Sentences with phrase «multiple art spaces»

This event was a one night, curated event that linked together multiple art spaces.

Not exact matches

Our sprawling campus includes a STEAM Innovation Lab, a «Design Lab» complete with maker space, green screen and 3 - D printer, a state of the art Athletic Center and multiple play and exploratory areas.

PBL projects provide a space to meet multiple learning targets, whether those are core discipline standards or arts standards.

Cubism and its multiple viewpoints show how Art has now returned to a wall and Braque and Picasso's work show how they have now fractured space and how the importance of creating an illusion of space on a 2D surface was not a priority but instead it was the overall meaning and idea that is important.

About Ford Performance Racing School Ford Performance Racing School, based at Utah Motorsports Campus, is a state - of - the - art road racing school that offers multiple road, track and off - road courses, hundreds of acres of space and a highly trained staff of professional drivers and instructors.

With floor areas from 21 - square metres to 223 - square metres (228 sq. ft. to 2,428 sq. ft.) function rooms feature state - of - the - art, flexible meeting and event space that can be configured in different styles to suit multiple needs, accommodating up to 200 guests.

- Interiors designed by Jacques Garcia - 168 guest rooms and suites - Multiple distinct dining spaces with menus by Chef Daniel Humm - King - sized beds - European - style bathrooms walk - in shower and water closet in most rooms - Many rooms with freestanding clawfoot bathtubs - Exclusive Argan bath amenities by Côté Bastide - Custom linens, bedding and bathrobes by Sferra and Frette - Down comforters and pillows (hypoallergenic upon request)- Custom plush top mattresses and embossed leather headboards - Mahogany writing desks and television stands - Bedside tables and velvet and damask patterned paravents - Reclaimed maple hardwood floors - Handmade vintage Heriz rugs unique to each room - Curated art program including Portraits de Villes photographs - Fully stocked Minibar - Large flat screen LCD HD television with on - demand movies - iHome docking station, charger, radio and alarm clock - Direct dial telephones with speaker and personalized voicemail capability - In room safe, iron / ironing board, hair dryer, luggage rack - Steps from Madison Square Park SERVICES - 24 - Hour Room Service - Complimentary high - speed wireless Internet access throughout the hotel - Nightly turndown service - Daily newspaper delivery (on request)- 24 - Hour state - of - the - art Fitness Room - Laptops and iPads available upon request - Concierge services provided at the Front Desk - Multi-lingual Staff - Bell staff Services - Valet Parking - Laundry Service - LEED certified / Conservation Program

Florida's Space Coast's cultural arts community is made up of multiple theater groups, including the Historic Cocoa Village Playhouse and the Henegar Center, professional orchestras and dozens of theatrical and musical performances throughout the year.

The rooms should be larger with a large 50in TV, space for two luggages, multiple pieces of art work, a coffee maker and a bed with a nice comforter.

Students make games at all levels of the program gaining hands - on skills across a range of digital media arts; the core game design education allows students the space within their education to earn multiple specializations within the industry, broadening their skill sets and post-education trajectory.

The term, applied by the art critics referred to the works characterized by the domination of the multiple soft - edged blocks of colors floating in space.

The work was celebrated at the time for the sheer velocity of movement with which the eye roves the canvas, pointing to de Kooning's interest in creating simultaneous foci, what art historian John Elderfield describes as «multiple centers of interest, and therefore a continual distraction, of vision being shuttled about the surface, so that it may rest anywhere but can settle nowhere» (J. Elderfield, «Space to Paint,» de Kooning: a Retrospective, Museum of Modern Art, New York, 2011, p. 2art historian John Elderfield describes as «multiple centers of interest, and therefore a continual distraction, of vision being shuttled about the surface, so that it may rest anywhere but can settle nowhere» (J. Elderfield, «Space to Paint,» de Kooning: a Retrospective, Museum of Modern Art, New York, 2011, p. 2Art, New York, 2011, p. 25).

Space One Eleven presents Multiple Methods: A Print Exhibition; From traditional printmaking processes to digitally derived art, this exhibition explores how artists are using the print process to produce their work.

He is the founder of multiple Chicago alternative spaces artLedge (2004 - 2007 w / Caleb Lyons), BEN RUSSELL (2009 - 2011 w / Ben Russell), The Storefront (2010 - 2014), and art - publishing house Silver Galleon Press (2008 - present).

