Sentences with phrase «much smaller galleries»

There, in the much smaller galleries, curators managed the near impossible and gave these magnificent sculptures what they need the most — a lot of breathing space.

Not exact matches

Much of this book takes places in art galleries and centers around a boy Theo who loses his family at a young age and desperately clings to a small painting that reminds -LSB-...]

Nowadays you will find clothing chain stores like Rivers, Target Country, and Lorna Jane mixed in amongst the small boutiques and there are art galleries, jewellery stores, souvenir shops, gift shops, children's clothing and gifts shops and so much more to satisfy those men and women that just love to shop.

I remember how much it meant to me when David Smith came to my first show at a small downtown gallery in 1960 and told me he loved my work.

I saw a huge painting in an art gallery around here that was going for $ 29,000 and I immediately wondered if that artist was ever going to see a profit for that painting because most people don't have the room for that size painting and unless one is very wealthy they're not going to pay that much money for a painting even though very beautiful, tucked away in some small art gallery at a seaside resort!

This is quite remarkable coming from those very top - tier galleries — perhaps they understand how much value there is in being surrounded by smaller and more dynamic colleagues, and how much their own success is squeezing out those very galleries.

At Volta, the small art fair affiliated with the much larger annual Armory Show, galleries presented a curated exhibition featuring a single artist.

Hot on the heels of the Princess Zeid show at Tate Modern, which runs until October 8th, is a much smaller and shorter - lived exhibition at the Saatchi Gallery, by an artist also Middle Eastern, royal, and female, which runs only until August 18th.

The patterns which emerge through tearing, pasting and scraping are as much reminiscent of works by Kurt Schwitters or Robert Rauschenberg as they are evocative of Francis Rose's predilection for minor vandalism when surreptitiously removing small samples of particularly attractive wallpapers from French chateaux and English country houses to fashion his very own take on the livre d'or in the 1930s: a scrapbook of wallpaper fragments (acquired by the Whitworth Art Gallery after Rose's 1988 retrospective exhibition at England & Co).

In early 1982, Nosei arranged for Basquiat and Mallouk to move from their small flat to the much fancier 151 Crosby Street in Soho, and she hosted his first ever solo show at her gallery: a huge success.

The hoses, articulating the formal lines of a drawing in space as much as a three - dimensional sculpture, create a multitude of niches and smaller locales within the gallery.»

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 30?

... But I also specialize in gallery publications which are much smaller and more focused and way less expensive.

Meanwhile, a much smaller show of the artist's early drawings — a mere hundred of them — can be seen at the New York gallery of Michael Werner, Polke's longtime dealer.

Whether looking over her shoulder to the more intimate Tefaf Spring, or forward to the much smaller first edition of Frieze Los Angeles 2019, her idea was to create interacting isles of visual stimulus informed by a cluster of new material (Frame), younger galleries (Focus) and underappreciated artists (Spotlight), so as to energize and broaden the experience of art.

Although the fair is much smaller than its West side counterpart the show is an important and valuable source for top - tier art by blue chip galleries.

In another gallery room, though, there is a second set of self - portraits, painted in ink and watercolours, smaller, less explosively invigorating, much darker, in which the skull takes over.

The sheer size of the 40 foot work leaning — or crashing as the artist suggests — into the side of the Bass gives it a much deeper, and bigger, meaning than smaller versions she has shown in galleries.

The exhibition uptown at Michael Werner Gallery was much smaller, its mood more subdued though just as moving.

Within the larger scope of Gates» output, this building, alongside the others he has restored, is an integral part of his work: the buildings themselves can be, and are often, categorized as falling within his oeuvre as much as the smaller pieces he will sell in gallery exhibitions or art fairs to fund architectural projects such as the Bank.

Smaller exhibitions, at the Gladstone Gallery, in recent years, have hinted as much, but here was a floor - filling accumulation of marvels by a woman who spun the humdrum — paraffin, cardboard, aluminum — into the sublime.

Smaller galleries like Marc Foxx, the Modern Institute, and Murray Guy seem to fare much better than larger ones.

Much of this has been done on canvasses large and small, bringing the movement and style of train writing, condensed to its essential ingredients of line and colour, into the space of the gallery.

The selection this year was strong, with a number of smaller galleries commanding much of the attention for more unique and creative booth installations.

Unlike the smaller objects that made up the much larger installation in last year's «House of Prince» (exhibited at the Douglas Hyde Gallery (http://douglashydegallery.com/) in Dublin and Contemporary Fine Arts in Berlin), the Dane has returned to large - scale canvas and primarily attacking it with paint.

A small Henry Moore bronze sculpture of a reclining woman with a child sold for as much as $ 500,000 at Richard Green gallery in London.

Originally conceived in 1995 by curators Hans Ulrich Obrist and artist Christian Boltanski for London's Serpentine Gallery (but on a much smaller scale), the exhibition «Take Me (I «m Yours)» touches on themes of ownership and consumer culture and encourages viewers to engage with artworks by giving them away.

In this environment, how would any business — much less the small niche of contemporary art galleries — survive?

Sophie von Hellermann's fifth solo exhibition with the gallery After a Fashion — A Play with Fire comprises a new series of paintings, both large wall mounted works and a sculptural installation of much smaller paintings.

At Tate Britain his pictures cover the walls of the gallery - from small intimate pictures, little more than snapshots to much larger works.

After many difficulties and the refusal of some leading British abstract artists to join (including Victor Pasmore), she was successful in forming a small group of painters, sculptors and architects who held an exhibition in the Royal Festival Hall in 1955 which anticipated many elements of the much better known 1956 Whitechapel Gallery exhibition, «This is Tomorrow».

Shear's two instances of larger canvases feel massive in this company, and while the titular painting's hail of aerosol'd black headlights lunges at the viewer with overt aggression (which, to me, would feel far less pronounced if rendered in a smaller scale), Autocorrect in the back gallery works sublimely... but precisely because much of that canvas is untouched by any media.

The East Village was a small quadrant of what I had to «cover,» and I was a bit slow to realize that a fresh constellation of galleries there (Nature Morte, Cash / Newhouse, International With Monument) were showing art much more to my liking than the inflatable children's toys of the waning Neo-Expressionist craze.

Albuquerque has over 40 art galleries, and Santa Fe, although much smaller, has over 250.