Sentences with phrase «much talked about films»

Not exact matches

EASTWOOD: Well that was an interesting project because Steven had asked me to do Flags of Our Fathers and so I was having a meeting with him and we were talking about that war and that battle and I was going off into Iceland to film the beaches because Iceland has black sand much like Iwo Jima does.

I don't always talk to my pastor about movies I plan on watching, mostly because being a film critic prevents me from having much choice in the first place to a degree.

Let's talk about that (much better) film's heroine, Leeloo Dallas (multipass), played by Milla Jovovich: She's a super-skilled, «perfect» warrior, but as the story unfolds, she learns about humanity; she discovers laughter, trust, sacrifice, and love.

Dial M remains more of a filmed play than a motion picture, unfortunately revealed as a conversation piece about murder which talks up much more suspense than it actually delivers.

Not that it's saying much when we're talking about films like Bold Eagles, Mummy I'm a Zombie, and Justin and the Knights of Valor.

This was a blank - slate film experience for me, and it's not a sequel or prequel so much as an independent movie operating laterally to Suicide Club, so why am I even talking about all this.

Lenny Abrahamson started late in the film business but has captured notice with 2014's «Frank» and 2015's much - talked - about «Room.»

During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.

Much of the talk at Sundance this year, where, despite everything, sales and attendance were up, was as much about the ways in which movies will be «consumed» in the future — with all the various digital platforms on the horizon — as on the films themselMuch of the talk at Sundance this year, where, despite everything, sales and attendance were up, was as much about the ways in which movies will be «consumed» in the future — with all the various digital platforms on the horizon — as on the films themselmuch about the ways in which movies will be «consumed» in the future — with all the various digital platforms on the horizon — as on the films themselves.

It feels like only yesterday that we were talking about the best films of 2011, and yet here we are, nearly at the end of June, and we've seen pretty much everything that the first half of the year has to offer.

He talks about filming in English rather than his native Greek, casting Alicia Silverstone in the movie and why he enjoys working with Colin Farrell — so much so that they're trying to get a third project green lit.

During the interview, Hooper talked about if he felt any pressure following up Les Miserables and The Kings Speech, the experience of making a film about transgender issues when the subject is so timely, when he first realized Redmayne and Vikander would deliver such tremendous performances, deleted scenes, how his first cut compared to the finished film, if he's conscious of making «awards» films and whether he want to break out of that, future projects, and so much more.

She also talked about filming «Mamma Mia» sequel, Meryl Streep and much more!

The filmmaker talks about the ending, the film's themes, the Throne Room scene, Easter Eggs, and much more in this wide - ranging discussion.

And while there are a number of strong sequences sprinkled throughout (eg Cole talks to his mother (Toni Collette's Lynn) about her own deceased parent), The Sixth Sense's funereal atmosphere ultimately lessens the impact of the much - vaunted climactic twist and it is, in the end, clear that the film doesn't entirely work as either a drama or a spooky thriller - with the movie's mild success due mostly to Shyamalan's considerable talent and his ongoing ability to wring top - notch work from folks both in front of and behind the camera (ie this is an exceedingly handsome production, undeniably).

The much talked about mobster film landed the most massive deal to come out of Cannes this year.

Much more fun is How to Talk to Girls at Parties, an endearingly silly and outré coming - of - age film from Hedwig and the Angry Inch creator John Cameron Mitchell about a trio of punk - obsessed teenagers, led by sensitive fanzine editor Enn (newcomer Alex Sharp), who stumble across a colony of cannibalistic pansexual aliens (among them Elle Fanning) in Croydon during the Queen's Jubilee celebrations.

He doesn't talk much about locations or film techniques.

This week in home video releases features one of the most talked - about films of last year, a trilogy from one of America's best directors, a documentary about the people who launched the careers of John Belushi and Bill Murray, the sequel to one of the best horror films ever made, and much, much more.

During their conversation, they talk about how the film came about, Daniel Day - Lewis» process and preparing to play a dressmaker, the challenges of filming in London when you need dailies, how the crew reacts when you cross the line (the invisible 180 - degree mark of a shot / reverse - shot), and much more.

During a press conference at the film's press day, co-stars Chadwick Boseman and Harrison Ford, along with writer / director Brian Helgeland, talked about the influence of Jackie Robinson in both his own era and today, what made them want to be a part of this film, how much involvement Rachel Robinson (Jackie Robinson's widow) had, and how they hope the positive portrayal of African Americans in this film will inspire other filmmakers.

We talked about what it was like to walk on the yellow brick road for the first time, her reaction to the finished film, 3D, doing so much press, and does she get to visit Disneyland for free after being in a huge Disney movie.

«I was talking to someone the other day who asked about it, and I said to them, «Have you seen how much female nudity there is throughout the history of film and TV?»

Seeing as this film put so much stock into character, let's dedicate the rest of this review talking about the characters.

