Sentences with phrase «much time the film»

The only advantage of this is that it makes it very easy to measure how much time the film has left.

Not exact matches

But bad timing or not, we're forced to include his stiff and often cartoonish performance, wondering all the while how much better the film could've been if Matt Damon has accepted the part when he was offered it before Affleck.

What's more, if Indians have had a hard time earning a rupee from Indian film, Americans have done, on the whole, much worse.

In a way, the studios pretty much decide ahead of time which films they want to push for getting those nominations from other Hollywood insiders, and as a result, some of the best films of the year can get ignored.

While none of his films from that time were religious, per se (besides the provocative The Last Temptation), Scorsese sees much of his work as getting at something spiritual.

Just don't have the time to go see most films in the theater - it's pretty much On - Demand here.

Although technology has evolved, film has become a niche, and time has clouded much of what I learned back then, one thing is still the same: the science of light and the way it wraps around an object, enveloping it with its invisible yet transformative qualities.

Apparently, this tart was created by a Polish pâtissier, at the times when Roger Vadim started to make a film...» And God created woman...» in St Tropez, starring who was at the time an unknown girl called Brigitte... The film crew loved this tart so much that they asked the pâtissier to make one (or several) every day... The film was a hit, the unknown girl became a world sex - symbol.....

Watching him try to block on film was pretty hilarious at times, but I imagine Flacco and the rest of the Ravens offense isn't laughing too much after the loss.

His shuttle times would be much more interesting (I looked at his combine results for shuttle info but couldn't find any details) but film of him the last couple of years is all we really need to see to know what we're getting.

The film study and game planning for an opponent in advance just wasn't his forte (not much was) with his time at the Raiders.

The half hour animated film based on the much - loved children's picture book written by Julia Donaldson and illustrated by Axel Scheffler is a beautiful portrayal of the book telling the tale of the happy go lucky father's epic journey across the seasons to make it home in time for Christmas.

We spent so much time breastfeeding in those early months and I wanted to capture some of that special time on film.

They followed me around for two years and left a thousand times as much film on the cutting room floor as what they selected for the final version of the movie.

The second time I used it, I noticed how much the film that had been all over the inside of the dishwasher had dissipated.

Below — our very first travel vlog (something we've been wanting to add to the site for a long time so I hope you enjoy watching it as much as we enjoyed filming and editing it!)

Thanks and we haven't had much snow here yet and I am not sure if I will go to see the film yet or not, time will tell xx

It was my second time here and I will probably skip the part where I'm telling how much I love this city cause I think I could turn it into a four hour film.

And can I just say how much I love not only the film (have seen it many times) but also that gorgeous photo of Suzy Parker?!

I most definitely agree with you... that is a lot of thoughts... gives you a tiny inkling of how much activity goes on in my noggin» at any given moment... # 1 — just no; # 2 — Jean Seberg wears a lovely striped dress in Breathless; a dress based on hers is a strong contender; # 3 — Hmmm, maybe it was just me, but I couldn't find many leading ladies in film wearing pants...» cept maybe Audrey Hepburn, -LCB- not this time -RCB- or Diane Keaton -LCB- been there, done that -RCB-.

With filming in Asia, have you been able to spend much time at home in West Hollywood?

But considering it is only like a 15 - minute film, and having so much to squeeze in, in such a small amount of time, he pulls it very well.

Sign up with us now and it shouldn't take you take you much time at all to find someone who would love to shoot the breeze with you about the latest Miyazaki film.

Other than that, I love films and media in general and I'm a very shy and introverted person with too much time on his hands: 3 Also my discord is: Uncle Explosion # 3849

Fans may walk away from films and not remember much as time goes on, but any film that features Petra will be sure to be engraved in their memories as the city is engraved in the rocks in the Jordan landscape.

I'm 5ft 8, dark hair, brown eyes, latino... I like films, not much on tv,... I travel, read, and love to have a good time...

Yet the film moves so quickly and fluidly and with such unnerving violence that it doesn't give you much time or space to think through the serious, urgent issues it raises.

Pretty lame film with a sterling cast of legends most of which are sadly no longer with us, you could look at this as another «Monty Python'type film along side others like «Jabberwocky» and «Time Bandits» but alas this film doesn't have much of the laughs and visual flair that those films do.

