White Weeds marks a slight departure from Mitchell's most classic material, ceramic, but continues to embody his use of art historical references, fusing elements from
multiple art historical periods together to create a wider dialogue within a singular piece.
Carroll's photographs call to mind
multiple art historical influences — Greco - Roman figurative sculpture and its distinctive treatment of draping done in marble, the opulent cascades of textile pattern in Northern Renaissance painting, and the still life genre — in related series in Still / Life exhibited together for the first time.
Not exact matches
The student surveys included
multiple items assessing knowledge about
art as well as measures of critical thinking,
historical empathy, tolerance, and sustained interest in visiting
art museums.
The surveys included
multiple items that assessed knowledge about
art, as well as measures of tolerance,
historical empathy and sustained interest in visiting
art museums and other cultural institutions.
This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and painting traditions, but at the same time, its
multiple references to various Chinese social and
historical backgrounds make interpretation much more difficult: the use of objects to express morality in Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai
art.
Past exhibitions include New Media - New Forms, Martha Jackson Gallery, New York (1960); Found Forms, Cross Talk Intermedia, Japan (1969);
Multiple Interaction Team, MIT, Cambridge, MA (1972); Machine
Art: An Exhibit of «InterGraphic» by Professor Stanley VanDerBeek, University of Maryland, Baltimore (1976); Steam Screens, Walker
Art Center, Minneapolis (1981); Whitney Biennial, Whitney Museum of American
Art, New York (1983); and New American Video
Art: A
Historical Survey, 1967 - 1980, Whitney Museum of American
Art, New York (1984).
Leigh's commitment to experimentation with traditional forms, and her embedding of a multiplicity of
historical, social, and cultural references into her work, under - scores the necessity of reaching across
multiple continuums in order to make an
art that is truly by the people and for the people.
The Ferus Gallery gave the artists the platform for the presentation of an
art that drew its inspiration from
multiple sources, both
art historical and from the environment they inhabited.
Art and cinema theorist Jean - Christophe Royoux uses his Survey to dissect the
multiple layers of time — durational and
historical — at play in Tacita Dean's work.
With these
multiple layers — contemporary black pop culture,
historical African influences, and witty and knowing takes on
art history — it's no wonder that Ofili was resistant to commenting on the furore.
By his paintings, in how they acknowledge the
historical significance of
art, through
multiple perspectives, not ever connecting to a specific era, which provides his imagery with a degree of timelessness.
In this regard, they weave together
multiple strands of
art -
historical lineage, ranging from Gerhard Richter's painterly abstractions, to Andy Warhol's aesthetic of reproduction, to the material concerns of artists such as Robert Rauschenberg.
His work traces an important
art historical shift from the concept of collage, where chance played a major role and the image was constructed of
multiple layers, to the concept of a unified image, which envelops us in an endless, undifferentiated, digital stream.»
As the inaugural Henry L. and Natalie E. Freund Visiting Artist in the Sam Fox School of Design & Visual
Arts, Smith developed Needle Work in conjunction with
multiple visits in fall 2009 to participate with Washington University faculty member Lauren Adams in her interdisciplinary course «Past Perfect, Present Tense,» which investigated the use of
historical research as a strategy within contemporary artistic practice.
In this exhibition the impact of the
multiple and the reproduction of sculpture on the history of
art is explored by Edward Allington and Ben Dhaliwal through the work of
historical and contemporary artists.
The
historical venue at Gipsstrasse 11 in Berlin - Mitte will remain a part of Circle Culture and yet start a new life as a store for
art editions and
multiples.
The
historical prints and drawings serve to inform the
art of our time; curators often combine works from
multiple time periods in the galleries to place each in context.
«American Mosaic» takes visitors on a journey through time and emotion, through culture and identity, and through
multiple movements in our
art historical timeline.
Defiant of traditional narrative structures, Prouvost's films integrate
multiple stories and grapple with both literary and
art -
historical conversations.
She can manipulate space (
multiple perspectives, changes in scale) like a set designer, mix ingredients (paint, textiles, collaged photographs, rhinestones) like a stir - fry chef, and make
art -
historical references (Manet, Matisse, Romare Bearden) with the confidence of a tenured
art historian.