Sentences with phrase «multimedia arts as»

While much attention in career tech is focused on promoting science, technology, engineering and math - or STEM - students are increasingly making a case for multimedia arts as a dominate pathway led by huge opportunities is game development.

Not exact matches

The Canadian network, which launched in 2005 and features programs on combat sports such as boxing, wrestling and mixed martial arts, is rolling out a multimedia campaign this week to promote its new brand.
Jack Waters, a multimedia artist who co-founded the nonprofit arts organization Allied Productions Inc. and formerly worked as co-director of the poineering Lower East Side art space ABC No Rio, was selected by Councilwoman Rosie Mendez to serve through 2013.
At 15,000 square feet, it's billed as the largest traveling exhibit on the Maya ever mounted in the U.S. Hundreds of artifacts reveal both the art and everyday experience of the culture, while multimedia and hands - on displays give visitors a glimpse into ongoing field research that will further our understanding of this fascinating civilization.
January 29, 2018 • Developed as a multimedia project for the Museum of Contemporary Art Chicago, Mind Over Mirrors» Jamie Fennelly creates a widescreen aura for Bellowing Sun.
The courses include getting teachers ready for the primary computing curriculum, with demonstrations on how to use the free programming software Scratch, to make a number of multimedia applications such as games, animations, simulations, stories and art.
At eLearning.net we believe that a well written elearning solution will keep the learner interested and involved through interactivity and multimedia options such as storyboards, art and video animation.
Students can work towards a 2 or 4 year university degree or chose a career and technical education program in such areas as auto collision technology, CAD, computer information systems, culinary arts, criminal justice, medical careers, fire science technology, welding, multimedia graphic design, radio / television, early childhood education, and others.
In addition, the Mercedes - Benz developers equipped the CL - Class with state - of - the - art multimedia technology, thus helping this model retain its position as the epitome of quality in its class.
There's much to like about the new 6 Series, such as its sporty exterior, powerful engine choices, meticulously crafted interior and state - of - the - art multimedia and driver assistance technologies.
With the notable exceptions of The Oxford Companion to the Book (2010) and Bettley's The Art of the Book (2001), most literature in the fields of book history and topics concerning the history of writing and digital textuality, including studies of books as artistic objects and of the material page make no mention of comics at all, in spite of the fact they do refer to other forms of multimedia or text - and - image publications such as collage books and illustrated books.
Still, multimedia - heavy sites such as Nationalgeographic.com look mostly as they should; even the rotating feature art at the top refreshed on a regular basis and the complex style sheet rendered as a users would expect.
Guestrooms and suites at The Norman Tel Aviv are a perfect blend of old and new, featuring antique charm and contemporary technologies, such as state - of - the - art multimedia systems.
If anything unified this crucible of multimedia multitasking, it seemed to be an overarching idea, as Roberta Smith put it in her New York Times review of the Benglis show, of «making art that didn't look like art
While Tony Tasset may modestly credit a large portion of his creative inspiration to «more successful artists,» the art world has long been eyeing his large - scale multimedia works with enthusiastic appreciation, fittingly so as his enormous «pop conceptual» monuments are meant to be ogled.
The Icelandic artist's work gives performance art, and contemporary art in general, a good rep.. His actions, musical scores, films and paintings are reminiscent of the repetitious, contemplative tone of Bill Viola's video work as well as Anselm Kiefer's multimedia, existential reflections on the creative «self» and on cultural inheritance.
The new website, launched in late September 2010, includes the following enhancements: more multimedia content, greater search functionality within the AS - AP site to retrieve all content related to specific art spaces, exhibitions, and individuals.
He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.
Co-organized by the Menil Collection and the University of California, Berkeley Art Museum and Pacific Film Archive, Silence takes a multimedia approach to understanding the ways contemporary visual and sonic artists such as John Cage, Joseph Beuys, Doris Salcedo, and Christian Marclay have practiced withdrawal as a response to the complications and multiplicities of contemporary life.
Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.
Pipilotti Rist (Swiss, b. 1962) has achieved international renown as a pioneer of video art and multimedia installations in her 30 year career.
Elektra KB, a Colombian artist living in NYC who makes gifs as part of a multimedia practice involving video, performance, textile art, and sound.
This includes artists such as conceptual art pioneer Stephen Willats, whose multimedia works employed computers as early the 1970s.
Pioneer inaugurated newly - endowed Jack Wolgin Annual Visiting Artists Program, worked with students Judy Pfaff, the influential multimedia artist who pioneered what is now known as «installation art,» was the first Jack Wolgin Annual Visiting Artist, a newly endowed program that was created by a gift from the late Philadelphia real estate developer, philanthropist and renowned patron of the arts.
Hancock's mythology has also been translated through performance, even onto the stage in an original ballet, Cult of Color: Call to Color, commissioned by Ballet Austin (2008, 2013), and through site - specific murals for the Welcome Center at the University of Houston, TX (2015), Houston Children's Hospital, TX (2011), Olympic Sculpture Park, Seattle Art Museum, Seattle, WA (2010), Dallas Cowboys Stadium in Dallas, TX (2009), and a permanent multimedia installation as part of the centennial celebrations at Hermann Park in Houston, TX (2012).