Iván Argote & Pauline Bastard Opening reception, Feb 23, 7:00 - 10:00 pm Encompassing 18th Street Arts Center's Visiting Artist Residency Program, its Artist Labs process - based exhibition series, and in partnership with Highways Performance Space, Paris - based artists Iván Argote and Pauline Bastard tap into multiple...

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Boursier - Mougenot found in installation art a vehicle for achieving an atmospheric space, with multiple vantage points for visitors and no beginning or end to the composition, unlike the traditional concert.

In November 2012, DiverseWorks moved from its previous location to the heart of the newly designated Midtown Cultural Arts District, and in 2015 moved into the new MATCH (Midtown Arts and Theater Center Houston), a multi-tenant facility with multiple performance and gallery spaces.

Recent exhibitions include: Multiple Encounters, Indira Gandhi National Center of the Arts, New Delhi, India (2004); The Michael Hoffman Tribute Collection, Philadelphia Museum of Art, Philadelphia, PA (2004); Gwenn Thomas, New Arts Program Exhibition Space, Kutztown, PA (2004); Gwenn Thomas: Recent Work, Art Projects International, New York, NY (2002); Gwenn Thomas, Galerie Hafemann, Weisbaden, Germany (2001).

Lippire also curates independent projects for different spaces and has also participated and organized multiple guerilla art projects in Los Angeles and Mexico.

The Berggruens have expressed some concern that the multiple windows, retained to meet historic preservation guidelines, reduce wall space for hanging art.

Beyond providing a space to consider the contemporary turmoil of the national stage, the project asks about the potential role of art and craft for «the common good» and the multiple ways it serves as a platform for social action.

His art has been centrally concerned with issues of identity and public space in multiple manifestations of art, from sculpture to painting to photography.

His computational based installations have been exhibited internationally in multiple venues from fine arts museums and galleries, alternative spaces, academic conferences, and public commissions.

Colab was dependent on grants, too, starting with an encouraging sum of $ 6,000 received by the National Endowment for the Arts but, as David E. Little put it in an article on its early activities, the group also «developed a concept of an anti-hierarchical, artists - only organization that would serve as a hothouse for cultivating collaborative projects and would seek out flexible and multiple distribution outlets to reach audiences, from bars and movie houses to cable television and even alternative spaces.»

In addition to multiple screenings at the Nomad Theaters in Yokohama and Tokyo and at MIACA at LUX in London, Ms. Mizukoshi has had solo exhibitions at Shiseido Galley and Toki Art Space, both in Tokyo.

Several recent exhibitions have tackled topics of space exploration and colonization, most notably Space Is the Place, a 2006 — 08 exhibition that traveled to multiple venues throughout the US (Alex Baker and Toby Kamps, curators and editors, Space is the Place, Independent Curators International and Cincinnati Contemporary Arts Center, 2007), and Space: About a Dream, a 2011 exhibition at Kunsthalle Wien (Cathérine Hug, curator and editor, Space: About a Dream, Verlag für Moderne Kunst Nürnberg, 2space exploration and colonization, most notably Space Is the Place, a 2006 — 08 exhibition that traveled to multiple venues throughout the US (Alex Baker and Toby Kamps, curators and editors, Space is the Place, Independent Curators International and Cincinnati Contemporary Arts Center, 2007), and Space: About a Dream, a 2011 exhibition at Kunsthalle Wien (Cathérine Hug, curator and editor, Space: About a Dream, Verlag für Moderne Kunst Nürnberg, 2Space Is the Place, a 2006 — 08 exhibition that traveled to multiple venues throughout the US (Alex Baker and Toby Kamps, curators and editors, Space is the Place, Independent Curators International and Cincinnati Contemporary Arts Center, 2007), and Space: About a Dream, a 2011 exhibition at Kunsthalle Wien (Cathérine Hug, curator and editor, Space: About a Dream, Verlag für Moderne Kunst Nürnberg, 2Space is the Place, Independent Curators International and Cincinnati Contemporary Arts Center, 2007), and Space: About a Dream, a 2011 exhibition at Kunsthalle Wien (Cathérine Hug, curator and editor, Space: About a Dream, Verlag für Moderne Kunst Nürnberg, 2Space: About a Dream, a 2011 exhibition at Kunsthalle Wien (Cathérine Hug, curator and editor, Space: About a Dream, Verlag für Moderne Kunst Nürnberg, 2Space: About a Dream, Verlag für Moderne Kunst Nürnberg, 2011).

