Not exact matches
But I was just amazed by how everyone, young and old wanted to be
involved... and was so deeply enriched and touched by the experience and the laughter and the love I experienced from the people I met and how women would in particular open their hearts to me and tell me the
stories of where they've come from, particularly because I have the language and was coming there as a woman and just how touched they were that I was there as a woman from England who's learned the language and who's an artist and running this project and come all the way to see them so they didn't feel forgotten I think that was pretty
much what they felt... that their
stories were being heard so they don't feel forgotten knowing the tents would be around the world.
When abductee
stories involve missing time, va.gue hazy memories, and supposed behavioral side effects I don't know if I would put
much weight in that «evidence», even if it happened to me.
Dreams
involve us emotionally
much as a powerful
story does on the large or small screen.
The second is that they use it with as
much precision as Margaret Thatcher; for if one cavils at Thatcher's materialistic interpretation of the
story, it is hard to feel
much more comfortable with Labour's general «the state should jolly well get
involved and do something» interpretation.
It will also help keep your brain
involved into a
story and it can make time pass
much quicker.
However, it's interesting to talk to Duncan — a man with so
much admiration for the Hollyoaks
story and the actors
involved — because, pioneering as the male rape
story is, Duncan himself, and the work of Survivors Manchester, is a far more incredible
story.
Once again there is a
story that's present throughout your playthrough, but I must admit that I found this aspect of the game to be a little disappointing because they didn't
involve me in the
story as
much as I would have liked and there isn't many differences with what the
story offered in the first game.
There's not
much of a plot, but you don't need a subtle
story line for a movie that depends on visuals, and you can see some mighty fine visuals looking at Jen, and for those who prefer, some nude scenes
involving the muscular Richard as well.
Edward Zwick's ultimately sedate thriller starts out with crisply efficient style and the potential for a
much more
involving story.
He can read, and is
much taken with the
story of how giants once invaded his country of Albion, a
story involving the sort of good intentions with which the road to hell is paved.
Everyone
involved clearly had an appreciation for the subject matter, and a desire to tell the
story right with as
much respect as possible to those in the transgender community who face adversity every day in a society that's made progress but not nearly enough.
He talked about how the amazing cast came together (Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Pena, Jon Bernthal), how Sony got
involved, telling a
story that takes place over a very long day, why they decided to shoot on film, getting to use a real Tiger tank, and so
much more.
There is a whole world
involving the supporting players Lucy, Ida, Wally and Bert who all play significant roles in the film that we haven't gotten to and we've left out pretty
much all the major plot turns and twists of the
story.
Annihilation isn't always as consistently well - executed or
involving as it might have been, and it's told in a manner that robs the
story of some
much needed life - or - death suspense, but overall it's a bold undertaking that doesn't play it safe and features some strong performances.
These films require so
much devotion (running time) to origin
stories, with an
involved plot, it become tedious.
It's pretty
much an updated, creepy take on Amityville with a
story involving a single mother moving into the haunted house with two daughters and a son with an injury that has left him in a coma.
It sets up the
story that appears to very
much involve Jacob Tremblay.
Nonetheless, it's Eastwood's 36th time directing a feature, and he took a shoot at changing - up the re-telling of this American heroes
story by starring the real guys who were
involved in foiling the 2015 terrorist attack on the Thalys train
much to the disappointment of critics.
But what initially seems to be just a literary framing device, tying the film we're about to see to A.A. Milne's original tales, turns out to be a
much more
involved conceit, as Pooh and the other characters talk back to the narrator and the actual words on the page of the book often become part of the
story.
Then Tracy meets Brooke (Gerwig), the older, self -
involved daughter of the woman her father is marrying, and immediately becomes infatuated with her future sister's cosmopolitan NYC lifestyle — so
much so that she works her into the short
story she submits to Columbia's prestigious literary society.
Aided by the brisk rhythm of Dirk Westervelt's editing, not only does one truly feel the too
much, too quickly whirlwind of Wallace's rise to stardom, it also places it in its proper perspective, for the meat of his
story really did only take place over the course of a few years — which then reinforces and reminds that the principal players
involved were all quite young when the literally life and death drama unfolded.
Truman was initially just going to write a newspaper article but soon realised there was a
much bigger
story involved and decided to write the world's first ever «non-fiction novel» — In Cold Blood, which was also turned into a film, in 1967.
I don't want to reveal too
much, lest you don't know what's coming — I certainly did not — but suffice to say that Papa Georges was once, long ago,
involved in the early days of movies, and now Hugo flashes back to tell his
story.
