filmmaker hadn't put so much effort into trying to make Gordon - Levitt look like his older counterpart — particularly when Willis has about half the screen time of Gordon - Levitt.

Good review dude, I'm growing more and more concerned about the way the characters fare in this film (and not in terms of life vs death, I read Krakeur's «Into Thin Air» awhile ago so I have a good idea of who makes it and who doesn't) and how much screen time Krakeur himself will have.

His origin really doesn't need to take - up much screen time and we really don't know how Snyder is going to be introducing these secondary characters into the story.

McFarlane is of the clown - car brand of comedy, stuffing and cramming as much pop culture knowledge, immature guffaws, and crass politics into each minute of screen time available to him.

Featuring all sorts of titles ranging from the greatest hits of Sundance, highly - anticipated studio films, art - house darlings, foreign imports, special screenings of classic films, and much more, it's slowly turning into a juggernaut that can rival the likes of Tribeca and SXSW.

Adam Wingard's love of a good gory murder comes into play a lot, yet he uses each of his indulgences with precision, proving himself to be more than a director with a burning desire in the back of his mind to go shove as much blood and guts onto his screen as possible.

All in all, it tapped into the potential for Strange on the big - screen that has so much more to offer.

A new Fifth Element, it is decidedly not (no matter how much they tried to make Ethan Hawke into Jean - Baptiste Emanuel Zorg in 5 mins of screen time, he ain't no Gary Oldman).

There's a weird kind of comic alchemy happening on screen as we follow The Wolfpack — Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) and Doug (Justin Bartha)-- to Thailand, where Stu is marrying into a wealthy Thai family, much to the displeasure of its fearsome patriarch.

Screen Rant got a chance to talk with both Zazie and Julian on press day, where we discussed how hard it was to keep their roles a secret from their friends and family, how much research went into their respective roles, and what it was like being mutants.

Roberts is apparently supposed to be the star, though Potter and Kind get as much screen time; and despite being the one character who should stand out, Minkey the monkey doesn't do much or even really factor into the story beyond cutesy (yet annoying) monkey - make - noise, monkey - punch - face gags.

Perhaps it was in order to squeeze one more screening into the day (this is not unheard of — it was widely known when Sylvester Stallone's Cobra was released in 1986, he kept cutting its running time down until he could add another performance) or maybe it was just their concern that there was too much plot going on in an action film.

Once you realize, and it's quite early on when you will, that Snyder isn't going to do much more with these characters except give you more porn fetish outfits for them to try on and move them into a variety of increasingly over-populated action - war scenarios, you will find yourself doing what Baby Doll does in the film, zoning completely out and into the comfort of your own daydreams as the bullets fly and explosions erupt on the screen.

Which is about all that we ever get from him as much of his screen time is given over to young Harry Osborne so that he can convincingly morph into the dreaded Green Goblin (thanks to a fatal genetic illness we learn about literally the first second he is introduced to us) and proving the modern adage that more than one super villain is too much for one of the films to juggle.

«Into the Woods,» Dec. 25 This much - anticipated, star - studded film takes the fantastical musical from the legendary Stephen Sondheim and brings it to the big screen.

Thankfully, not much screen time is given over to this sub-plot, and the film focuses mostly where it should — on the burgeoning relationships between Paco and Ernesto, and Ernesto and Paco's mum, not to mention the well - played balancing act of having the village play for comic relief without descending into any real clichés.

This includes interviews with pretty much all the cast and gives some amazing insight into the short seven - day production and road to the screen.

Rufus Norris adapts Alecky Blythe's and Adam Cork's stage musical, London Road, for the big screen, and the result is a jolt of much - needed electricity into a dreadfully deflated genre.

The didacticism may still be in full force for Code Unknown, but Haneke has reworked much of it into a form that never turns off the audience, only interesting them with the scenarios he has brought to the screen.

Don't get me wrong, action sequences here are amazingly choreographed and I can't imagine how intricate the process of getting some of the stuff they did on screen — all the way from storyboarding to post-production — but it's clear that Jackson's put too much time into these action beats and not nearly enough into the hobbit, dwarves, wizards, and elves in them.