Once the fear has passed, just in time for nap, visual and musical style are sometimes played in an immersive fashion by highlights in a directorial performance by Nicolas Winding Refn that bring some life to the film, though not as much as John Turturro's inspired lead performance, which does about as much as anything in bring the final product to the brink of decency, which is ultimately defied by the serious underdevelopment, overambition, monotonously unfocused dragging and near - punishingly dull atmospheric dryness that back a questionable drawn non-plot concept, and drive «Fear X» into mediocrity, in spite of highlights than can't quite obscure the many shortcomings.

Director David Fincher («Alien3») and first - time screenwriter Andrew Kevin Walker generally handle the material quite well, but so much of the film is so distasteful that it is difficult to recommend.

This time, focussing on the past to show how the character of Elise got to where the audience knows her from the first two films, there is much more emotion to be had here.

That movie took a long time to get off the ground and before she ever appeared as Nova, Harrison served as a stand - in in the role of Dr. Zira (the part ultimately played by Kim Hunter) in the screen tests and extensive make - up tests through which the project evolved, even participating in a test for Edward G. Robinson in the role of Dr. Zaius (Robinson was forced to withdraw from the project because of a heart condition that prevented him from working under the heavy make - up and in the high altitude location where much of the film was to be made).

The film is too busy moving along to the next tedious plot element to give Superman any time to shine, or really any time to do much of anything.

Coming at the end of 1974, the film touches on themes popularized by Betty Friedan's The Feminine Mystique published a decade before but still very much a part of the ongoing women's movement at the time.

The plot is the worst part of the film, which packs way too much action into the sparse 86 - minute running time.

That's right, Ryan Gosling fans, with this film, Refn first got his Danish derrière (Oh, wait, that's French) over here to America, and you know what, that was the time critics decided to question some of his storytelling methods, either because foreign films are much easier to forgive for their pretentiousness - I mean, «experimental artistic vision», or simply because Refn had so little of an idea on how to bring his visions to America that he decided to get John Turturro, of all people, as his lead.

This film really didn't need to be made, but since it exists I watched it for what it was and had a fun time; However, I will probably not be revisiting this one much.

PANDA 2 is just about as much fun as the first film, with lots of laughs and action peppered into the brisk ninety minute run time.

Doubtless this has to do with the simple fact that I was taken to see the film as a terribly impressionable eight - year - old by my mother, who, to make matters that much weirder, was at the time a Catholic schoolteacher.

Not knowing that this film would spend so much time focussing on the relationship of Edward and his girlfriend Lindsay (Shailene Woodley), I was pleasantly surprised to see such great chemistry from these two unlikely performances.

It's an interesting and unusual choice (which I didn't know about going in - in fact I actually thought this was going to be a conventional, full - life biopic as I hadn't read much on the film beforehand), and at times I had the sense I was seeing a sequel to a movie I'd missed.

So much time was spent setting up and including other characters that you lose the connection you once had with Wolverine in previous X-Men films.

While the choreography is generally fairly minimal (at least for this sort of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying too much about such nettlesome items as character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.

The second half of the film is pretty much pure action as the remaining members of the group try to evade their hunters and, at the same time, take the hunt to them.

It was crazy at times, there wasn't much talking and sometimes I felt it wasn't really trying too hard to not be what it was supposed to - an art - house film.

At a running time of close to two hours, School for Scoundrels is clearly much longer than it has any right to be - although, that being said, there's little doubt that the film remains consistently watchable thanks to Todd Phillips and Scot Armstrong's surprisingly clever screenplay and the uniformly effective performances.

It wasn't a problem for me at all with this film, in part because I was pretty much asking for it this time around, but also because that's what helped it stay true and close to the same style of humor from its equally crude source material.

By the time Great Balls of Fire was released, X had announced their breakup (though the band would stage several reunions throughout the 1990s), and while Doe began recording and touring as a solo act, he also devoted an increasing amount of his time to his acting career, so much so that by the end of the 1990s Doe's film work had outstripped music as his primary livelihood.

Whether you want to spend time with «James White» depends on your tolerance for yet another film about how hard it is for guys who just feel too much.

Spielberg leaves too much on the table between the two characters, especially in a film that earns the right to breathe for a few seconds, but Streep shines in these scenes all the same — this is Spielberg's first female - driven film since «The Color Purple» in 1985, and the actress is eager to make up for lost time.