Sentences with phrase «multimedia performance as»

While it doesn't deliver the same type of high end multimedia performance as the Xoom tablet or Playbook, the myriad of connectivity and sharing options will surely appeal to those spending most of their day online.

Not exact matches

Mozilla said it would «continue to work closely with Adobe to deliver the best possible Flash experience for our users» as it phases the multimedia player out, and said that an engineering partnership between the two companies has improved some performance and stability in Firefox when it displays Flash content.
To that end, GEx incorporates multimedia content, an avatar, as well as graphic information about the indicators related to the patient's performance (heart rate, effort level, etc).
Navigation is also standard, and the 7 - inch display has not only the same maps and excellent multimedia system as other Nissans, but also a computer that allows you to survey the GT - R's performance as it moves.
«AMG Performance Media» is a unique new feature: this innovative, motorsport - inspired multimedia system offers an unrivalled combination of numerous telemetric displays such as lateral and linear acceleration, various engine data and lap times on a racetrack.
RIM is not positioning its tablet as a Netflix - craving machine geared for mass video consumption, but as a device fitted with «true multitasking, high performance multimedia, and advanced security features.»
In the grand scheme of making tablets a great place to consume all of your multimedia, audio seems to be neglected or simply not delivered to the same standard as the screen technology, but we were impressed by the performance of the internal speakers which offered both loud and rich audio and things got better with the surprisingly decent in - ear headphones included in the box.
Jon Oakes, Director of TouchPad Product Marketing at HP has this to say of the new Qualcomm processor: «With the APQ 8060 and Adreno 220 GPU, the HP TouchPad delivers a high - performing and fluid multitasking user interface, as well as offers game and multimedia application developers a high - performance environment for their applications.»
The NVIDIA Tegra 3 processor is the world «s only 4 - PLUS - 1 ™ Quad - Core mobile processor designed for high - level multimedia performance but utilizes a fifth battery - saver core to handle less demanding tasks such as active standby and music playback.
These innovative tablets will each provide users with an ultra-portable design featuring industry leading performance with real - time multitasking and symmetrical multiprocessing, uncompromised high - fidelity web browsing including support for Adobe ® Flash and stunning HD multimedia, as well as advanced security features and out - of - the - box enterprise support.
He said that Samsung's Exynos offering was more suitable for the device itself, mentioning better multimedia performance capabilities of that processor as well as power - saving possibilities which that chip comes with.
The 9.7 - inch iPad Pro is powered by A9X chip with 64 - bit architecture and M9 coprocessor in order to effortlessly deal with various professional apps and hardcore mobile games, and the 9.7 - inch Retina display features 2048 x 1536 pixels resolution, 264ppi pixel density and wide color display as well True Tone display so that you can get more excellent graphics performance for your favorite multimedia content and graphical work, and built - in four speakers deliver more immersive entertainment experience.
Incorporated with a 1 GB of DDR3 RAM and preloaded with the 4.1 version of Android, aka Android Jelly Bean as the operating system, Pantech Perception provides good performance for fast and seamless multimedia and entertainment experience.
Dubbed as HP Slate 2 A6M62AA, this models powered by 1.50 GHz Intel ® Atom ™ Z670 processor with features 512 KB L2 cache and 667 MHz FSB that completed with Intel ® System Controller Hub (SCH) SM35 chipset, Intel Graphics Media Accelerator 600 as graphics processor and 2 GB of DDR2 SDRAM delivering powerful performance for multitasking or multimedia than can make your old laptop be ashamed.
At the heart of the electronic will lie an NVIDIA Tegra 2 System - on - Chip (SoC), known for its performance both in terms of processing as well as multimedia support.
It equipped with an improved dualcore chip, the A5X, PowerVR SGX543MP4 quad - core graphics to ehanced graphics performance, 1 GB of RAM (double the 512 MB found in the iPad 2) and running on an update iOS 5.1 as the operating system provides outstanding performance for multitasking and multimedia experience.
AMD64 dual core processors are designed to deliver blazing performance on advanced multimedia tasks, including video and audio editing, as well as intense multitasking.
Inside, the dual core ARM Cortex A9 processor has a base clock speed of 1.6 GHZ, paired with 1 GB of RAM and preloaded with Android 4.1 Jelly Bean as the operating system, the games console offer more than enough power and graphics performance to run smooth multimedia applications, web browsing, streaming video and playing Android and 3D games.
Like the predecessor, the 97 Carbon Tablet, this model also comes with thin (0.45 thick) and light (650 g) design with brushed aluminum casing and sports 9.7 inch IPS display, but the 97 Xenon tablet has improving hardware configurations for smoother and faster performance, as well as better multimedia experience.
The Fire features a 1 GHz dual - core chipset as well, but only comes with 512 MB of memory and should therefore be inferior in terms of gaming performance, as well as web browsing and playing multimedia content.
The multimedia installation and performance They Come to Us without a Word is emblematic of the artist's long - term interest in environmental politics, the landscape and ghost stories of Nova Scotia as well as the writing of the Icelandic author Halldór Laxness.
The Icelandic artist's work gives performance art, and contemporary art in general, a good rep.. His actions, musical scores, films and paintings are reminiscent of the repetitious, contemplative tone of Bill Viola's video work as well as Anselm Kiefer's multimedia, existential reflections on the creative «self» and on cultural inheritance.
Mattingly has had solo shows at Robert Mann Gallery, NY and in 2006 she released a multimedia opera at White Box entitled Fore Cast that featured installation and music performance depicting World War IV as predicted by Albert Einstein.