About The Ohio State University's College of Arts and Sciences Arts Initiative The Arts Initiative at The Ohio State University serves as an umbrella for multiple arts and culture organizations on and off campus, including the Urban Arts Space, Hopkins Hall Gallery, and the Town and Gown Committee for the AArts and Sciences Arts Initiative The Arts Initiative at The Ohio State University serves as an umbrella for multiple arts and culture organizations on and off campus, including the Urban Arts Space, Hopkins Hall Gallery, and the Town and Gown Committee for the AArts Initiative The Arts Initiative at The Ohio State University serves as an umbrella for multiple arts and culture organizations on and off campus, including the Urban Arts Space, Hopkins Hall Gallery, and the Town and Gown Committee for the AArts Initiative at The Ohio State University serves as an umbrella for multiple arts and culture organizations on and off campus, including the Urban Arts Space, Hopkins Hall Gallery, and the Town and Gown Committee for the Aarts and culture organizations on and off campus, including the Urban Arts Space, Hopkins Hall Gallery, and the Town and Gown Committee for the AArts Space, Hopkins Hall Gallery, and the Town and Gown Committee for the ArtsArts.

Many, as were Will Barnet, the Indian space painters, Pollock, Gottlieb and Rothko, responsive to the homologies between their evolving abstract and iconographic syntaxes and the precedents already long applied by Native artists... G. Peter Jemison takes advantage of visual art's capacity to collapse multiple associations within an image in a way the linearity of language can barely deliver.

During the tour UOVO executive vice president Tom Hale said the facility catered to the «post-red brick gallery world,» where galleries buoy themselves with business unrelated to their shows, where art advisors do business in New York without any physical plant here, where artists manage their own work through multiple galleries (and thus may need their own storage space), and where, though he did not say this, art regularly trades back and forth without it ever leaving its storage facilities.

Inviting the viewer to enter a space charged with symbolic elements, from the more obvious to the more covert, that configure the multiple realities and readings which give life to the artist's personal universe, «Something old, something new, something borrowed» essentially speaks of personal records and comforts, of the past and the present, of what was and what is — a series of reflections that convey a repertoire of emotions, interests, and stories particularly important to the author: distant family recollections, but also recent intimate memories; pleasant re-connections with domesticity after long periods of travel in the real world, but also disconnections and ironic provocations with the virtual world of social media; a long relationship with the universe of animation and video games, but also another with themes of classical representation from the history of art.

The exhibition allows visitors to get to know her multiple facets, from her contacts with Pop art, to her art installations and interventions in public spaces.

With Pressing Matters Kevin van Braak and Framer Framed create a collaborative space in which multiple conventions in the art world are questioned.

Currently residing in Brooklyn, NY, her work has been shown in multiple group exhibitions including Pop Up Series 2: On & Off the Wall, First Street Gallery (New York, NY), Taller Boricua Gallery, (New York, NY), The Interchurch Center Gallery (New York, NY), Space Womb Gallery (Queens, NY), Art Plus LIC Gallery (Queens, NY), and an invitational exhibit from the NLAPW (The National League of American Pen Women) at St. Josephs College (Brooklyn, NY).

He is the founder of multiple Chicago alternative spaces artLedge (2004 - 2007), BEN RUSSELL (2009 - 2011), The Storefront (2010 - 2014), and art - publishing house Silver Galleon Press (2008 - present).

With contemporary art a need has arisen for a new type of exhibition space that have room to show the bigger and more technically demanding art formats: large art installations of light, sound and motion, sculptural landscapes, performance and monumental video art on multiple screens.

The paintings themselves are made through a multiple processes and playing with the relationships of negative space, depth and the picture plane to create art that play with balance and perception and oscillates between sensations of chaos, tranquility and curiosity of what lies just beyond view.

«I think the draw is multiple — strong artist community, low cost of living, interesting artist - run spaces, though these are always in flux, and institutions like Artpace, Blue Star and the Southwest School of Art,» Cassie says.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

The exhibition showing around 40 artworks across multiple disciplines including painting, sculpture, video, photography, site - specific installation, in Cosco Tower and chi art space in Hong Kong, provides an exploration into how geometry, the «measurement of the Earth (geo)» influences our imagination of to the world.

