Works tha t cross the flowing boundary between abstraction and nature in
multifarious ways are also on view, as seen in the works of Gabriel Orozco, Yayoi Kusama, Beatriz Milhazes, Matthew Ritchie, Franz Ackermann, Franz Gertsch, Nan Goldin, Thomas Ruff, Oscar Tuazon, and Sue Williams.
Her handling of historical materials betrays an almost archaeological interest in that which is concealed, its
multifarious potential conveyed through her work in striking
ways to evoke a range of sensations and recollections.