Dealing with performance, physicality, collaboration and socially engaged practices, de la Paz is interested in
a multifaceted mode of production involving experiential and corporeal knowledge as avenues to investigate time, sitespecificity and accreted activity.
In
multifaceted projects, The Propeller Group blurs the lines between
modes of cultural
production and embraces the formats
of branding campaigns, television commercials, Hollywood movies, and music videos to explore the complex ideologies that drive global commerce, war, and cultural and historical memory.