It takes its time, it gets its
story across effectively, and it has every bit as
much impact as all of those
involved could have hoped for.
However, most of the film runs along without
much catering to its main plot, concentrating more on its characters, tossing up some pretty clever gags and side
stories involving such things as the making of jams, the girls» trying to help Gru to get them a new stepmom, Margo's romantic stirrings, and a good deal of Minion slapstick shenanigans, which will no doubt make this a hit for the kiddies.
There's not
much to improve on apart from a simple modernization of the
story (see: the return of the creepy clown doll), but while some moviegoers may be quick to turn their noses up at this updated version, the talent
involved (including Gil Kenan, who directed the underrated animated film, «Monster House») suggests this might be the rare remake that isn't a complete waste of time.
As
much as Infinity War will
involve the clash of armies of heroes and aliens, it will fundamentally be a
story in which the Avengers battle to keep their friends safe.
It's the kind of formula that either wins you over early and you ride the wave of good cheer, suspending disbelief for the sake of the entertainment value, or it doesn't catch you and you suffer through ham - handed contrivances and saccharine sentimentality, and you end up feeling that the people
involved in the film were having so
much fun together that they forgot they had a
story to tell.
The plot for the
much - anticipated movie has yet to be revealed, but the
story is likely to centre around a comic book storyline from 2000
involving former hero Bucky Barnes who is reprogrammed as a Soviet assassin called the Winter Soldier.
Much like finding Earth Crystal or finding Coral Crystal, finding Warped Bone
involves progressing through the main
story until you reach a new section of the world, specifically, Rotten Vale.
Much praise is offered to everyone
involved, but there's some insight into the film and
story, through interview clips with Davis, Sachar, Sigourney Weaver, Shia LaBeouf, and Jon Voight.
Instead there is
much wasted time on superficial Presidential interactions and a needless side
story of adultery
involving Cecil's wife (Oprah Winfrey) and his friend (Terrence Howard).
Say what you will about the lack of plausibility
involved in the
story, as well as the ridiculous physics, it delivers pretty
much on every intended level in terms of sheer action, thrills, humor, violence, and titillation.
Much of the main
story campaign
involves going to a certain location, find a way to get to an item and either shoot your way out or escape in a car.
Much of the
story involves the commission of a crime, followed by its gradual unraveling.
Unfortunately, the Overkill character suffers from «just that ``, as she's
involved way too
much in this «Minions»
story.
But in moral terms it may be the least
involving story that Scorsese — an artist
much preoccupied with morality — has ever taken on.
Marrying simple physics - based platforming with a unique and
involving story allowed Valve to showcase just how
much can be achieved with limited gameplay mechanics.
The
story involves a bored suburban housewife going through a divorce and child custody battle, whose life is changed by a chance encounter with a
much younger woman.
Unlike Bonnie and Clyde, which seemed to be about
much more than a
story of bank robbers, Mann is content to keep Public Enemies mostly about the men
involved.
Much of that conversation
involves sketching and critiquing opportunity
stories.
In remarkably short order, the DC public schools would transform from a
much - admired school success
story to a major embarrassment for everyone
involved.
Revision (specifically,
story development or developmental editing)
involves much bigger changes that are harder to fix and easier to screw up.
Those interested in space history will find
much to enjoy here, but it is the
stories of the women
involved, highlighted in sections by decade, that commands attention.
The historical version of the
story of the teenage Lady Jane Grey, England's queen for nine days, is given a fantastical twist and a
much happier ending for all
involved.
I encountered Christine Sneed's work through her short
story «Quality of Life,» which features a young woman
involved with a
much older man who gives her money while keeping his own life strictly secret.
And in a practical sense, Colleen Hoover's initial post on this issue of trigger warnings was good:
Much of storytelling craft
involves surprise,
stories that go a direction you hadn't seen coming as a reader,
stories that veer into something a reader may not know or might not have experienced.
While many fans enjoy the fun and energetic action of the
story, there really isn't
much known about the other characters
involved.
According to a
story in GeekWire, Lyft's «Trust and Safety Team» exerts just as
much effort to ensure their customers» contentment, calling promptly after traffic accidents are reported and following up repeatedly to ensure all parties
involved receive proper attention and care.
He had been backpacking around the country for half a year and had spent a lot of time in backpacker hangouts; the clear theme in his
stories was that when there is too
much alcohol
involved, stupidity ensues.