In these hollow or
multipart objects, which are seemingly intended to fundamentally embody the possibility of constructing a geometric entity, there is — contrary to expectation and by virtue of their differing lengths and diameters and the irregular distribution of their mass - a constant relativization of the congruence of the form with itself.
She creates an array of
objects, including wheel - thrown, hand - altered vessels; masks with morphing,
multipart features; and collections of vibrant mugs, plates, planters, and trays that she calls «glazemoods.»