And she is as much a fan of genre movies and hearing her talk about, not just Star Wars, but hearing her talk about those kind of films, is evidence that she would just kill it.»

Every time I talk to someone about how much I enjoy watching Hardy and how much I look forward to his next film, I have to remind people who he is.

To get the word out about the show, Executive Producer Bryan Fuller and co-star Hugh Dancy sat down with Media Mikes to talk about the new show, fans of the films and exactly how much is TOO much?

Brandon and I later both met with and talked with director Derek Cianfrance about the 12 years of work he put into making this film, his real life inspirations for the screenplay, and so much more.

He talked about how the amazing cast came together (Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Pena, Jon Bernthal), how Sony got involved, telling a story that takes place over a very long day, why they decided to shoot on film, getting to use a real Tiger tank, and so much more.

When we did manage to stay on topic, they talked about the great cast, their memories of National Lampoon, how Emmy Rossum got cast at the last minute, Mr. Robot, memorable moments from filming, what it was like for McHale to play Chevy Chase after working with him on Community, the way they like to work on set, and so much more.

He talks about how this film is a fairytale and how he loves the little girl he cast and how honest she is in her complete inability to be anything other than herself (and, damnably, how much he let her ad lib her dialogue and thus alter his film).

Although much talked about in the previous films, Psycho IV: The Beginning is the first to show a living Norma Bates (Hussey, Rome and Juliet), and to give is a first - hand viewing of how bizarre an upbringing a young Norman (Thomas, Cloak & Dagger) would have, resulting in overwhelming feeling of guilt in his actions that he didn't have the maturity or mental balance to keep a grip on.

A Carpenter film people don't talk about as much as the others?

During our wide - ranging interview they talked about how the new season compares to the first, what the atmosphere was like on set, how much they knew about the arc of season 2 when filming began, what it's like to work with a new director almost every episode, and much more.

Insurgent is much better than a lot of the YA adaptations out there and fans of the series will no doubt be left with a lot to talk about, but don't fear those among us that don't read, the film is much different than the book so you won't be left in the dark.

It's lyrical, sweet and even though it doesn't feature Jane Fonda's much talked about wild, scene - stealing turn, it manages to evoke the sense of longing for the past that that lives up to the film's title.

Many people have been wondering just how the film came to be, and an extended featurette has made its way online with Moore talking about the inception of the idea, some of the difficulties he and his extremely small crew had completing the film, and much more.

We had so much to talk about, we forgot to mention «Capote,» the film that earned Hoffman his best - actor Oscar.

If the film would have consisted of a pace closer to what is seen in the final act, you're talking about a movie that I would consider to be a much better watch.

The prowess of either film backfired; there was simply too much to talk about to the point where the magazine ran out of time to mention the pair of them.

He now stars in much - talked - about film The Interview, where he shares the screen with one of his long - time collaborators and friends, Seth Rogen.

And that's the way it was for a number of decades, and then about three years ago, I was having dinner with this Polish director who had done the film «Ida» about a Polish nun, and it was a film in the spiritual style, and we got to talking about how much I like the film and how much he liked my book.

Jackie, what Ray Pride calls a mask about the mask,» was another let - down for the panelists, who learned nothing new about Jackie Kennedy Onassis.While there was much debate over the nominated films, there were also talks of snubs, including Disney Pixar's Finding Dory and Clint Eastwood's Sully.

The self - reflexive quality of The Larry Sanders Show was of a different nature, bouncing between the drama behind the scenes (shot on film) and the «show» itself (shot on video in traditional TV talk show style), but it wasn't about acknowledging the conventions so much as deconstructing the business.

She made it three times lucky at Sundance, arriving in 2013 with «Fruitvale,» Ryan Coogler «s based - in - fact drama that was one of the buzziest films of the festival in the last few weeks, and that should be talked about for much of the rest of the year.

During my extended interview Reeves, we talked about what he learned from early screenings, how the first people to see the film were J.J. Abrams and Drew Goddard, Andy Serkis» amazing work as Caesar, how Woody Harrelson contributed a lot to his character, how his first cut of the film was a lot longer and he ended up with fifteen to twenty minutes of deleted scenes, future Apes movies, and so much more.

But what initially seems to be just a literary framing device, tying the film we're about to see to A.A. Milne's original tales, turns out to be a much more involved conceit, as Pooh and the other characters talk back to the narrator and the actual words on the page of the book often become part of the story.

It's been three years since that much - talked about film and the spotlight moves away from the McConaissance and back towards the man in charge: what would he be bringing to the table this year?

Talking too much about the plot of Cabin is cheating the film, where its mysteries and secrets are integral plot points to the greater picture.

At the press day for Beautiful Boy, actress Maria Bello did this exclusive interview with Collider, where she talked about choosing roles very instinctually, how she was drawn to exploring the levels of grief for this role, how much she enjoyed collaborating with co-star Michael Sheen, and that she thinks this is ultimately a hopeful film.