He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.
Elektra KB, a Colombian artist living in NYC who makes gifs as part of a multimedia practice involving video, performance, textile art, and sound.
Hancock's mythology has also been translated through performance, even onto the stage in an original ballet, Cult of Color: Call to Color, commissioned by Ballet Austin (2008, 2013), and through site - specific murals for the Welcome Center at the University of Houston, TX (2015), Houston Children's Hospital, TX (2011), Olympic Sculpture Park, Seattle Art Museum, Seattle, WA (2010), Dallas Cowboys Stadium in Dallas, TX (2009), and a permanent multimedia installation as part of the centennial celebrations at Hermann Park in Houston, TX (2012).
Beasley, a multimedia artist working in sculpture, performance, video and sound, will present various recordings as a singular, uninterrupted experience, via mixing, layering and sequencing audio from multiple sources.
Notable names associated with the Kansas City Art Institute include Walt Disney, who took Saturday classes here as a child; painter Thomas Hart Benton, who taught here from 1935 to 1941; multimedia artist Robert Rauschenberg, who studied fashion design at KCAI; sculptor, conceptual artist and writer Robert Morris; celebrated, present - day performance artist, noted fabric sculptor and more recent KCAI graduate, Nick Cave, and the list goes on.
As the Founder / Artistic Director of Ondine and Company, she created multimedia dance performances and site - specific installations for ten seasons.
As part of the ICA's ongoing interdisciplinary project Endless Shout, multimedia artist and designer Raúl de Nieves presents a series of performances.
She has recently begun to approach painting as an expanded field, placing her canvases in the context of multimedia installations that include moving images, sculpture, and performances.
His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»
Leckey's interests might have shifted throughout the last decade — from an obsession with pop culture, subculture and the figure of the dandy in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997).
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
He investigates historical patterns through drawings, installations, and multimedia events, such as the reenactment of Ben Vereen's tragically misunderstood blackface performance at Ronald Reagan's 1981 Inaugural Gala.
Opening: «Mike Kelley: Shaped Paintings» at Skarstedt Never previously exhibited as a group, Mike Kelley's shaped canvases of the 1990s marked the bad - boy artist's return to painting after a productive 15 - year period creating performance, multimedia and installation art.
Known for her pioneering work that spans over a wide range of mediums and techniques, Laurie Anderson is an American artist whose pieces can be best described as experimentations with performance and multimedia projects.
As MoMA's chief curator of media, Biesenbach oversees the museum's fast - growing collection of multimedia installations and video and performance pieces.
Director Evan Falbaum's film AS IS by Nick Cave (2016) documents the making of a multimedia performance in downtown Shreveport's historic Municipal Auditorium that brought together Cave's celebrated Soundsuits, Bounce icon Big Freedia, and over 75 artists from Northwest Louisiana.
During the multimedia performance, images of flying birds were projected onto the white - clothed bodies of the performers while they moved from the museum out into the courtyard space, each holding slats of venetian blind, which, as art historian Kellie Jones notes in South of Pico: African American Artists in Los Angeles in the 1960s and 1970s was the same material found in a sculpture that Nengudi was exhibiting within the gallery.
Over the years, Bureau Phi has produced large - scale art events, such as the first Cartagena International Biennial; as well as museum exhibitions, site - specific installations, performances, and other multimedia projects.
A kinetic performance will come to life with dance, poetry and imagery as «red, black and GREEN: a blues» («rbG: b»), a full - length, multimedia performance takes the stage at 8 p.m., Nov. 4 and 5 at the University of Houston's Lyndall Finley Wortham Theatre - Cynthia Woods Mitchell Center for the Arts.
We are placed as a questionable audience, or maybe a walk - in guest to something akin to a multimedia editing room, piecing together the disparate contrived performances taking place in front of us.
Gingham is both motif and material in Cheryl Donegan's boundless multimedia oeuvre, which since the 1990s has famously included performance and video as well as object making.
Add to that several expanded components such as more multimedia performances and interactive installations, along with the launch of New Mexico New Media, an ongoing effort to highlight media arts in the state each summer, and you can bet Texas artists will continue to be involved for years to come.
Adrus» work was most recently featured in the 2nd International Istanbul Triennial in 2013, in which he exhibited the multimedia Installation Qawali Trance, motivated by his own experiences of witnessing these East African / Indian performances as a young child.
She began her career as an artist making video, performance and multimedia performance and went on to train as a feature film director and writer at the Canadian Film Centre.
With two theaters at his disposal — one a 170 - seat reconfigurable space with views of the Hudson, the other a «black box» multimedia site that opens onto a roof deck — he has a mandate to «challenge and provoke and show the potentialities of art — performance art, visual art, whatever — to communicate in ways that nothing else can,» as he puts it.
Omer Fast obscures the line between the real and the imaginary in works composed from snippets of digital media, and multimedia performance artist Joan Jonas disrupts common theatrical tropes to investigate, as well as destabilize, culture's ritualized gestures.
Heng - Gil Han was the operating committee chairman and curator of the Tuning Exhibition entitled «The 21st Century, the Feminine Century, and the Century of Diversity and Hope,» and the work exhibited encompassing a larger variety of media such as multimedia, performances, film, writing, discussion, and animation, and included male artists.
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