Half a century after his death, his raw energy and nuanced approach to multimedia composition continue to resonate with audiences, cementing his place as a seminal figure within the broader spectrum of late twentieth century art.
Notable names associated with the Kansas City Art Institute include Walt Disney, who took Saturday classes here as a child; painter Thomas Hart Benton, who taught here from 1935 to 1941; multimedia artist Robert Rauschenberg, who studied fashion design at KCAI; sculptor, conceptual artist and writer Robert Morris; celebrated, present - day performance artist, noted fabric sculptor and more recent KCAI graduate, Nick Cave, and the list goes on.
Beginning with Robert Rauschenberg and Robert Whitman's 1966 Experiments in Art and Technology (E.A.T.) with Bell Laboratories engineers, and including new and rarely seen multimedia works, film, painting, sculpture, photography and drawings by over 70 artists such as Cory Arcangel, Roy Ascott, Jeremy Bailey, Judith Barry, Trevor Paglen, Nam June Paik, Ryan Trecartin and Ulla Wiggen, this publication tells the story of a global visual culture.
Pipilotti Rist's multimedia video works such as, I'm Not The Girl Who Misses Much (1986) «Yoghurt on Skin, Velvet on TV (1995) «Sip My Ocean (1996), and Remake of the Weekend (1998), blur the boundaries between visual art and popular culture and explore the unfamiliar in the everyday.
Susan Hiller is an influential pioneer of multimedia installation art recognized for her early adoption of video as an artistic medium and for her ability to transform conventional gallery spaces...
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
Higgin's conception of Intermedia is connected to the growth of multimedia digital practice such as immersive virtual reality, digital art and computer art.
Susan Hiller is an influential pioneer of multimedia installation art recognized for her early adoption of video as an artistic medium and for her ability to transform conventional gallery spaces into haunting, immersive environments.
The work of multimedia artist Spencer Sweeney channels the vivacity of New York's downtown art and nightlife scene, in which the artist has played many roles including stints as the drummer of the art - rock band Actress, club owner, and DJ.
The LUMA Foundation was established in 2004 in Switzerland to support the activities of independent artists and pioneers, as well as institutions working in the fields of art, photography, publishing, documentary, and multimedia.
Over the past thirty years, Rist (b. 1962) has achieved international renown as a pioneer of video art and multimedia installations.
Opening: «Mike Kelley: Shaped Paintings» at Skarstedt Never previously exhibited as a group, Mike Kelley's shaped canvases of the 1990s marked the bad - boy artist's return to painting after a productive 15 - year period creating performance, multimedia and installation art.
This exhibition presents portraits of designer, muse, collector, and icon Diane von Furstenberg by some of the most celebrated artists of the past four decades, along with a retrospective of DVF fashion spanning the last forty years.Diane von Fustenberg: Journey of a Dress features works by artists including Francesco Clemente, Chuck Close, Helmut Newton, Julian Opie, and Andy Warhol, as well as new portraits of von Furstenberg by four leading figures in Chinese contemporary art: conceptual artist Zhang Huan, photographer Hai Bo, painter Li Songsong, and multimedia artist Yi Zhou.
After a stint as a filmmaker / freelance commercial video producer, he found his calling in the contemporary art resurgence of post-Katrina New Orleans, creating video loops and site - specific multimedia installations.
After the elapsed time, the «Only You» multimedia series went on display this month at The Untitled Space, a contemporary art gallery founded by Cesarine in TriBeCa in 2014, and as stories of rampant abuse in the entertainment industry are divulged more frequently than ever, Cesarine hoped the project will make people «step back and take a deep, dark look who you are... and at what our society accepts as «normal.»»
With multimedia artist Lee Blalock at the helm, Hyde Park Art Center campers will spend a week investigating the «white cube» gallery as a space for making.
Over the past thirty years, Rist has achieved international renown as a pioneer of video art and multimedia installations.
Susan Hiller is an influential pioneer of multimedia installation art recognized for her early adoption of video as an artistic medium and for...
After a near - fatal car accident, multimedia artist Howardena Pindell focused on recapturing her past — as seen in her abstracted «Autobiography» series on view at Spelman College Museum of Fine Art.
Telefantasy TV at Coaxial Arts (DTLA) October 15 — November 5 Spawning dimensions in the multimedia HQ of Coaxial Arts stood H.AR.R.I.E.T.: a colossal video environment born through Jennifer Juniper Stratford's residency as a Mike Kelley Foundation grantee.
In the short time since its opening, the gallery has emerged as a leading platform for a future generation of artists, especially those with a focus on multimedia art.
In addition, LSG is dedicated to a contemporary program that incorporates paintings, photography and sculpture, as well as conceptual and multimedia art by a growing roster of regional, national and international artists, including Gino Miles, Thalen & Thalen, Chris Bracey, David Spiller, Jason Myers, Russell Young, David Kramer, Wayne Warren, Dale Enochs, Constance Edwards Scopelitis and William John Kennedy.
The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.
Recently, the trio of restorations was completed by Teatrino, a multimedia venue for the visual arts as part of a refurbishment project by Japanese architect Tadao Ando.
This multimedia event and discussion seeks to explore the linguistic turn art has taken since the 1960s when language became a primary material for artists in such movements as Pop, Fluxus, Minimalism and Conceptualism.
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