Art works by Buckley, Holme and Hudson act as interchange stations between painting and sculpture, with multiple references to real and abstract space and ruminations on formal properties such as transparency, opacity, colour, shape and line.

AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.

The Chinese and international artworks featured in this exhibition span multiple periods, mediums and forms, presenting the expanding dimensions and imaginational space for contemporary art through the intersection of «Myth» and «History,» while also interpreting the character and cultural environment of the city of Shanghai through multiple perspectives.

This depersonalization and mechanization of art's form and content did more than simply complicate the claims of authorship and authenticity so dear to high modernist aesthetics; it inserted the idea of the multiple into the once autonomous space of the unique, and introduced the plural into the singular in a way that dramatically impacted our conceptual appreciation of these binary terms.

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

GALLERY EXHIBITIONS Sharon Brant: Plenty, March 3 — April 28, 2018 Brant / Brennan / Zinsser, June 4 — July 2, 2016 Sharon Brant: Sideswiped, November 2 — December 22, 2012 MINUS SPACE en Oaxaca: Panorama de 31 artistas internacionales, Multiple Cultural Venues, Oaxaca, Mexico, March 15 — April 30, 2012 Escape from New York, The Engine Room, Massey University, Wellington, New Zealand, April 22 — May 8, 2010 Escape from New York, Project Space Spare Room, RMIT University, Melbourne, Australia, May 8 - 29, 2009 Minus Space, P.S. 1 Contemporary Art Center / MoMA, NYC, October 19, 2008 — May 4, 2009 Escape from New York, Sydney Non Objective, Sydney, Australia, August 3 — September 2,SPACE en Oaxaca: Panorama de 31 artistas internacionales, Multiple Cultural Venues, Oaxaca, Mexico, March 15 — April 30, 2012 Escape from New York, The Engine Room, Massey University, Wellington, New Zealand, April 22 — May 8, 2010 Escape from New York, Project Space Spare Room, RMIT University, Melbourne, Australia, May 8 - 29, 2009 Minus Space, P.S. 1 Contemporary Art Center / MoMA, NYC, October 19, 2008 — May 4, 2009 Escape from New York, Sydney Non Objective, Sydney, Australia, August 3 — September 2,Space Spare Room, RMIT University, Melbourne, Australia, May 8 - 29, 2009 Minus Space, P.S. 1 Contemporary Art Center / MoMA, NYC, October 19, 2008 — May 4, 2009 Escape from New York, Sydney Non Objective, Sydney, Australia, August 3 — September 2,Space, P.S. 1 Contemporary Art Center / MoMA, NYC, October 19, 2008 — May 4, 2009 Escape from New York, Sydney Non Objective, Sydney, Australia, August 3 — September 2, 2007

As he moves through a layered world of multiple cultures and geographies, Parlá's intensively textured works move between spaces and mediums: they encompass painting and sculpture, wall fragments brought inside gallery spaces or installed in public, and the polymorphous influence of the underground art scene of the 1980s.

GALLERY EXHIBITIONS MINUS SPACE en Oaxaca: Panorama de 31 artistas internacionales, Multiple Cultural Venues, Oaxaca, Mexico, March 15 — April 30, 2012 Daniel Göttin: Network 45 with Signs, February 6 — March 13, 2010 Open House for Butterflies, July 31 — August 29, 2009 Minus Space, P.S. 1 Contemporary Art Center / MoMA, NYC, October 19, 2008 — May 4,SPACE en Oaxaca: Panorama de 31 artistas internacionales, Multiple Cultural Venues, Oaxaca, Mexico, March 15 — April 30, 2012 Daniel Göttin: Network 45 with Signs, February 6 — March 13, 2010 Open House for Butterflies, July 31 — August 29, 2009 Minus Space, P.S. 1 Contemporary Art Center / MoMA, NYC, October 19, 2008 — May 4,Space, P.S. 1 Contemporary Art Center / MoMA, NYC, October 19, 2008 — May 4, 2009

Now more than ever, art, like life, assaults us through multiple senses, collapsing time and space into experience, effect and event.